walk on air
´Ù¸¥ °÷¿¡¼ ã±â
³×À̹ö»çÀü ´ÙÀ½»çÀü Cambridge M-W M-W Thesaurus OneLook Wordnet Google
³¯¾Æ°¥ µíÇÑ ±âºÐÀ̾ú´Ù.
I was walking on air.
³¯ µíÀÌ ±â»¼´Ù.
I was walking on air.
I was in heaven.
I was on cloud nine.
I was on the top of the world.
Nancy must be walking on air.
³½½Ã´Â ÁÁ¾Æ¼ ¾î¿ ÁÙ ¸ð¸£´Â °Ô Ʋ¸²¾ø¾î¿ä.
[ÝïÎò] after, behind
¡¸µÚ¿¡¡¹¸¦ ÀǹÌÇÏ´Â ÀüÄ¡»ç¡¤Çü¿ë»ç¡¤ºÎ»ç·Î¼ µ¿ÀǾ ÀÌ·çÁö¸¸ ¼·Î ¹Ù²ã ¾²ÀÏ ¼ö´Â ¾ø´Ù. Àå¼Ò¡¤À§Ä¡¿¡ °üÇØ¼ ¸»ÇÒ ¶§ after´Â ¿òÁ÷ÀÌ´Â °ÍÀÇ ÀüÈÄ¡¤¼ø¼¸¦ ³ªÅ¸³»´Â µ¥¿¡ ¿îµ¿À» Ç¥½ÃÇÏ´Â µ¿»ç¡¤¸í»ç¿Í ÇÔ²² ¾²ÀδÙ.
The faculty marched in pairs, one after another.
ÀÌ·¸°Ô ¾²ÀÌ´Â °æ¿ì ¾î´À °ÍÀÌ ¾Õ¼°í µÚ¼´ÂÁö¸¦ ÀüÇô ³ªÅ¸³»Áö ¾Ê´Â´Ù. run after a personÀº ±× »ç¶÷ ¾Õ¿¡ ¼·Á´Â ³ë·ÂÀ» ³ªÅ¸³¾ »ÓÀÌ´Ù. Á¤Áö »óÅÂÀÇ µ¿»ç¿Í ÇÔ²² ¾²ÀÌ´Â °æ¿ì¿¡µµ ¿îµ¿ÀÇ ÀüÈÄ¡¤¼ø¼°¡ ¹®¸Æ¿¡ ÀÇÇØ ³ªÅ¸³¯ »ÓÀÌ´Ù. One stays after the others´Â after the others who have left¸¦, One calls after a personÀº after a person who is walking ahead¸¦, One looks after the children of a friend´Â after the children of a friend who is away, ill, or engaged(ÁýÀ» ºñ¿ü°Å³ª º´À» ¾Î´Â, ȤÀº º¼ÀÏÀÌ Àִ ģ±¸ÀÇ ¾ÆÀ̵éÀÇ µÚ¸¦)¸¦ ¾Ï½ÃÇÑ´Ù.
behind´Â Á¤Áö »óÅ¿¡ ÀÖ´Â °ÍÀÇ µÚ¿¡ ÀÖ´Â ÀÚ¸®, ¹èÈĸ¦ °¡¸®Å²´Ù.
The chair is behind the door./ The garden is behind the house.
±×¸®°í ¿òÁ÷ÀÌ´Â °Í¿¡ °üÇØ¼ ¾²ÀÌ´Â °æ¿ì¿¡´Â º¸Åë Áö¿¬¡¤Áöü¡¤ºÎµ¿ÀÇ »óŸ¦ ¾Ï½ÃÇÑ´Ù. run behind another´Â ±×¿¡°Ô µÚ¶³¾îÁ®¼ ´Þ¸®´Â °Í, be left behind´Â µÚ¶³¾îÁö°Å³ª, ³²ÀÌ ¶°³ª°£ ÈÄ¿¡ ³²¾Æ ÀÖ´Â °ÍÀ» °¡¸®Å²´Ù. ½Ã°£¿¡ °üÇØ¼ ¸»ÇÒ ¶§, after´Â behindº¸´Ù ÈξÀ ¸¹ÀÌ ¾²ÀÌ´Â ¸»·Î ¼ø¼ÀÇ ÀüÈĸ¦ °¡¸®Å°´Â µ¥¿¡ ¹Ýµå½Ã ¿ä±¸µÇ´Â ¸»ÀÌ´Ù.
Who ruled after James ¥°?/ After one o'clock no one may leave the room.
behind´Â ÀÌ·± °æ¿ì, ¿¹Á¤¡¤Áøº¸¿¡¼ µÚ´ÊÀº °Í, µÚ¶³¾îÁö´Â °ÍÀ» ¾Ï½ÃÇÑ´Ù.
You are two hours behind schedule./ She is behind her age.
[ÝïÎò] swing, sway, oscillate, vibrate, fluctuate, undulate, rock
swingÀº À§¿¡ ´Þ·Á¼ ´Ã¾îÁø, µ¹Â¼±Í·Î °íÁ¤µÈ ÃàÀ» °¡Áø ¹°°Ç, Áï ÇÑ ³¡À̳ª µÎ ³¡ÀÌ ´Ù¸¥ °Í¿¡ °íÂøµÇ¾î, ±× °íÂøµÈ Á¡¿¡¼ ÀÚÀ¯·Î µ¹ ¼ö ÀÖµµ·Ï µÇ¾î ÀÖ´Â ¹°°ÇÀÌ ÀüÈÄ¡¤Á¿ì·Î ºñ±³Àû ±ÔÄ¢ÀûÀ¸·Î ¿òÁ÷ÀÌ´Â °ÍÀ» ³ªÅ¸³½´Ù.
The lantern hanging overhead swung in the wind.
¹®¸Æ¿¡ µû¶ó¼´Â ÈçµéÈçµé ¿òÁ÷ÀÌ´Â °ÍÀÌ ´Ù¸¥ Èû¿¡ ÀÇÇØ¼ ÀϾ´Â °ÍÀÎÁö ¶Ç´Â ÀÚµ¿ÀûÀÎ °ÍÀÎÁö, °¡²û ÀϾ´Â °ÍÀÎÁö ¶Ç´Â °è¼ÓÀûÀÎ °ÍÀÎÁö, À²µ¿ÀûÀÌ¸ç ±ÔÄ¢ÀûÀÎ °ÍÀÎÁö ¶Ç´Â ´Ü¼ÓÀûÀÌ°í ºÒ±ÔÄ¢ÇÑ °ÍÀÎÁö, ¸íÈ®ÇÏ°Ô ³ªÅ¸³»Áö ¾Ê´Â °æ¿ì°¡ ÀÖ´Ù.
The tavern sign swings from a hook above the door./ He walked down the street swinging his arms.
sway´Â Á¶¿ëÈ÷ swingÇÏ´Â °Í ¶Ç´Â Èçµé¸®±â ½¬¿î ¹°°ÇÀ̳ª ¾ÈÁ¤¼ºÀÌ ¾ø´Â ¹°°ÇÀÌ ¹ÞÃÄÁÖ´Â °ÍÀÌ ¾ø¾î¼ ¶Ç´Â ¾Ð·Â¡¤¹«°Ô¿¡ ´·Á¼ Èçµé¸®´Â °ÍÀ» ¸»ÇÑ´Ù.
The branches sway in the breeze.
oscillate´Â ½Ã°èÀÇ Ãßó·³ ´Ã¾îÁ® ´Þ¸° ¹°°ÇÀÌ ÀÏÁ¤ÇÑ µÎ Á¡ »çÀ̸¦ ÀÚµ¿ÀûÀÌ°íµµ ±ÔÄ¢ÀûÀ¸·Î ¹ø°¥¾Æ ¿Ô´Ù°¬´ÙÇÏ´Â ¿îµ¿À» °¡¸®Å²´Ù.
A pendulum oscillates.
ºñÀ¯ÀûÀ¸·Î´Â »óÅ¡¤Åµµ¡¤ÀÔÀå µûÀ§°¡ ±Ø´Ü¿¡¼ ±Ø´ÜÀ¸·Î ¹Ù²ï´Ù´Â ¶æÀ» ǰ´Â´Ù.
He oscillates regularly between elation and despair.
vibrate´Â Çö¾Ç±âÀÇ Çö µûÀ§, ÆØÆØÇÑ ÁÙÀ» Àâ¾Æ¶âÀ» ¶§ »ý±â´Â °Í°ú °°Àº ±Þ°ÝÇÏ°í ±ÔÄ¢ÀûÀÎ ÀüÈÄ ¿îµ¿À» ¾Ï½ÃÇÑ´Ù. ¹°¸®Çп¡¼´Â ź¼ºÃ¼ µûÀ§ÀÇ ºÐÀÚÀÇ ÀÌ·± ¿îµ¿¿¡ Àû¿ëµÈ´Ù.
You know that if your strike a note of music, all the octave notes will vibrate./ A tuning fork vibrates when struck.
fluctuate´Â ¾î¿øÀûÀ¸·Î ¡®È帧, ¹°°á¡¯ÀÇ ¶æÀ¸·Î ¹Ù´Ù ¹°°á ¶Ç´Â ±×·± ¹°°á À§¿¡ ¶°ÀÖ´Â ¹°°ÇÀÌ ½¯ »çÀÌ ¾øÀÌ ¿À¸£¶ô³»¸®¶ôÇÏ´Â °ÍÀ» ³ªÅ¸³½´Ù. ±×·¯³ª ±ÛÀÚ ±×´ë·ÎÀÇ ¶æÀ¸·Î ¾²ÀÌ´Â ÀÏÀº Áö±ÝÀº µå¹°°í, ÁÖ·Î °ÇÑ ¹Ù¶÷¿¡ ¹Ð¸®´Â ÆÄµµÀÇ ¿îµ¿À» ¾Ï½ÃÇÏ´Â, ¾ÆÁÖ ºÒ±ÔÄ¢ÇÏ°Ô ±³´ëµÇ´Â ¿îµ¿À» °¡¸®Å²´Ù.
stock prices that fluctuate from day to day
undulate´Â ¹°°á °°Àº ¿îµ¿À» ¾Ï½ÃÇÏ´Â µ¥¿¡´Â fluctuateº¸´Ù ÀÌ ¸»ÀÌ ÈξÀ ¸¹ÀÌ ¾²ÀδÙ. ¶ÇÇÑ ºñÀ¯ÀûÀ¸·Î´Â ±Þ°ÝÇÑ º¯È¸¦ ¾Ï½ÃÇÏÁö ¾Ê°í, ²ÙÁØÈ÷ È帣´Â ¹°ÀÇ ¹°°áÀ» ¿¬»ó½ÃÄѼ, °è¼ÓÀûÀ¸·Î Ãâ··°Å¸®´Â Àܹ°°áÀ» ¾Ï½ÃÇÏ´Â °æ¿ì¿¡ ÈçÈ÷ ¾²ÀδÙ.
undulating land/ The flag undulates in the breeze.
rockÀº ¿ä¶÷(cradle)ó·³, ¾î¶² ¹°°ÇÀÇ ¹Ø¹Ù´ÚÀÌ °î¼±ÇüÀ¸·Î µÇ¾î ÀÖ¾î ´À¸´´À¸´ ±ÔÄ¢ÀûÀ¸·Î ¶Ç´Â ÀüÈÄ Á¿ì·Î Èçµé¸®´Â °ÍÀ» ³ªÅ¸³½´Ù.
A cradle rocks.
±×·¯³ª ´ë°³´Â ¸÷½Ã µÚÈçµé¸²À» ´çÇÑ ¹°°ÇÀÌ »ç³³°Ô swingÇÏ´Â °ÍÀ» ¾Ï½ÃÇÑ´Ù.
The house rocked in the storm.
±âºÐÀÌ ³¯¾Æ°¥ °Í °°¾Æ¿ä.
I feel like I could almost fly.
= I could walk on air.
= I fell high as a kite.
ÈïºÐ: blow one's mind, catch fire, drive someone bananas, hopped up, fuss
and feathers, heart skip a beat, heart miss a beat, in a lather, keyed up,
steamed up, switched on, warm one's blood, on top of the world, sitting on
high cotton, walk on air
Ç㸧ÇÑ Ã»¹ÙÁö¿¡ ÇÃ¶ó½ºÆ½ ±Í°ÉÀ̸¦ ´Þ°í ÀÖ´ø
-- She was wearing a faded pair of jeans, earing made of plastic
±×³à¸¦ ³ª¸¸ÀÌ ´À³¥ ¼ö ÀÖ´Â °Ç
-- I was the only one who could sense what she was
³Ê¹«³ª ÀÚ¶û½º·¯¿ö
-- And I'm so proud of it
»ç¶ûÀ̶õ ¸»ÀÌ Á¡Á¡ ±× Àǹ̸¦ ÀҾ°í ÀÖ´Â ¿äÁòÀ̱⿡
-- The meaning of love in the world nowadays doesn't really
count as much as it used to
³ª´Â ±×³à¸¦ °¨È÷ »ç¶ûÇÑ´Ù°í ¸»Çϱâ´Â ½È¾úÁÒ
-- For the reason I dare not say I'm in love with her, oh ¡
ÇÏÁö¸¸ ¹ã»õ¿ö °É¾îµµ ¾Æ¹«¸® »ý°¢ÇغÁµµ
-- I walked and walked all night long trying to think of a better word
±×º¸´Ù ´õ Àû´çÇÑ ¸»À» ã¾Æ³»Áö ¸øÇß½À´Ï´Ù.
-- I couldn't come up with a better word than the word love
°¡´À´Ù¶õ ¼ÕÀÌ ³¯ ¾î·ç¸¸Áö¸ç ²À ¾È¾ÆÁشٸé
-- With her fragile fingers caressing and hugging me tightly
If you want to get to the top of the highest mountain in the world, you have to climb as high as a plane flies.
There aren't any roads or tracks that lead to the top of the mountain.
The mountain is Mount Everest in the Himalaya Range.
The only way to get to the top of Mount Everest is to walk, climb, and crawl there yourself.
You have to drive spikes into the rock and cut your own stairs in the ice.
One false step, and you could fall nearly two and a half miles straight down.
When you get to the top of Mount Everest, you're up so high that the air doesn't have enough oxygen for you to breathe.
So you have to take tanks of oxygen with you.
¼¼°è¿¡¼ °¡Àå ³ôÀº »êÀÇ Á¤»ó¿¡ ¿Ã¶ó°¡°í ½Í´Ù¸é, ´ç½ÅÀº ºñÇà±â°¡ ³¯¾Æ°¡´Â ³ôÀ̸¸Å ¿Ã¶ó°¡¾ß ÇÑ´Ù.
±× »êÀÇ Á¤»ó±îÁö À̾îÁö´Â ±æÀ̳ª Æ®·¢µµ ¾ø´Ù.
±× »êÀº È÷¸»¶ó¾ß »ê¸Æ¿¡ ÀÖ´Â ¿¡º£·¹½ºÆ® »êÀÌ´Ù.
¿¡º£·¹½ºÆ® »ê Á¤»ó¿¡ ¿À¸£´Â À¯ÀÏÇÑ ¹æ¹ýÀº °Å±â±îÁö ³× ½º½º·Î °È°í, ¿À¸£°í, ±â´Â °Í»ÓÀÌ´Ù.
³Ê´Â ¹ÙÀ§¿¡ ¸øÀ» ¹Ú¾Æ¾ß ÇÏ°í ¾óÀ½¿¡ °è´ÜÀ» ±ð¾Æ¾ß ÇÑ´Ù.
¹ß Çѹø À߸øµðµð¸é, ³Ê´Â ¹Ù·Î ¾Æ·¡ °ÅÀÇ 2.5 ¸¶ÀÏ ¾Æ·¡·Î ¶³¾îÁú °ÍÀÌ´Ù.
¿¡º£·¹½ºÆ® Á¤»ó¿¡ ¿À¸£¸é, ´ç½ÅÀº ³Ê¹«µµ ³ôÀÌ ¿Ô±â ¶§¹®¿¡ °ø±â Áß¿¡´Â ´ç½ÅÀÌ È£ÈíÇϱ⿡ ÃæºÐÇÑ »ê¼Ò°¡ ¾ø´Ù.
±×·¡¼ ´ç½ÅÀº »ê¼ÒÅÊÅ©¸¦ °¡Áö°í °¡¾ßÇÑ´Ù.
My hometown is famous for its scenic beauty and its flowers.
The lilac fair is especially well known.
In the spring, when the lilacs are at their most beautiful, many people come from all over the country to visit the town and see the fair.
It is wonderful to see families walking together among the lilacs, parents carrying small children on their shoulders, while others run and play around them.
Meanwhile, teenagers dance to the rhythm of the music on their cassette players, and old people sit on park benches, eating their packed meals.
They all feel lucky to be alive and healthy at this time.
It is difficult for them to imagine a better day out.³» °íÇâÀº ¾Æ¸§´Ù¿î °æÄ¡¿Í ²Éµé·Î À¯¸íÇÏ´Ù.
ƯÈ÷ ¶óÀ϶ô²É ¹Ú¶÷ȸ´Â Àß ¾Ë·ÁÁ® ÀÖ´Ù.
¶óÀ϶ô²ÉÀÌ ÇÑ⠾Ƹ§´Ù¿ï º½À̸é, ¿©·¯ ³ª¶ó¿¡¼ ¸¹Àº »ç¶÷µéÀÌ ¿ì¸® °íÇâ¿¡ ã¾Æ¿Í ¶óÀ϶ô²É ¹Ú¶÷ȸ¸¦ ±¸°æÇÑ´Ù.
°¡Á·µéÀÌ ¶óÀ϶ô²É »çÀ̸¦ ÇÔ²² °É¾î°¡´Â ¸ð½ÀÀ» ±¸°æÇÏ´Â °ÍÀº ¸ÚÁø ÀÏÀÌ´Ù.
ºÎ¸ð´ÔÀÌ ¾î¸° ¾ÆÀ̸¦ ¸ñ¸¶ Å¿ì°í, ´Ù¸¥ ¾ÆÀ̵éÀº ±×µé ÁÖÀ§¿¡¼ ¶Ù¾î ³î°í ÀÖ´Ù.
´Ù¸¥ ÇÑÆí¿¡¼±, 10´ëµéÀÌ Ä«¼¼Æ® Ç÷¹À̾¼ ³ª¿À´Â À½¾Ç ¸®µë¿¡ ¸ÂÃç ÃãÀ» Ãß°í ÀÖ°í, ³ëÀεéÀº °ø¿ø º¥Ä¡¿¡ ¾É¾Æ µµ½Ã¶ôÀ» ¸Ô°í ÀÖ´Ù.
±×µé ¸ðµÎ Áö±Ý ÀÌ ¼ø°£¿¡ »ì¾Æ ÀÖ´Ù´Â °Í°ú °Ç°ÇÏ´Ù´Â °ÍÀ» Çà¿îÀ̶ó ´À³¥ °ÍÀÌ´Ù.
±×µéÀº ¾ß¿Ü¿¡¼ ´õ ¸ÚÁø ³¯À» »ó»óÇϱ⠾î·Á¿ï °ÍÀÌ´Ù.
On the first day, I and a co-worker went into the store after work.
Needless to say, everything looked good.
The store was pretty well stocked.
We both took mental notes of things we'd eventually get.
We wisely decided not to buy anything on that day.
We had plenty of time.
We walked around leisurely, eyeing different items.
I said to myself, ¡°Here are some cheap computer games.
That pair of roller blades for $25 looks good, too.
That battery-powered electric shaver could sure come in handy.¡±
Yes, we were there to see the goods and to plan our purchases for the last day of the sale, when the prices would be really low.
ù³¯ ³ª¿Í ³» µ¿·á´Â Åð±Ù ÈÄ ±× ¹éÈÁ¡¿¡ °¬´Ù.
¸»ÇÒ °Íµµ ¾øÀÌ, ¸ðµç °ÍÀÌ ÁÁ¾Æ º¸¿´´Ù.
±× ¹éÈÁ¡Àº (¹°Ç°µéÀÌ) ¾ÆÁÖ Àß °®ÃçÁ® ÀÖ¾ú´Ù.
¿ì¸® µÑ ´Ù ÃÖÁ¾ÀûÀ¸·Î ¿ì¸®°¡ »ì ¹°°ÇµéÀ» ¸Ó¸® ¼Ó¿¡ ±â¾ïÇØ µÎ¾ú´Ù.
¿ì¸®´Â ±× ³¯ ¹Ù·Î ¹°°ÇÀ» »çÁö ¸»ÀÚ´Â Çö¸íÇÑ °áÁ¤À» ³»·È´Ù.
¿ì¸®¿¡°Ô´Â ÃæºÐÇÑ ½Ã°£ÀÌ ÀÖ¾ú´Ù.
¿ì¸®´Â ÇѰ¡ÇÏ°Ô ÁÖº¯À» °É¾î ´Ù´Ï¸ç ´Ù¸¥ ¹°Ç°µéÀ» ±¸°æÇß´Ù.
³ª´Â ¡°¿©±â¿¡ °ª ½Ñ ÄÄÇ»ÅÍ °ÔÀÓµéÀÌ ÀÖ³×.
Àú 25´Þ·¯Â¥¸® ·Ñ·¯ ºí·¹À̵嵵 Á¤¸» ÁÁ¾Æ º¸À̴µ¥.
Àú ¹èÅ͸® ÃæÀü¿ë Àü±â¸éµµ±â´Â È®½ÇÈ÷ Æí¸®ÇÒ °Å °°¾Æ.¡±¶ó°í È¥À㸻À» Çß´Ù.
´ç¿¬È÷ ¿ì¸®´Â ¹°°Ç°ªÀÌ °¡Àå ¸¹ÀÌ ³»·Á°¡´Â ¼¼ÀÏ ¸¶Áö¸· ³¯ ±× »óǰµéÀ» º¸°í ±¸¸Å¸¦ °èȹÇϱâ À§ÇØ ±× ¹éÈÁ¡¿¡ ÀÖ¾ú´Ù.
School location can influence children's physical health.
When new schools are built at a long distance from where their families live, children need to be driven to school,
and they are deprived of an opportunity for exercise.
On the other hand, if schools are located within walking or biking distance from where they live,
and if safe routes to school are provided, then children can make walking or biking a part of their daily lives,
establishing good habits that can last lifetime.
Besides, when new schools are built, it is considered whether the places where new schools will be built provide plenty of light and fresh air.
Çб³ÀÇ À§Ä¡°¡ ¾ÆÀ̵éÀÇ ½Åü °Ç°¿¡ ¿µÇâÀ» ¹ÌÄ¥ ¼ö ÀÖ´Ù.
»õ·Î¿î Çб³°¡ Àڱ⠰¡Á·ÀÌ »ç´Â °÷¿¡¼ ¸Õ °÷¿¡ ¼¼¿öÁö¸é ¾ÆÀ̵éÀº Çб³·Î Â÷·Î µî±³¸¦ ÇØ¾ß ÇÒ Çʿ䰡 »ý±â°í,
±×·¯¸é ¾ÆÀ̵éÀº ¿îµ¿ÇÒ ±âȸ¸¦ ¹ÚÅ»´çÇÏ°Ô µÈ´Ù.
¹Ý¸é¿¡ Çб³°¡ »ç¶÷µéÀÌ »ç´Â °÷¿¡¼ °È°Å³ª ÀÚÀü°Å¸¦ Ÿ°í °¥¸¸ÇÑ °Å¸® ¾È¿¡ À§Ä¡Çϰí
¾ÈÀüÇÑ µî±³ ±æÀÌ È®º¸µÈ´Ù¸é, ¾ÆÀ̵éÀº °È°Å³ª ÀÚÀü°Å Ÿ´Â ÀÏÀ» ÇÏ·ç »ýȰÀÇ ÀϺηΠ¸¸µé ¼ö ÀÖ°í,
±×¸®ÇÏ¿© Æò»ý Áö¼ÓµÉ ¼ö ÀÖ´Â ÁÁÀº ½À°üÀ» Çü¼ºÇÏ°Ô µÈ´Ù.
¶ÇÇÑ »õ Çб³°¡ Áö¾îÁú ¶§´Â »õ Çб³°¡ Áö¾îÁú Àå¼Ò¿¡ ÇÞºû°ú ½Å¼±ÇÑ °ø±â°¡ dzºÎÇÑÁö¸¦ °í·ÁÇÑ´Ù.
I entered the old, red brick house.
As I walked through the creaky oak door, the light barely crept through the dirty old windowpanes.
Slowly, I moved into the once-lively living room.
While I reached for the light switch, the soft wisp of a spider¡¯s web brushed against my hand.
The smell and taste of dust were thick in the air.
The gray, crushed velvet furniture was covered with thick, clear, plastic sheets.
The white walls and ceiling were now a dull, dingy gray, and there were little balls of dust about the floor.
Hearing nothing except my own heartbeat, I felt the emptiness crash out loud and hard.
³ª´Â ±× ¿À·¡µÈ »¡°£ º®µ¹Áý¿¡ µé¾î°¬´Ù.
¶±°¥³ª¹«·Î ¸¸µé¾îÁø »ß°Æ°Å¸®´Â ¹®À» ¿°í µé¾î°¥ ¶§, ÁöÀúºÐÇÑ ³°Àº âÀ¯¸®¸¦ ÅëÇØ Èñ¹ÌÇÑ ºûÀÌ º¸ÀÏ µí ¸» µí µé¾î ¿Ô´Ù.
³ª´Â ÇÑ ¶§ Ȱ±â¿¡ ³ÑÃÆ´ø °Å½Ç·Î õõÈ÷ µé¾î°¬´Ù.
ºÒÀ» ÄÑ´Â ½ºÀ§Ä¡°¡ ÀÖ´Â °÷À¸·Î ¼ÕÀ» »¸À¸´Ï ºÎµå·¯¿î °Å¹ÌÁ٠Ÿ·¡°¡ ¼ÕÀ» ½ºÃÆ´Ù.
¸ÕÁö ³¿»õ¿Í ¸ÀÀÌ °ø±â Áß¿¡¼ ÁøÇÏ°Ô ´À²¸Á³´Ù.
ȸ»öÀÇ ºÎ¼Áø º§ºª °¡±¸´Â µÎ²®°í, Åõ¸íÇÑ ºñ´Ò·Î µ¤¿© ÀÖ¾ú´Ù.
ÇÏ¾á »öÀÇ º®°ú õÀåÀº ÀÌÁ¦ È帴Çϰí ÁöÀúºÐÇÑ È¸»öÀÌ µÇ¾î ÀÖ¾ú°í, ¹Ù´Ú¿¡´Â ÀÛÀº ¸ÕÁö µ¢¾î¸®µéÀÌ ÀÖ¾ú´Ù.
³ª´Â ½ÉÀå¼Ò¸® ¿Ü¿¡´Â ¾Æ¹«°Íµµ µé¸®Áö ¾Ê´Â »óÅ¿¡¼, °øÇãÇÔÀÌ Å©°í °ÇÑ ¼Ò¸®·Î ¿ï·Á ³ª¿À´Â °ÍÀ» ´À²¼´Ù.
- £×£ï£î£ä£å£ò£æ£õ£ì £Ô£ï£î£é£ç£è£ô sung by Eric Clapton
It's late in the evening
She is wondering what clothes to wear
She puts on her makeup
And brushes her long blonde hair
And then she asks me
"Do I look all right?"
And I say "Yes, you look wonderful tonight"
We go to a party
And everyone turns to see this beautiful lady
is walking around with me
And then she asks me "Do you feel all right?"
And I say "Yes,I feel wonderful tonight"
I feel wonderful
because I see the love light in your eyes
And the wonder of it all is
that you just don't realize how much I love you
It's time to go home now
And I've got an aching head
So I give her the car keys
And she helps me to bed
And then I tell her as I turn out the light
I say "My darling you're wonderful tonight
Oh, my darling you're wonderful tonight"
´ÊÀº Àú³á½Ã°£ÀÔ´Ï´Ù.
±×³à´Â ¹«¾ùÀ» ÀÔÀ»Áö °í¹ÎÇϰí ÀÖ¾î¿ä.
±×³à´Â ÈÀåÀ» Çϰí
±ä ±Ý¹ß¸Ó¸®¸¦ ºø°í ÀÖ¾î¿ä.
±×¸®°í³ª¼ ³»°Ô
"³ª ¾î¶§¿ä?"¶ó°í ¹¯½À´Ï´Ù.
³ "ÀÀ,´ç½Å ¿À´Ã Á¤¸» ¸ÚÁøµ¥"¶ó°í ¸»ÇÕ´Ï´Ù.
¿ì¸®´Â ÆÄƼÀå¿¡ °©´Ï´Ù.
¸ðµç »ç¶÷µéÀº ³» °ç¿¡ ÀÖ´Â ¾Æ¸§´Ù¿î ¿©Àο¡°Ô
³ÌÀ» ÀÒ°í ¹Ù¶óº¾´Ï´Ù.
±×¶§ ±×³à´Â ³»°Ô "´ç½Å ±âºÐ ÁÁ¾Æ¿ä?"¶ó°í ¹¯½À´Ï´Ù.
±×·¯¸é ³ª´Â "ÀÀ, ¿À´Ã¹ãÀº ±âºÐÀÌ È²È¦Çϱº"¶ó°í ´ë´äÇÕ´Ï´Ù.
³ª´Â ´ç½ÅÀº ´«ºû¿¡¼
»ç¶ûÀ» ´À³¥¼ö ÀÖ¾î ȲȦÇÕ´Ï´Ù.
ÇѰ¡Áö ¾Æ½¬¿î °ÍÀÌ ÀÖ´Ù¸é
´ç½ÅÀº ³»°¡ ¾ó¸¶³ª ´ç½ÅÀ» »ç¶ûÇÏ´ÂÁö ¸ð¸£´Â °Í °°´Ù´Â °ÍÀÌÁÒ.
Áý¿¡ °¥ ½Ã°£ÀÌ¿¹¿ä.
¸Ó¸®°¡ ¾ÆÆÄ¼
±×³à¿¡°Ô ÀÚµ¿Â÷ ۸¦ °Ç³× ÁÝ´Ï´Ù.
±×³à´Â ³ª¸¦ ħ´ë¿¡ ´©Åµ´Ï´Ù.
³ª´Â ºÒÀ» ²ô°í ±×³à¿¡°Ô
"´ç½Å,¿À´Ã Á¤¸» ³Ê¹«³ª ¾Æ¸§´Ù¿ö..."
£×£é£ì£ì £ù£ï£õ £â£å £ô£è£å£ò£å
£Í£é£ã£è£å£á£ì £Ê£á£ã£ë£ó£ï£î
Hold me like the river Jordan
And I will than say to thee
You are my friend
Carry me like you are my brother
Love me like a mother
Will you be there
-
Weary
Tell me will you hold me
When wrong will you scold me ?
When lost will you find me ?
But they told me
A man should ne faithful
And walk when not able
And fight till the end
But I'm only human
-
Everyone's tsking control of me
Seems that the world's got a role for me
I'm so sconfused
Will you show to me
You'll be there for me
And care enough to bear me
-
Hold me
Lay your head lowly
Softly then boldly
Carry me there
Hold me
Love me and feed me
Kiss me and free me
-
Carry
Carry me boldly
Lift me up slowly
Carry me there
Save me
Heal me and barhe me
Softly you say to me
I will be there
-
Lift me
Lift me up slowly
Carry me boldly
Show me you care
Hold me
Lay your head lowly
Softly then boldly
Carry me there
-
Need me
Love me and feed me
Kiss me and free me
I will feel blessed
-
In our darkest hour
In my deepest despair
Will you stil care ?
Will you be there ?
In my trials and my tribulations
Through our doubts and frustrations
In my violence
In my turbulence
Through my fear
And my confessions
In my anguish and my pain
Through my joy anf my sorrow
I'll never let you part
For you're always in my heart
-
±×´ë ³ª¸¦ À§ÇÏ¿©
-
¿ä¸£´Ü°Ã³·³ ³ª¸¦ °¨½ÎÁÖ¼¼¿ä
±×·¯¸é ³ ±×´ë¿¡°Ô ¸»ÇÒ²²¿ä
±×´ë´Â ³ªÀÇ Ä£±¸¶ó°í
±×´ë ³ªÀÇ ÇüÁ¦ÀÎ °Íó·³ ³» ¼ÕÀ» Àâ¾ÆÁÖ¾î¿ä
¾ö¸¶Ã³·³ ³ª¸¦ »ç¶ûÇØÁÖ¾î¿ä
¹Ù·Î °Å±â¿¡ ÀÖ¾î ÁÖ°Ú¾î¿ä?
-
ÀÌÁ¨ ÁöÃÆ¾î¿ä
³ª¸¦ ¾È¾ÆÁÙ°ÇÁö ¸»ÇØ ÁÖ¼¼¿ä
³»°¡ À߸øÇßÀ» ¶§´Â ³ª¸¦ ²Ù¢¾î ÁÖ°Ú¾î¿ä ?
±æÀ» ÀÒ¾úÀ» ¶§´Â ³ª¸¦ ã¾ÆÁÙ²«°¡¿ä ?
ÇÏÁö¸¸ »ç¶÷µéÀº ³»°Ô ¸»ÇÏÁÒ
»ç¶÷Àº ¹ÏÀ½Á÷ÇØ¾ßÇÑ´Ù°í
µµÀúÈ÷ °ÉÀ» ¼ö ¾øÀ» ¶§µµ ¾ÕÀ¸·Î °É¾î³ª°¡
³¡±îÁö ½Î¿ö¾ß¸¸ ÇÑ´Ù°í
ÇÏÁö¸¸ ³ª´Â ÀÛÀº ÇÑ Àΰ£ÀÏ»Ó
-
¸ðµÎµé ³ª¸¦ Áþ´©¸£±â¸¸ ÇØ¿ä
À̼¼»óÀÌ ³»°¡ ÇÒ ÀÏÀ» ´Ù °¡Á®°¡ ¹ö¸° °Í °°¾Æ
È¥¶õ½º·´±â¸¸ ÇÕ´Ï´Ù.
³ª¸¦ À§ÇØ °Å±â¿¡ ¼¼
³» ¸ð½ÀÀ» Âü¾ÆÁÙ ¼ö ÀÖÀ» ¸¸Å ³ª¸¦ »ý°¢ÇÏ´ÂÁö
³»°Ô º¸¿©ÁֽǷ¡¿ä ?
¾È¾ÆÁÖ¼¼¿ä
±×´ë ¸Ó¸®¸¦ ³·°Ô ´©À̰í
ºÎµå·´°Ô ±×¸®°í °ú°¨ÇϰÔ
±×°÷À¸·Î ³¯ ÀεµÇØÁà¿ä
¾È¾ÆÁÖ¼¼¿ä
³ª¸¦ ±×´ëÀÇ »ç¶ûÀ¸·Î ä¿öÁÖ¼¼¿ä
ÀÔÀ» ¸ÂÃß°í ³ª¸¦ ÀÚÀ¯·Ó°Ô ÇØ ÁÖ¼¼¿ä
±¸ÇØÁÖ¼¼¿ä
³ª¸¦ Ä¡·áÇÏ°í ±ú²ýÀÌ ¾Ä¾îÁÖ¼¼¿ä
±×¸®°í ºÎµå·´°Ô ³» °ç¿¡ ÀÖ°Ú´Ù°í ¸»ÇØÁÖ¼¼¿ä
-
¿Ã·ÁÁÖ¼¼¿ä
³ª¸¦ õõÈ÷ ¿Ã·ÁÁÖ¼¼¿ä
³ª¸¦ ´ë´ãÇÏ°Ô À̲ø¾îÁÖ¼¼¿ä
±×´ë ³ª¸¦ ¾Æ³¤´Ù´Â °É º¸¿©ÁÖ¼¼¿ä
¾È¾ÆÁÖ¼¼¿ä
±×´ë ¸Ó¸®¸¦ ³·°Ô ´©À̰í
ºÎµå·´°í ´ë´ãÇϰÔ
±×´ë ÀÖ´Â °÷À¸·Î ³ª¸¦ À̲ø¾îÁÖ¼¼¿ä.
-
³»°¡ ÇÊ¿äÇÏ´Ù »ý°¢ÇØ ÁÖ¼¼¿ä
±×´ëÀÇ »ç¶ûÀ¸·Î °¡µæÃ¤¿öµÎ¼¼¿ä
ÀÔÀ» ¸ÂÃß°í ÀÚÀ¯·Ó°Ô ÇØ ÁÖ¼¼¿ä
±×·¯¸é ³ª´Â Ãູ ¹ÞÀº ´À³¦À¸·Î °¡µæÇÒ²¨¿¹¿ä
-
°í³ÀÇ ½ÃÀý¿¡µµ
Âü´ãÇÑ Àý¸Á¼Ó¿¡¼µµ
±×´ë ³ª¸¦ ¿©ÀüÈ÷ ¾Æ²¸ÁÖ°Ú¾î¿ä ?
±×°÷¿¡ ÀÖ¾îÁÙ·¡¿ä?
³ªÀÇ ½Ã·Ã°ú °í³ ¼Ó¿¡¼µµ
¿ì¸®ÀÇ Àǽɰú ÁÂÀý ¼Ó¿¡¼µµ
³ªÀÇ µÎ·Á¿ò
³ªÀÇ °í¹é¼Ó¿¡¼µµ
³ªÀÇ °¥µî°ú °íÅë
±â»Ý°ú ½½ÇÄ ¼Ó¿¡¼µµ
¶Ç ´Ù¸¥ ³»ÀÏÀÌ ¿Ã °ÍÀ̶ó´Â ¾à¼Ó¿¡
³ª ±×´ë¸¦ ¶°³ª º¸³»Áö ¾ÊÀ¸·Æ´Ï´Ù
±×´ë ¾ðÁ¦³ª ³» °¡½¿¼Ó¿¡ ÀÖÀ¸´Ï
< Love Is Like Oxygen > performed by Sweet
===========================================
Love is like oxygen
»ç¶ûÀº »ê¼Ò °°Àº °Í
You get too much
³Ê¹« ¸¹ÀÌ µéÀ̸¶½Ã¸é
you get too high
±âºÐÀÌ ³¯¾Æ°¥ °Í °°ÁÒ.
Not enough
ÃæºÐÇÏÁö ¾Ê´Ù¸é
and you're gonna die
Á×°Ô µÉ °Å¿¹¿ä.
Love gets you high
»ç¶ûÀº ±âºÐÀÌ ³¯¾Æ°¥ °Íó·³ ¸¸µéÁÒ.
Time on my side
½Ã°£ÀÌ ³» Æí¿¡ ¼¸é
I got it all
Àú´Â ¸ðµç °ÍÀ» ¾òÀ» ¼ö ÀÖ¾î¿ä.
I've heard that pride
Á¦°¡ µè±â¿¡ ÀÚÁ¸½ÉÀ̶ó´Â °ÍÀº
Always comes before a fall
Ç×»ó ¹«³ÊÁö±â Àü¿¡ µå·¯³ªÁÒ.
(»ç¶÷µéÀº ÀÚ½ÅÀÇ ¹«³ÊÁüÀ» ¸·¾Æ º¸·Á°í ÀÚÁ¸½ÉÀ» µå·¯³½´Ù´Â ÀǹÌÀÔ´Ï´Ù.
»ç¶ûÀ» ¹Þ¾Æ ÁÖÁö ¾Ê´Â »óȲ¿¡¼µµ ÀÌ·± ÀÚÁ¸½ÉÀÌ µå·¯³¯ ¼ö ÀÖ°ÚÁÒ.)
There's a rumour goin' round the town
¸¶À»¿¡ ¶°µµ´Â ¼Ò¹®ÀÌ ÀÖ´õ±º¿ä
That you don't want me around
Á¦°¡ ´ç½Å ÁÖº¯¿¡ ¾ó¾À°Å¸®´Â °ÍÀ» ¿øÄ¡ ¾Ê´Â´Ù±¸¿ä.
(ÀÚ½ÅÀº »ç¶ûÇϴµ¥ ±×³à°¡ ¹Þ¾Æ ÁÖÁö ¾Ê´Â´Ù´Â ´À²¼À» ¶§ ¿À´Â ÁÂÀý°¨°ú
¸¶Áö¸·¿¡ ³²´Â ÀÚÁ¸½ÉÀ» »ý°¢Çß´Ù°í º¼ ¼ö ÀÖÀ» °Í °°½À´Ï´Ù.)
I can't shake off my city blues
ÀÌ µµ½Ã¿¡¼ÀÇ ¿ì¿ïÇÔÀ» ¶³ÃÄ ¹ö¸± ¼ö°¡ ¾ø±º¿ä
(»ç¶ûµµ µîÀ» µ¹¸° »óÅ¿¡¼¾ß ¿Ü·Î¿ò»ÓÀ̰ÚÁÒ. ¿©±â¼´Â
town°ú city¸¦ µ¿ÀÏÇÑ °ÍÀ¸·Î º¼ ¼ö ÀÖ½À´Ï´Ù.)
Every way I turn I lose
¾î¶»°Ô ÇÏ´øÁö Á¦°¡ ¼ÕÇØ¸¦ º¸°Ô µÇÁÒ
(¼Ò¹®¸¸ ¹«¼ºÇÏ°í »ç¶ûµµ ¾ø°í...
¹«¾ùÀ» ÇÏ´øÁö ÀÒ´Â °Í»ÓÀ̶ó´Â Àǹ̰¡ µÇ°Ú½À´Ï´Ù.)
Love is like oxygen...
»ç¶ûÀº »ê¼Ò °°Àº °Í
Time is no healer
½Ã°£ÀÌ ÇØ°áÃ¥Àº ¾Æ´Ï¿¡¿ä
(¿ø·¡´Â healer´Â ÀÇ»ç ¶Ç´Â Ä¡·á»ç¸¦ ¸»ÇÕ´Ï´Ù.)
If you're not there
´ç½ÅÀÌ ¾ø´Ù¸é
Lonely fever
¿Ü·Î¿òÀÇ ¿º´°ú
Sad words in the air
½½Ç À¼Á¶¸²¸¸ ³²°ÚÁÒ
Some things are better left unsaid
¾î¶² °ÍÀº ¸»¾øÀÌ ±×´ë·Î µÎ´Â °ÍÀÌ ÁÁÀ» ¶§µµ ÀÖ¾î¿ä
(º¯¸íÇÏ°í µ¹¾Æ´Ù´Ï´Â °Íº¸´Ù´Â ±×³É µÎÀÚ´Â °á·ÐÀ» ³»·È´Ù°í³ª ÇÒ±î¿ä.)
I'm gonna spend my days in bed
¾ó¸¶ µ¿¾ÈÀº Áý¾È¿¡¸¸ ÀÖ´Ù°¡
I'll walk the streets at night
¹ãÀÌ¸é °Å¸®¸¦ °Å´Ò °Å¿¹¿ä
To be hidden by the city lights
µµ½ÃÀÇ ºÒºû¿¡ ¹¯Èù ä·Î
City lights
µµ½ÃÀÇ ºÒºû¿¡
Love is like oxygen...
»ç¶ûÀº »ê¼Ò °°Àº °Í...
Aside from perpetuating itself, the sole purpose of the American Academy
and Institute of Arts and Letters is to "foster, assist and sustain an
interest" in literature, music, and art. This it does by
enthusiastically handing out money. Annual cash awards are given to
deserving artists in various categories of creativity: architecture,
musical composition, theater, novels, serious poetry, light verse,
painting, sculpture. One award subsidizes a promising American writer's
visit to Rome. There is even an award for a very good work of fiction
that failed commercially ¡ª once won by the young John Updike for the
Poorhouse Fair and, more recently, by Alice Walker for In Love and
Trouble.
ÀÚ½ÅÀ» ¿µ¼Ó½ÃŰ´Â °Í À̿ܿ¡, ¹Ì±¹ ¹®¿¹ ¿¹¼ú¿ø(American Academy and
Institute of Arts and Letters)ÀÇ À¯ÀÏÇÑ ¸ñÀûÀº ¹®ÇÐ, À½¾Ç, ¹Ì¼ú¿¡ °üÇÑ
°ü½ÉÀ» À°¼ºÇÏ°í º¸Á¶Çϰí ÁöÁöÇÏ´Â °ÍÀÌ´Ù. ±× ±â°üÀº
¿±¤ÀûÀ¸·Î(Àû±ØÀûÀ¸·Î) ÀÚ±ÝÀ» Áö¿øÇØÁÜÀ¸·Î½á ÀÌ ÀÏÀ» ÇÑ´Ù. °ÇÃà,
À½¾ÇÀÛ°î, ¿¬±Ø, ¼Ò¼³, º»°ÝÀû ½Ã·ù, °¡º¿î ¿î¹®, ȸÈ, Á¶°¢ µî ´Ù¾çÇÑ
¹üÁÖÀÇ Ã¢ÀÛȰµ¿¿¡ ÀÖ¾î¼ ÀÚ°Ý ÀÖ´Â ¿¹¼ú°¡µé¿¡°Ô ¸Å³â Çö±Ý ¼ö»óÀÌ
ÁÖ¾îÁø´Ù. ÇѹøÀÇ ¼ö»óÀº ¹Ì±¹ÀÇ À¯¸ÁÇÑ ÀÛ°¡°¡ ·Î¸¶ ¹æ¹®Çϴµ¥ ÀÚ±ÝÀ»
´ëÁÖ¾ú´Ù. »ó¾÷ÀûÀ¸·Î ½ÇÆÐÇÑ ÈǸ¢ÇÑ ¼Ò¼³¿¡Á¶Â÷µµ »óÀÌ ÁÖ¾îÁö´Âµ¥, ÀþÀº
John Updike ¿¡°Ô´Â the Poorhouse Fair ¶ó´Â ÀÛǰ¿¡ ´ëÇØ¼, ±×¸®°í ´õ
ÃÖ±Ù¿¡´Â Alice Walker ¿¡°Ô In Love and Trouble À̶ó´Â ÀÛǰ¿¡ ÁÖ¾îÁ³´Ù.
I'm telling you, I have no idea what happened to my wife.
´Ù½Ã ¸»ÇÏÁö¸¸ ¾Æ³»¿¡°Ô ¹«½¼ ÀÏÀÌ ÀϾ´ÂÁö ¸ð¸£°Ú¾î¿ä
Were you having marital problems?
°áÈ¥»ýȰ¿¡ ¹®Á¦°¡ ÀÖ¾ú³ª¿ä?
No,
¾Æ´¢
we were like newlyweds.
¿ì¸° °ÅÀÇ ½ÅÈ¥ºÎºÎ °°¾ÒÁÒ
If I understand you correctly,
´ç½Å ¸»ÀÌ »ç½ÇÀ̶ó¸é
you went to bed.
´ç½ÅÀÌ ÀÚ·¯ °¥ ¶§
Nadine fell asleep on the easy chair.
³»À̵òÀº ¾È¶ôÀÇÀÚ¿¡¼ Àáµé¾î ÀÖ¾ú°í
Ten hours later, you woke up, walked into the living room,
10½Ã°£ ÈÄ Àá¿¡¼ ±ú¾î °Å½Ç·Î °¬´õ´Ï
and she was a pile of ash.
±×³à°¡ Àí´õ¹Ì·Î º¯ÇØ ÀÖ¾ú´Ù´Â °ÅÁÒ
A human torch.
Àΰ£ ȶºÒÀÌÁö
Yeah, right.
±×·¸´Ù°í Ä¡ÀÚ°í
You say you were like newlyweds?
½ÅÈ¥ºÎºÎ °°¾Ò´Ù°í Çϼ̳ª¿ä?
Yeah.
³×
But the two of you weren't sleeping in the same bed?
±×·±µ¥µµ ÀáÀº µû·Î ÀÚ³ª º¸ÁÒ?
Good question.
ÁÁÀº ÁöÀûÀ̾ß
She snored.
¾Æ³»´Â ÄÚ¸¦ °ñ°Åµç¿ä
It was a problem.
¹®Á¦°¡ µÇ±ä ÇßÁö¸¸
A small one.
Å« ¹®Á¦´Â ¾Æ´Ï¾úÁÒ
That guy's from the crime lab.
°úÇÐ ¼ö»ç´ë¿¡¼ ¿Â ³à¼®À̾ß
You gonna spray some chemical stuff over the dorm, man?
¼÷¼Ò¿¡ ÈÇÐ ¹°ÁúÀÌ¶óµµ »Ñ¸®·Á°í ±×·¯´Â °Å¾ß?
Hey, what you got in the tackle box, babe?
À̺Á, ±× ¿¬ÀåÅë¿¡ ¹¹ µé¾ú¾î?
You going fishing?
³¬½ÃÇÏ·¯ °¡³Ä?
Welcome to juvie. It's all yours.
¼Ò³â¿ø¿¡ Àß ¿À¼Ì¾î¿ä, ¸¾´ë·Î Á¶»çÇϼ¼¿ä
I'm not sure you should be doing this.
ÀÌ·¡µµ µÇ´Â °ÇÁö ¸ð¸£°Ú¾î
What are we doing?
¿ì¸®°¡ ¹» Çϴµ¥?
Walking through the garage.
â°í¸¦ °É¾î°¡´Â °Í»ÓÀÌÀݾÆ
Snooping for trace on Grissom and Catherine's stolen BMW?
´Ü¼¸¦ ãÀ¸·Á°í ±×¸®¼¶°ú ij¼¸°ÀÇ BMW µµ³ Â÷·®À» ±â¿ô°Å¸®°í ÀÖÀݾÆ
All right. It's simple.
ÁÁ¾Æ, ´Ü¼øÈ÷ »ý°¢ÇØ
We got the body, they got the head. The BMW's fair game.
¿ì¸®´Â ¸öÀ», ÀúÂÊÀº ¸ñÀ» °®°í ÀÖÁö BMW´Â µÑ ´Ù º¼ ¼ö ÀÖ¾î
- Hey, Don. - Yeah?
- À̺Á, µ· - ÀÀ?
Have you seen Maggie? She seemed a little funny
¸Å±â ºÃ¾î? ȸÀǽǿ¡¼ °©ÀÚ±â
in the conference room and then she walked out.
ÀÌ»óÇØÁö´õ´Ï ³ª°¬´Âµ¥
Yeah, she's okay.
±¦ÂúÀ»°Å¾ß
She gets panic attacks.
°øÈ²¹ßÀÛÀÌ Àְŵç
She starts to get dizzy and shake and she thinks she's dying.
°©Àڱ⠾îÁö·¯¿öÁö°í ²À Á×À»°Íó·³ ±×·¯Áö
Is she all right?
±¦ÂúÀº°Å¾ß?
She's fine. She just needs to be left alone.
±¦Âú¾Æ, È¥ÀÚ ÀÖÀ¸¸é µÅ
She went out on the terrace to get some air.
Å׶󽺿¡¼ ¹Ù¶÷½ý°í ÀÖÀ»°Å¾ß
Okay. You guys did a good show tonight.
¾Ë¾Ò¾î, ¿À´Ã ¾¤ ÀßÇß¾î
I wasn't aware of, you know, what was going on with the McRib sandwich.
¸Æ¸³»÷µåÀ§Ä¡¿¡ ±×·±°Ô ÀÖÀ»ÁÙ ¸ô¶ú°Åµç
Yeah, go fuck yourself.
±×·¡, ³Ê Àß³µ´Ù
What is shocking is to hear an American governor
ÁÖÁö»ç°¡ ¹æÀ§±ºÀ» ¼ÒÁýÇϰڴٰí
threaten to call up the National Guard.
À§ÇùÇÏ´Â °Í¸¸Å ¹«¼¿î Àϵµ ¾ø½À´Ï´Ù¸¸
But that's just what Scott Walker,
À§½ºÄÁ½Å ÁÖ ¹æÀ§±º ´ëÀåÀÎ
the commander in chief of the Wisconsin National Guard, did today
½ºÄ±¿öÄ¿°¡ ¿À´Ã À§½ºÄÁ½Å ¿¹»ê ¼ö¸® ¹ý¾È
in defending his Wisconsin budget repair bill.
¹æ¾î¸¦ À§ÇØ ¹æÀ§±ºÀ» ¼ÒÁýÇß½À´Ï´Ù
[John's Diary]
±× ¿ÍÁß¿¡ ¾ÆÁܸ¶ ±¸µÎ±Á¿¡ ¹ßµîÀ» ÂïÇû´Ù. ¼ø°£ ´«¾ÕÀÌ ³ë·¨´Ù.
µü Çϳª ³²¾Æ ÀÖ´ø ÀÚ¸®¸¦ Â÷ÁöÇÑ ¾ÆÁܸ¶´Â ½Â¸®ÀÇ ¹Ì¼Ò¸¦
Áö¾ú´Ù. ¼±¹ÝÀ§¿¡ °¡¹æÀ» ¿Ã·Á³õ°í Ãâ¹ßÇÏ±æ ±â´Ù·È´Ù. ½Â°´µéÀÌ
¸ðµÎ ¿Ã¶óŸ°í ÃâÀÔ¹®ÀÌ ´ÝÇû´Ù. ÁöÇÏö¾ÈÀº ´ª´ªÇѵ¥´Ù
¶¡³¿»õ±îÁö ³ª °©°©Çß´Ù. ¿¡¾îÄÁÀº °íÀå³µ³ªº¸´Ù. ¿¸°
â¹®»çÀÌ·Î ¶ß°Å¿î ¹Ù¶÷ÀÌ µé¾î¿Ô´Ù. 2ºÐÂë Áö³ª ³×¿À¿ª¿¡ µµÂøÇß´Ù.
On her way, she stepped real hard on my foot with her
high-heels. I saw stars. She took the only seat left in the
train, with a mean, victorious grin on her lips. I put my bag
on the overhead rack and waited for the train to start. When
all the passengers were aboard, the door slammed shut. It was
really stuffy since the air was so damp and filled with B.O.
The air-conditioner was definitely out of order. Hot air came
in through the windows that had been left open. About a 2
minutes ride got me to the Neo Station.
1. On her way: On one's way (to somewhere)´Â ¾îµð·Î °¡´Â
µµÁß¿¡¶ó´Â ¸»ÀÌÁö¿ä. On one's way¸¸ ¾²¸é "¾îµð¿¡ °¡´Â
±è¿¡"¶ó´Â ¶æµµ µË´Ï´Ù.
Get me a coke on your way.
°¡´Â ±æ¿¡ ÄݶóÁ» °®´ÙÁÖ¶ó.
2. Step on my foot with her high-heels: ¹ßÀ» ¹â´Â °ÍÀÌÁö¿ä.
ÇÏÀÌÈúÀº ¿µ¾î·Îµµ high-heels¶ó°í ÇÕ´Ï´Ù.
3. Saw stars: ¿ì¸®µµ º°ÀÌ º¸Àδٴ ¸»À» ¾²Áö¿ä. ¾ÕÀÌ ³ë¶þ´Ù´Â
¸»°úµµ °°½À´Ï´Ù.
See red¶ó´Â ¸»µµ ÀÖ½À´Ï´Ù. ¿¹Þ´Â °É ¸»ÇÏÁö¿ä. ¹Ì±¹ÀεéÀº
¿¹ÞÀ¸¸é ¾ÕÀÌ »¡°³Áö³ª ºÁ¿ä.
I saw red when she told me so.
±× ¿©ÀÚ ¸»¿¡ ¿¹ÞÁö ¾ÊÀ» ¼ö ¾ø¾ú´Ù.
4. With a mean, victorious grin: MeanÀº ºñ¿Çϰųª ¾äü°°Àº,
¶Ç´Â ¸øµÆ´Ù´Â ¶æÀÔ´Ï´Ù.
¿ôÀ½¿¡µµ ¿©·¯ Á¾·ù°¡ ÀÖÁö¿ä. "¾¾ÀÍ ¿ô´Â" ¹Ì¼Ò¸¦ grinÀ̶ó°í
ÇÕ´Ï´Ù. ÁÁÀº ¿ôÀ½ÀÌ ¾Æ´ÏÁö¿ä. űű ´ë´Â °Ç giggleÀ̶ó°í
Çϰí¿ä. ÄîÄî, Àç¹ÌÀÖ°Ô ¿ô´Â °Ç chuckleÀ̶ó°í ÇÏÁö¿ä.
5. Overhead rack: ÁöÇÏöÀ̳ª °í¼Ó¹ö½º µîÀÇ ÁüÀ» ¿Ã·Á³õ´Â
¼±¹ÝÀ» ¸»ÇÕ´Ï´Ù. Shelf¶ó°í ÇÏÁö ¸¶¼¼¿ä. ÀüÇô ´Ù¸¥ ¶æÀÔ´Ï´Ù.
6. The door slammed shut: Äç ´ÝÇû´Ù´Â ¸»ÀÌÁö¿ä. ¿©±â¼ shutÀº
doorÀÇ »óŸ¦ ³ªÅ¸³»ÁÝ´Ï´Ù.
7. Stuffy: °ø±â°¡ ŹÇÏ°í ´ä´äÇÒ ¶§ ¾²´Â ¸»ÀÔ´Ï´Ù.
8. Since the air was so damp: ¿©±â¼ since´Â ÀÌÀ¯¸¦
³ªÅ¸³À´Ï´Ù.
9. Filled with B.O.: ¸ö¿¡¼ ³ª´Â ³¿»õ´Â ÈçÈ÷ ÁÙ¿©¼ B.O.
(body odor)¶ó°í ÇÕ´Ï´Ù.
10. A 2 minutes ride got me to the Neo Station: ¹®¹ý¿¡¼
¸»ÇÏ´Â ÀüÇüÀûÀÎ ¹°ÁÖ±¸¹®ÀÌÁö¿ä. ´ÙÀ½Ã³·³ ¾µ ¼öµµ ÀÖÁö¸¸,
It took 2 minutes for me to get to the Neo Station.
ÈξÀ °£°áÇÏ°í ¶æÀÌ ºÐ¸íÇÏÁö¿ä.
¿ì¸®Áý±îÁö °É¾î°¡·Á¸é 1½Ã°£Àº °É¸°´Ù°í ÇÏ·Á¸é ¾î¶»°Ô ÇÒ±î¿ä?
It takes an hour to get to my home on foot.
An hour's walk will get you to my home.
¢Ñ ÀÚ½ÅÀÇ µÞÁý¿¡ ¿¡ÀÌÁî¿¡ °É¸° µ¦½ºÅͶó´Â ¾ÆÀ̰¡ ÀÌ»ç¿Í¼ Çб³¿¡
¼ ³î¸²°¨ÀÌ µÈ ¿¡¸¯. ¿¡¸¯Àº µ¦½ºÅÍ¿ÍÀÇ Ã¹ ´ë¸éÀ» º°·Î ´Þ°¡¿öÇÏÁö ¾Ê´Â´Ù.
Erik : Hey, thanks for moving in here.
(¾ß, ¿©±â·Î ÀÌ»ç¿Í¼ Á¤¸» °í¸¿´Ù.)
* ÀÌ ¹®ÀåÀº ¹Ý¾îÀûÀ¸·Î »ç¿ëµÈ Ç¥ÇöÀÌ´Ù.
Now all the kids at school call me faggot and walk on
the other side of the hall.
(ÀÌÁ¨ Çб³¿¡ ÀÖ´Â ¸ðµç ¾ÖµéÀÌ ³¯ µ¿¼º ¿¬¾ÖÀÚ¶ó°í ºÎ¸£°í
º¹µµ ¹Ý´ëÆíÀ¸·Î °É¾î ´Ù³à.)
* faggot : ³²¼º µ¿¼º ¿¬¾ÖÀÚ¸¦ °¡¸®Å´
Dexter : I have to live somewhere.
(³ ¾îµðµç »ì¾Æ¾ß µÇÀݾÆ.)
Erik : Yeah, well, why don't you go inside until I get done working on my garden?
(±×·¡, ±×·¸´Ù¸é, ³» Á¤¿ø¿¡¼ ÀÏÀ» ´Ù ³¡³¾ ¶§±îÁö ³Í Áý¾È
¿¡ µé¾î°¡ ÀÖ´Â°Ô ¾î¶»°Ú³Ä?)
Dexter : Why?
(¿Ö?)
Erik : So I don't have to worry about catching something and dying.
(³»°¡ ¹º°¡¿¡ °É·Á¼ Á×´Â °É °ÆÁ¤ÇÏÁö ¾Ê¾Æµµ µÇ°Ô.)
* catch : ¿©±â¼´Â '(º´¿¡) °É¸®´Ù' ¶ó´Â ¶æÀ¸·Î ¾²ÀÓ.
Dexter : IT CAN'T BE TRANSMITTED THROUGH THE AIR.
(ÀÌ°Ç °ø±â¸¦ ÅëÇØ¼ Àü¿° µÉ ¼ö ¾ø¾î.)
Erik : Yeah, well, just to be on the safe side I think you sho-
uld go inside.
(±×·¡, ±×·¸´Ù¸é, ±×³É Á¶½ÉÇÑ´Ù´Â Àǹ̿¡¼ ³ ³×°¡ Áý¾ÈÀ¸
·Î µé¾î°¡¾ß ÇÑ´Ù°í »ý°¢ÇØ.)
Dexter : But I'M WORKING ON MY MUD FORT.
(ÇÏÁö¸¸ ³ ³» ÁøÈë ¿ä»õ ¸¸µå´Â ÀÏÀ» Çϰí ÀÖ¾î.)
³»°¡ ¸¸³ª°í ½ÍÀº ±×·± ¿©ÀÎ.
Pretty woman the Kind I like to meet.
¾Æ¹«µµ ±×´ëó·³ ¸ÚÁ® º¸ÀÌÁö ¾Ê¾Æ¿ä.
No one could look as good as you.
µµÀúÈ÷ ±×´ë¸¦ º¸Áö ¾ÊÀ» ¼ö°¡ ¾ø¾î¿ä.
Pretty woman I couldn't help but see.
¾Æ¸§´Ù¿î ¿©ÀÎÀÌ¿©, ³ª¸¦ ¿ë¼ÇØ Áֽðھî¿ä?
Pretty woman won't you pardon me?
¾Æ¸§´Ù¿î ¿©ÀÎÀÌ¿©, ±×´ë´Â ±×·¸°Ô »ç¶û½º·¯¿ï ¼ö°¡ ¾ø¾î¿ä.
Pretty woman, and you look lovely as can be.
¾Æ¸§´Ù¿î ¿©ÀÎÀÌ¿©, Àá±ñ ¸ØÃß¼¼¿ä.
Pretty woman stop awhile.
¾Æ¸§´Ù¿î ¿©ÀÎÀÌ¿©, ³» ÂÊÀ» Á» ºÁÁÖ¼¼¿ä.
Pretty woman look my way.
¸ÚÁö°Ô ÇØµå¸±²²¿ä.
I'll treat you right.
ÁÁ¾Æ¿ä, ±×·¡¾ß¸¸ ÇÑ´Ù¸é¿ä.
Okay, if that world treating you?
ÁÁ¾Æ¿ä, ´Ê¾úÀ¸´Ï Áý¿¡³ª °¡¾ß°Ú¾î¿ä.
Okey, I guess I'll go in home it's late.
°Å¸®¸¦ Áö³ª°¡´Â ¾Æ¸§´Ù¿î ¿©ÀÎ.
Pretty woman walk in down street.
³»°¡ ¸¸³ª°í ½ÍÀº ±×·± ¿©ÀÎ.
Pretty woman the kind I like to meet.
¾Æ¸§´Ù¿î¿©ÀÎÀÌ¿©, ³ ¹ÏÀ» ¼ö°¡ ÀÖ¾î¿ä.
Pretty woman I don't believe you.
±×´ë´Â ÁøÂ¥°¡ ¾Æ´ÏÁö¿ä.
you're not the truth.
¾Æ¹«µµ ±×´ëó·³ ¸ÚÁ® º¸ÀÌÁö ¾Ê¾Æ¿ä. ¼¼»ó¿¡³ª!
No one could look as good as you. Mercy!
ÇÏ·çÇÏ·ç ¸Ö¾îÁ®¸¸ °©´Ï´Ù.
Oceans apart day after day.
±×¸®°í ¼¼È÷ ¹ÌÃĹö¸± °Í ¸¸ °°½À´Ï´Ù.
And I slowly go insane.
Àüȸ¦ ÅëÇØ ´ç½ÅÀÇ ¸ñ¼Ò¸®¸¦ µè½À´Ï´Ù.
I hear your voice on the line.
±×·¯³ª ÀÌ °íÅëÀº »ç¶óÁöÁö ¾Ê½À´Ï´Ù.
But it doesn't stop the pain.
¸¸¾à ³»°¡ ´ç½ÅÀ» ¾ÕÀ¸·Î ´Ù½Ã º¸Áö ¸øÇÑ´Ù¸é.
If I see you next to never.
¾î¶»°Ô ¿µ¿øÀ» ¾ê±âÇÒ¼ö ÀÖ°Ú½À´Ï±î.
How can we say forever.
¾î¶°ÇÑ ¾î·Á¿òÀÌ Àִٰųª ³» ¸¶À½ÀÌ ºÎ¼Áö´Â °íÅëÀÌ ÀÖ´Ù ÇÏ´õ¶óµµ.
Whatever it takes or how my heart breaks.
¾ðÁ¦±îÁöµç ´ç½ÅÀ» ±â´Ù¸®°Ú½À´Ï´Ù.
I will be right here waiting for you.
¾ðÁ¦³ª ´ç¿¬ÇϰԸ¸ »ý°¢ÇØ ¿Ô½À´Ï´Ù.
I took for granted, all the times.
¿ì¸®ÀÇ »ç¶ûÀÌ ¾Æ¹«·± ¾ÆÇÄ ¾øÀÌ Áö¼ÓµÉ ÁÙ ¾Ë¾ÒÁö¿ä.
That I thought would last somehow.
ÁÖÀ§ÀÇ ¿ôÀ½¼Ò¸®, ±×¸®°í ´«¹°ÀÇ ¸Àµµ º¸¾Ò½À´Ï´Ù.
I hear the laughter, I taste the tears.
ÇÏÁö¸¸ Áö±Ý ³ª´Â ´ç½Å °çÀ¸·Î °¥ ¼ö°¡ ¾ø¾î¿ä.
But I can't get near you now.
´ç½ÅÀº ³»°¡ ´ç½ÅÀ¸·Î ÀÎÇØ ¹ÌÃĹö¸±°Í °°Àº°ÍÀ» º¸Áö ¸øÇմϱî.
Oh, can't you see it baby You've got me going crazy.
¾î¶°ÇÑ ¾î·Á¿òÀÌ Àִٰųª ³»¸¶À½ÀÌ ºÎ¼Áö´Â °íÅëÀÌ ÀÖ´Ù ÇÏ´õ¶óµµ.
Whatever it takes or how my heart breaks.
´ç½Å¸¸À» ±â´Ù¸®°Ú½À´Ï´Ù.
I will be right here waiting for you.
¾î¶»°Ô ¿ì¸®°¡ ÀÌ »ç¶ûÀÇ ¾ÆÇļӿ¡¼ »ì¾Æ³²À» ¼ö ÀÖÀ»±î¿ä.
I wonder how we can survive this romance.
ÇÏÁö¸¸ ³ªÁß¿¡ ´ç½ÅÀ» ¸¸³ª°Ô µÇ¾úÀ»¶§.
But in the end if I'm with you.
³ª´Â ±âȸ¸¦ ³õÄ¡Áö ¾ÊÀ» °ÍÀÔ´Ï´Ù.
I'll take the chance.
´ç½ÅÀº ³»°¡ ´ç½ÅÀ¸·Î ÀÎÇØ ¹ÌÃĹö¸±°Í ¸¸ °°Àº °ÍÀ» º¸Áö ¸øÇմϱî.
Oh, can't you see it baby you've got me going crazy.
´ç½ÅÀ» ±â´Ù¸®°Ú½À´Ï´Ù.
I will be right here waiting for you.
¾î¶°ÇÑ ¾î·Á¿òÀÌ Àְųª ³» ¸¶À½ÀÌ ºÎ¼Áö´Â °íÅëÀÌ ÀÖ´Ù ÇÏ´õ¶óµµ.
Whatever it takes or how my heart breaks.
³ª¿¡°Ô Çѹø¸¸ ´õ ±×·¸°Ô ÇØ ÁÖ¼¼¿ä.
Do that to me one more time.
´ç½Å°°Àº ³²ÀÚ´Â ÇÑ ¹ø¸¸À¸·Î ÃæºÐÇÏÁö ¾Ê¾Æ¿ä.
Once is never enough with a man like you.
´ç½Å°°Àº ³²ÀÚ¿¡°Ô´Â ¾Æ¹«¸® ¹Þ¾Æµµ ÃæºÐÇÏÁö ¾Ê¾Æ¿ä.
I can never get enough of a man like you.
±Ý¹æ ³ª¿¡°Ô Çß´ø °Íó·³ ±×·¸°Ô ÀÔ¸¶Ãã ÇØÁÖ¼¼¿ä.
Kiss me like you just did.
¿À ±×´ë¿©, ³ª¿¡°Ô Çѹø¸¸ ´õ ±×·¸°Ô ÇØ ÁÖ¼¼¿ä.
Oh baby do that to me once again.
Çѹø¸¸ ´õ ¸»ÇØ ÁÖ¼¼¿ä.
Pass that by me one more time.
Çѹø¸¸ µè°í¼´Â ¸¶À½ ±íÀÌ ¸¸Á·ÇÒ ¼ö ¾ø¾î¿ä.
Once just isn't enough for my heart to hear.
³ª¿¡°Ô Çѹø¸¸ ´õ ¸»ÇØ ÁÖ¼¼¿ä.
Tell it to me one more time.
¿À ±×´ë¿© ³ª¿¡°Ô Çѹø¸¸ ´õ ¸»ÇØ ÁÖ¼¼¿ä.
Oh baby tell it to me once again.
¿À ±×´ë¿© ³ª¿¡°Ô Çѹø¸¸ ´õ ±×·¸°Ô ÇØÁÖ¼¼¿ä.
Oh baby do that to me once again.
¿À ±×´ë¿© ³ª¿¡°Ô Çѹø¸¸ ´õ ±×·¸°Ô ÇØÁÖ¼¼¿ä.
Oh baby, do that to me one more time.
Çѹø¸¸ ´õ ±×·¸°Ô ÇØÁÖ¼¼¿ä.
Do it again one more time.
¾Æ´Ï¾ß, ÀØÀ» ¼ö ¾ø¾î.
No I can't forget this evening or your.
ÀÌ ¹ã, ¶°³ª´Â ´ç½ÅÀÇ ¾ó±¼À».
face as you were leaving.
±×·¯³ª ´ç¿¬È÷ ´ç½ÅÀº ¶°³ª¾ß ÇϰÚÁö.
But I guess that's just the way the story goes.
¹Ì¼Ò¸¦ Áþ°í ÀÖÁö¸¸ ´ç½ÅÀÇ ´« ¼Ó¿¡.
You always smile but in your eyes.
½½ÇÄÀÌ ³ÑÄ¡°í ÀÖ¾î ±×·¡, ´ç½ÅÀº °ÅÁþ ¹Ì¼Ò¸¦ Áþ°í ÀÖ´Â °Å¾ß.
Your sorrow shows yes it shows.
¾Æ´Ï¾ß ³ª´Â ³»ÀÏÀ» »ý°¢ ÇÏÁö ¾ÊÀ» ¼ö ¾ø¾î.
No I can't forget tomorrow when.
½½ÇÄ¿¡ ´«¹°À» Èê·Á¾ß ÇÒÅ״ϱî.
I think of all my sorrow I had.
³ª´Â ´ç½ÅÀ» »ç¶û ÇßÁö.
You there, but then I let.
±×·¯³ª ³ª´Â ´ç½ÅÀ» º¸³»¾ß ÇØ.
You go and now it's only fair.
±×°ÍÀÌ Á¤´çÇÑ ÀÏÀ̶ó¸é.
That I should let you know what you should know.
´ç½ÅÀÌ ¾ø´Â ÀλýÀ̶ó¸é.
I can't live I can't give anymore.
³ª´Â »ì ¼ö ¾ø¾î.
I can't live if living is without you.
´õ ÀÌ»ó ÁÙ ¼ö¸¸Àº ¾ø¾î.
I can't give I can't give I can't anymore.
»ç¶ûÀº ¾Æ¸¶µµ ÈÞ½Äó¿Í °°Àº°Í.
Perhaps love is like a resting place.
ÆøÇ³¿ì¸¦ ÇÇÇÏ´Â.
A shelter from the storm.
Àº½Åó¿Í °°Àº°Í.
It exists to give you comfort.
»ç¶ûÀº À§¾ÈÀ» ÁÖ°í.
It is there to keep you warm.
»ç¶ûÀº Æ÷±ÙÈ÷ °¨½Î Áشٳ×.
And in those times of trouble.
°¡Àå ¿Ü·Ó°í Èûµé¶§¿¡.
When you are most alone.
»ç¶ûÀÇ ±â¾ïÀº ´ç½ÅÀ» ÆíÇÏ°Ô ÇÑ´Ù³×.
The memory of love will bring you home.
»ç¶ûÀº ¾Æ¸¶µµ â¹®°ú °°Àº°Í.
Perhaps love is like a window.
¿¸° ¹®°úµµ °°Àº°Í.
Perhaps an open door.
»ç¶ûÀº »ç¶÷µéÀ» ´õ¿í °¡±õ°Ô ÇÏ¿©.
It invites you to come closer.
´õ ¸¹Àº°ÍÀ» °¡¸£ÃÄ Áشٳ×.
It wants to show you more.
´ç½ÅÀÌ ÀÚ½ÅÀ» ÀÒ°í.
And even if you lose yourself.
¹æÈ²ÇÒ¶§.
And don't konw what to do.
»ç¶ûÀÇ ±â¾ïÀº ´ç½ÅÀ» Ç×»ó °¨½ÎÁشٳ×.
The memory of love will see you through.
»ç¶ûÀº ¶á±¸¸§°°ÀÌ º¸À̱⵵ Çϰí.
Oh love to some is like a cloud.
°Ã¶°°ÀÌ ´Ü´ÜÇÑ°Í °°±âµµ Çϰí.
To some as strong as steel.
»ì¾Æ°¡´Â ¹æ½ÄÀÎ°Í °°±âµµ Çϰí.
For some a way of living.
°¨Á¤¿¡ À̸£´Â ±æÀÎ°Í °°±âµµ ÇѰÍ.
For some a way to feel.
»ç¶ûÀº ±¸¼ÓÇÏ´Â °Å¶ó°íµµ Çϰí.
And some say love is holding on.
Ç®¾îÁÖ´Â °ÍÀ̶ó°íµµ Çϰí.
And some say letting go.
¸ðµç°Í À̶ó°íµµ Çϰí.
And some say love is everything.
¸ð¸¥´Ù°íµµ ¸» ÇÑ´Ù³×.
Some say they don't know.
»ç¶ûÀº ¾Æ¸¶µµ ¹Ù´Ù¿Í °°Àº°Í.
Perhaps love is like the ocean.
°¥µî°ú °íÅëÀ¸·Î °¡µæÇÑ.
Full of conflict full of pain.
ÃßÀ§¸¦ ³ìÀÌ´Â ºÒ°úµµ °°°í.
Like a fire when it's cold outside.
ºñ¿Ã¶§ÀÇ ÃµµÕ°úµµ °°Àº°Í.
Thunder when it rains.
¸¸¾à ³»°¡ ¿µ¿øÈ÷ »ì¼öÀÖ°í ³» ¸ðµç ²ÞÀÌ ½ÇÇö µÈ´Ù¸é.
If I should live forever and all my dreams come true.
³» »ç¶ûÀÇ ±â¾ïÀº ´ç½Å »Ó À̶ó³×.
My memories of love will be of you.
»ç¶ûÀ̶õ Ä£±¸¸¦ µ¹º¸¾Æ ÁÖ´Â °Í.
Love is looking out for your friends.
»ç¶ûÀ̶õ µµ¿Í Áشٴ °Í.
Love is a helping hand.
»ç¶ûÀ̶õ ½Å·ÚÇÏ´Â °Í.
Love is trust.
»ç¶ûÀ̶õ ÀÌ¿ô Áý °³°¡ ÄáÄí¿ì¸£ÀÇ Èĺ¸¿¡ Áö¸í µÇ´Â °Í.
Love is being nominated neighborthood dog of the year.
»ç¶ûÀ̶õ ÇÔ²² ÆÀÀ» ÀÀ¿øÇÏ´Â °Í.
Love is rooting together for your team.
»ç¶ûÀ̶õ ´©±º°¡¸¦ ¿ô±â·Á°í ÇÏ´Â °Í.
Love is wanting to make someone smile.
»ç¶ûÀ̶õ ¸»¾øÀÌ µé¾î ÁÖ´Â °Í.
Love is listening without interrupting.
»ç¶ûÀ̶õ ¿¹ÀǸ¦ ÁöŰ´Â °Í.
Love is being polite to people.
»ç¶ûÀ̶õ º´µç Ä£±¸¸¦ ¹®º´ÇÏ´Â °Í.
Love is visiting a sick friend.
»ç¶ûÀ̶õ ´©±º°¡¸¦ ¹Ï¾î ¹ö¸®´Â °Í.
Love is believing in someone.
»ç¶ûÀ̶õ ´©±º°¡ÀÇ ½Î¿ò¿¡ °¡´ãÇÏ´Â °Í.
Love is helping someone through his battles.
»ç¶ûÀ̶õ ±× ¾Ö°¡ ÀØÁö¾Ê°í Àֱ⸦ ¿øÇÏ´Â °Í.
Love is hoping that she hasn't forgotten you.
»ç¶ûÀ̶õ ÇÔ²² ºñ ¼ÓÀ» °È´Â °Í.
Love is walking in the rain together.
»ç¶ûÀ̶õ ÇÔ²² ÆÌÁ ¸¸µå´Â °Í.
Love is making fudge together.
»ç¶ûÀ̶õ ÁÁ¾ÆÇÏ´Â »ç¶÷ÀÌ º¸³»ÁØ ²É°ú °°Àº °Í.
Love is vlowers from your favorite person.
»ç¶ûÀ̶õ ³ÐÀº ¸¶À½À» °®´Â °Í.
Love is being tolerant.
»ç¶ûÀ̶õ ´©±º°¡¸¦ ¾Ç¸ù¿¡¼ ±ú°ÔÇØ ÁÖ´Â °Í.
Love is waking someone up from a bad dream.
»ç¶ûÀ̶õ ÇÔ²² °èȹÀ» Â¥´Â °Í.
Love is making plans together.
»ç¶ûÀ̶õ Áö±Ý À̼ø°£, ±×°¡ ¹«¾ïÀ» Çϰí ÀÖÀ»±î ÇÏ°í »ý°¢ÇÏ´Â °Í.
Love is wondering what he's doing right now this very monment.
»ç¶ûÀ̶õ ±ú²ýÀÌ »ç¶óÁö´Â °Í.
Love is being a good loser.
»ç¶ûÀ̶õ Àڱ⠵·À¸·Î ´©±º°¡¿¡°Ô ÁÙ ¼±¹°À» »ç ¹ö¸®´Â °Í.
Love is buying somebody a present wiht your own monry.
»ç¶ûÀ̶õ ±³½Ç¿¡¼ Á¾ÀÌÂÊÁö¸¦ ¸ô·¡ µ¹¸®´Â °Í.
Love is passing notes back and forth in school.
»ç¶ûÀ̶õ µû¶æÇÑ ´ëÁ¢À» ÇÏ´Â °Í.
Love is being hospitable.
»ç¶ûÀ̶õ ½±°Ô À̱æÁÙ ¾Ë¸é¼®µµ Á® ÁÖ´Â °Í.
Love is letting him win even thought you know you could slaughter him.
»ç¶ûÀ̶õ ´©±º°¡¸¦ À§ÇØ ¸ÚÀ» ºÎ¸®´Â °Í.
Love is dressing up for someone.
»ç¶ûÀ̶õ ´É¼÷ÇÏ°Ô Çѹø ¹Ð¾î ÁÖ´Â °Í.
Love is a push in the right direction.
»ç¶ûÀ̶õ Ä¡±Ù´ëÁö ¾Ê´Â °Í.
Love is not nagging.
»ç¶ûÀ̶õ ÃÖÈÄÀÇ ÃÖÈıîÁö ¹è½ÅÇÏÁö ¾Ê´Â °Í.
Love is being faithful to the very end.
»ç¶ûÀ̶õ Ä£±¸°¡ °í¸¿´Ù°í Àú³á½Ä»ç¿¡ ÃÊ´ëÇÏ´Â °Í.
Love is when your friends ask to give you a testimonial dinner.
»ç¶ûÀ̶õ °£Áö·¯ ÁÖ´Â °Í.
Love is tickling.
»ç¶ûÀ̶õ ±×À̸¦ ´ÊÀáÀÚ°Ô ÇØ ÁÖ´Â °Í.
Love is allowing someone to sleep late.
»ç¶ûÀ̶õ ÀϺη¯ ÆíÁö¸¦ ¾²´Â °Í.
Love is committing yourself in writing.
»ç¶ûÀ̶õ ¾È³çÀ̶ó°í ¸»Çϱ⠽ÈÀº °Í.
Love is hating to say goodbye.
»ç¶ûÀ̶õ ´©±º°¡ÀÇ ¸Ó¸®¸¦ ¸¶±¸ ÇëŬ¾î ³õ´Â °Í.
Love is mussing up someone's hair.
»ç¶ûÀ̶õ ¼ÕÀ» Àâ°í °È´Â °Í.
Love is walking hand-in-hand.
»ç¶ûÀ̶õ ¿©µ¿»ýÀÇ ¼÷Á¦¸¦ µµ¿Í ÁÖ´Â °Í.
Love is helping your sister with her homework.
»ç¶ûÀ̶õ ÇÎÅ©ºû ÆíÁöÁö¿Í ºÀÅõ¸¦ ¹Þ´Â °Í.
Love is a letter on pink stationery.
»ç¶ûÀ̶õ Ãæ½ÇÇÑ ´ç¹øÀÌ µÇ´Â °Í.
Love is being a good watch dog.
»ç¶ûÀ̶õ µ¿»ý¿¡°Ô Ȱ¡ ³ªµµ Âü´Â °Í.
Love is being patient with your little brother.
»ç¶ûÀ̶õ ²À ºÙ¾î¼ ´í½º ÇÏ´Â °Í.
Love is close dancing.
»ç¶ûÀ̶õ ±×¾Ö°¡ Áö³ªÄ¥ ¶§ º¸°í½Í¾î ¹® ¾Õ¿¡ ¼¼ ±â´Ù¸®´Â °Í.
Love is standing in a doorway just to see her if she comes walking by.
»ç¶ûÀ̶õ ±ê¹ß°ú °°Àº °Í.
Love is a flag.
»ç¶ûÀ̶õ ÀßÀÚ¿ä, Çϰí Ű½ºÇÏ´Â °Í.
Love is a goodnight kiss.
»ç¶ûÀ̶õ ±â´Ù¸®´Ù ÁöÃĵµ ¹Ì¼Ò Áþ°í ÀÖ´Â °Í.
Love is a smile even when he keeps you waiting.
»ç¶ûÀ̶õ ¿Â ¼¼°è ÀüºÎ.
Love is the whole world.
»ç¶ûÀ̶õ µÑ ¸¸ÀÇ ³ë·¡°¡ ÀÖÀ» °Í.
Love is having a special song.
»ç¶ûÀ̶õ ´©±º°¡¸¦ ÀÖ´Â ¸ð½À ±×´ë·Î ¹Þ¾ÆµéÀÌ´Â °Í.
Love is accepting a person for what he is.
»ç¶ûÀ̶õ ÆËÄÜÀ» ³ª´©¾î ¸Ô´Â °Í.
Love is sharing your popcorn.
»ç¶ûÀ̶õ ·¹À̽º Å׵θ®°¡ ´Þ¸° ¹ß·»Å¸ÀÎ Ä«¾Æµå.
Love is a valentine with lace all around the edges.
»ç¶ûÀ̶õ Ä£±¸¸¦ µ¹º¸¾Æ ÁÖ´Â °Í.
Love is looking out for your friends.
»ç¶ûÀ̶õ µµ¿Í Áشٴ °Í.
Love is a helping hand.
³¯ µíÀÌ ±â»µ¿ä.
I'm walking on air.
She is walking on air. ÀDZâ¾ç¾çÇÏ´Ù.
Smile
-smile a bitter smile °í¼ÒÇÏ´Ù´Â µíÀÌ ¿ô´Ù, ºñ¿ô´Ù
-be all smiles ¸¸¸é¿¡ ¹Ì¼Ò¸¦ ¸Ó±Ý´Ù
Laugh
-have a good laugh ¸¶À½²¯ ¿ô´Ù
-laugh under one's sleeve µÞÀü¿¡¼ ¿ô´Ù
-laugh under one's breath ³¥³¥ űű ¿ô´Ù
-laugh like a hyena ¹ÌÄ£ µíÀÌ ¿ô´Ù
-burst into laughter °©Àڱ⠿ôÀ½À» ÅͶ߸®´Ù
Chuckle ³¥³¥ ¿ô´Ù
Giggle ³¥³¥´ë¸ç ¿ô´Ù
guffaw ³ÊÅпôÀ½À» ¿ô´Ù
belly laugh Æø¼Ò
be wild with joy ¹ÌÄ£ µíÀÌ ÁÁ¾ÆÇÏ´Ù
grin (À̸¦ µå·¯³»°í) ºù±×·¹ ¿ô´Ù
be puffed up µæÀÇ ¾ç¾çÇÏ´Ù
cackle ³¥³¥ ±ò±ò ¿ô´Ù
be pleased ±â»µÇÏ´Ù
be satisfied ¸¸Á·ÇÏ´Ù
walk on air, be in ecstasies of joy, or be on cloud nine ±â»µ¼ ¾îÂîÇÒ ¹Ù¸¦ ¸ð¸£´Ù
shed tears of delight ±â»µ ¿ï´Ù
*smirk À½ÅÁÇÑ ¿ôÀ½À» ¿ô´Ù
Cry ¼Ò¸® ³»¾î ¿ï´Ù
Sob Èå´À²¸ ¿ï´Ù
be choked with ¿À¿ÇÏ´Ù, ¸ñ¸Þ¾î ¿ï´Ù
wail ¿ïºÎ¢´Ù, ºñźÇÏ´Ù
get angry with ~¿¡°Ô ȳ»´Ù
sulk »Ï·çÅëÇÏ´Ù
frown, knit the brows´«»ìÀ» ÂîǪ¸®´Ù
be prim Á¡ÀÜ »©´Ù
be impatient ¾ÈÀýºÎÀýÇÏ´Ù
get nervous ¿òÂñ¿òÂñ Á¶¸¶Á¶¸¶ÇØ ÇÏ´Ù
blush ¾ó±¼À» ºÓÈ÷´Ù
be surprised ³î¶ó´Ù
be astonished ±ô¦ ³î¶ó´Ù
be shocked, be startled °¡½¿ÀÌ Ã¶·· ³»·Á¾É´Ù
be alarmed °æ¾ÇÇÏ´Ù
fear µÎ·Á¿öÇÏ´Ù
sigh ÇѼû ½¬´Ù
be fed up ½ÈÁõ³ª´Ù
One survivor says spectators at a Ukraine air show were cut down like grass when a jet plowed into the crowd.
¿ìÅ©¶óÀ̳ª¿¡¼ °³ÃÖµÈ ¿¡¾î¼î °ü¶÷°´µéÀÌ Á¦Æ®±â°¡ ±ºÁßµé ¼ÓÀ¸·Î µ¹ÁøÇÏ´Â ¼ø°£ ¸¶Ä¡ Ç®ÀÌ Àß·Á³ª°¡µí ¾²·¯Á³´Ù°í ÇÑ »ýÁ¸ÀÚ°¡ ¹àÈü´Ï´Ù.
At least 78 people died and nearly 140 were hurt in the fiery crash.
À̹ø Æø¹ß»ç°í·Î ÃÖ¼ÒÇÑ 78¸íÀÌ »ç¸ÁÇϰí 140¸íÀÌ ºÎ»óÀ» ÀÔ¾ú½À´Ï´Ù.
Ukraine's president has ordered an evacuation.
¿ìÅ©¶óÀ̳ª ´ëÅë·ÉÀº ´ëÇǸí·ÉÀ» ³»·È½À´Ï´Ù.
The pilots ejected and survived.
Á¶Á¾»çµéÀº Á¶Á¾¼®À» Å»ÃâÇÏ¿© »ì¾Æ³µ½À´Ï´Ù.
They have back injuries, but walked away without needing any help.
±×µéÀº µî¿¡ ºÎ»óÀ» ÀÔ±ä ÇßÁö¸¸, º°´Ù¸¥ µµ¿òÀ» ¹ÞÁö ¾Ê°í ÇöÀåÀ» °É¾î¼ ³ª°¬½À´Ï´Ù.
·£´ýÇϿ콺 ¼±Á¤ "20¼¼±âÀÇ ¿µ¹®¼Ò¼³ 1¹é±Ç"
¼øÀ§ ÀÛǰ ÀÛ°¡
1 ULYSSES (À²¸®½ÃÁî) James Joyce (Á¦ÀÓ½º Á¶À̽º)
2 THE GREAT GATSBY (À§´ëÇÑ °³Ã÷ºñ) F. Scott Fitzgerald (½ºÄà ÇÇÃ÷Á¦·²µå)
3 A PORTRAIT OF THE ARTIST AS A YOUNG MAN (ÀþÀº ¿¹¼ú°¡ÀÇ ÃÊ»ó) James Joyce (Á¦ÀÓ½º Á¶À̽º)
4 LOLITA (·Ñ¸®Å¸) Vladimir Nabokov (ºí¶óµð¹Ì¸£ ³ªº¸ÄÚÇÁ)
5 BRAVE NEW WORLD (¸ÚÁø ½Å¼¼°è) Aldous Huxley (¿Ã´õ½º Çä½½¸®)
6 THE SOUND AND THE FURY (À½Çâ°ú ºÐ³ë) William Faulkner (Àª¸®¾ö Æ÷Å©³Ê)
7 CATCH-22 (ijġ 22) Joseph Heller (Á¶¼Á Çï·¯)
8 DARKNESS AT NOON (Çѳ·ÀÇ ¾îµÒ) Arthur Koestler (¾Æ¼ Äê½½·¯)
9 SONS AND LOVERS (¾Æµé°ú ¿¬ÀÎ) D.H. Lawrence (D H ·Î·»½º)
10 THE GRAPES OF WRATH (ºÐ³ëÀÇ Æ÷µµ) John Steinbeck (Á¸ ½ºÅ¸Àκ¤)
11 UNDER THE VOLCANO (È»ê ¾Æ·¡¼) Malcolm Lowry (¸ÈÄÄ ·Î¸®)
12 THE WAY OF ALL FLESH (À°Ã¼ÀÇ ±æ) Samuel Butler (»õ¹Â¾ó ¹öƲ·¯)
13 1984 (1984³â) George Orwell (Á¶Áö ¿ÀÀ£)
14 I, CLAUDIUS (³ª, Ŭ¶ó¿ìµð¿ì½º) Robert Graves (·Î¹öÆ® ±×·¹À̺꽺)
15 TO THE LIGHTHOUSE (µî´ë·Î) Virginia Woolf (¹öÁö´Ï¾Æ ¿ïÇÁ)
16 AN AMERICAN TRAGEDY (¾Æ¸Þ¸®Ä«ÀÇ ºñ±Ø) Theodore Dreiser (½Ã¾îµµ¾î µå¶óÀÌÀú)
17 THE HEART IS A LONELY HUNTER (¸¶À½Àº ¿Ü·Î¿î »ç³É²Û) Carson McCullers (Ä«½¼ ¸ÅÄø®½º)
18 SLAUGHTERHOUSE-FIVE (Á¦5ÀÇ µµ»ìÀå) Kurt Vonnegut (ĿƮ º¸³×°ÅÆ®)
19 INVISIBLE MAN (Åõ¸íÀΰ£) Ralph Ellison (·¤ÇÁ ¾Ù¸®½¼)
20 NATIVE SON (Åä¹ÚÀÌ) Richard Wright (¸®Ã³µå ¶óÀÌÆ®)
21 HENDERSON THE RAIN KING (ºñÀÇ ¿Õ Çî´õ½¼) Saul Bellow (¼Ö º§·Î¿ì)
22 APPOINTMENT IN SAMARRA (»ç¸¶¶óÀÇ ¾à¼Ó) John O'Hara (Á¸ ¿ÀÇ϶ó)
23 U.S.A. (trilogy) (U S A (3ºÎÀÛ)) John Dos Passos (Á¸ µµ½º ÆÐ¼½º)
24 WINESBURG, OHIO (¿ÍÀÎÁî¹ö±× ¿ÀÇÏÀÌ¿À) Sherwood Anderson (¼Å¿ìµå ¾Ø´õ½¼)
25 A PASSAGE TO INDIA (Àεµ·Î °¡´Â ±æ) E.M. Forster (E M Æ÷½ºÅÍ)
26 THE WINGS OF THE DOVE (ºñµÑ±âÀÇ ³¯°³) Henry James (Ç Á¦ÀÓ½º)
27 THE AMBASSADORS (´ë»çµé) Henry James (Ç Á¦ÀÓ½º)
28 TENDER IS THE NIGHT (¹ãÀº ºÎµå·¯¿ö) F. Scott Fitzgerald (½ºÄà ÇÇÃ÷Á¦·²µå)
29 THE STUDS LONIGAN TRILOGY (½ºÅÍÁî·Î´Ï°Ç (3ºÎÀÛ)) James T. Farrell (Á¦ÀÓ½º ÆÄ·¼)
30 THE GOOD SOLDIER (ÈǸ¢ÇÑ º´»ç) Ford Madox Ford (Æ÷µå ¸Åµ¶½º Æ÷µå)
31 ANIMAL FARM (µ¿¹°³óÀå) George Orwell (Á¶Áö ¿ÀÀ£)
32 THE GOLDEN BOWL (Ȳ±ÝÁÖ¹ß) Henry James (Ç Á¦ÀÓ½º)
33 SISTER CARRIE (½Ã½ºÅÍ Ä³¸®) Theodore Dreiser (½Ã¾îµµ¾î µå¶óÀÌÀú)
34 A HANDFUL OF DUST (ÇÑÁÜÀÇ ¸ÕÁö) Evelyn Waugh (ÀÌºí¸° ¿ö)
35 AS I LAY DYING (³»°¡ ´©¿ö¼ Á׾ ¶§) William Faulkner (Àª¸®¾ö Æ÷Å©³Ê)
36 ALL THE KING'S MEN (¿ÕÀÇ ¸ðµç ¹é¼º) Robert Penn Warren (·Î¹öÆ® Ææ ¿ö·±)
37 THE BRIDGE OF SAN LUIS REY (»÷ ·çÀ̽º ·¹ÀÌ ´Ù¸®) Thornton Wilder (¼ÕÅÏ ¿ÍÀÏ´õ)
38 HOWARDS END (ÇÏ¿öÁî ¾Øµå) E.M. Forster (E M Æ÷½ºÅÍ)
39 GO TELL IT ON THE MOUNTAIN (»ê¿¡ °¡¼ ¸»Ç϶ó) James Baldwin (Á¦ÀÓ½º º¼µåÀ©)
40 THE HEART OF THE MATTER (»ç°ÇÀÇ ÇÙ½É) Graham Greene (±×·¹À̾ö ±×¸°)
41 LORD OF THE FLIES (ÆÄ¸®´ë¿Õ) William Golding (Àª¸®¾ö °ñµù)
42 DELIVERANCE (±¸Ãâ) James Dickey (Á¦ÀÓ½º µðŰ)
43 A DANCE TO THE MUSIC OF TIME (series) (½Ã°£ÀÇ À½¾Ç¿¡ ¸ÂÃç ÃãÀ» Ãß´Ù) Anthony Powell (¾Ø¼´Ï ÆÄ¿ù)
44 POINT COUNTER POINT (Æ÷ÀÎÆ® Ä«¿îÅÍ Æ÷ÀÎÆ®) Aldous Huxley (¿Ã´õ½º Çä½½¸®)
45 THE SUN ALSO RISES (žçÀº ¶Ç´Ù½Ã ¶°¿À¸¥´Ù) Ernest Hemingway (¾î´Ï½ºÆ® Çì¹Ö¿þÀÌ)
46 THE SECRET AGENT (ºñ¹Ð¿ä¿ø) Joseph Conrad (Á¶¼Á ÄÜ·¡µå)
47 NOSTROMO (³ë½ºÆ®·Î¸ð) Joseph Conrad (Á¶¼Á ÄÜ·¡µå)
48 THE RAINBOW (¹«Áö°³) D.H. Lawrence (D H ·Î·»½º)
49 WOMEN IN LOVE (»ç¶û¿¡ ºüÁø ¿©Àεé) D.H. Lawrence (D H ·Î·»½º)
50 TROPIC OF CANCER (ºÏȸ±Í¼±) Henry Miller (Ç ¹Ð·¯)
51 THE NAKED AND THE DEAD (³ªÀÚ¿Í »çÀÚ) Norman Mailer (³ë¸Õ ¸ÞÀÏ·¯)
52 PORTNOY'S COMPLAINT (Æ÷Æ®³ëÀÌÀÇ ºÒÆò) Philip Roth (Çʸ³ ·Î½º)
53 PALE FIRE (â¹éÇÑ ºÒ²É) Vladimir Nabokov (ºí¶óµð¹Ì¸£ ³ªº¸ÄÚÇÁ)
54 LIGHT IN AUGUST (ÆÈ¿ùÀÇ ºû) William Faulkner (Àª¸®¾ö Æ÷Å©³Ê)
55 ON THE ROAD (±æ À§¿¡¼) Jack Kerouac (Àè ÄÉ·ç¾Ç)
56 THE MALTESE FALCON (¸»Å¸ÀÇ ¸Å) Dashiell Hammett (µ¥½Ã¿¤ Çì¸ä)
57 PARADE'S END (ÆÛ·¹À̵åÀÇ ³¡) Ford Madox Ford (Æ÷µå ¸Åµ¶½º Æ÷µå)
58 THE AGE OF INNOCENCE (¼ø¼öÀÇ ½Ã´ë) Edith Wharton (À̵𽺠¿öÅæ)
59 ZULEIKA DOBSON (ÁÙ¶óÀÌÄ« µ½½¼) Max Beerbohm (¸Æ½º ºñ¾îº½)
60 THE MOVIEGOER (¿µÈ°ü°´) Walker Percy (¿ùÄ¿ ÆÛ½Ã)
61 DEATH COMES FOR THE ARCHBISHOP (´ëÁÖ±³ÀÇ Á×À½) Willa Cather (Àª¶ó Ä«ÅÍ)
62 FROM HERE TO ETERNITY (Áö»ó¿¡¼ ¿µ¿øÀ¸·Î) James Jones (Á¦ÀÓ½º Á¸½º)
63 THE WAPSHOT CHRONICLES (¿Ò¼îÆ® ¿¬´ë±â) John Cheever (Á¸ Ä¡¹ö)
64 THE CATCHER IN THE RYE (È£¹Ð¹çÀÇ ÆÄ¼ö²Û) J.D. Salinger (J D »ø¸°Àú)
65 A CLOCKWORK ORANGE (½Ã°èÅ¿±ÀåÄ¡ ¿À·»Áö) Anthony Burgess (¾Ø¼Ò´Ï ¹öÁ¦½º)
66 OF HUMAN BONDAGE (Àΰ£ÀÇ ±¼·¹) W. Somerset Maugham (¼¸Ó½Ë ¸ö)
67 HEART OF DARKNESS (¾îµÒÀÇ ÇÑ °¡¿îµ¥) Joseph Conrad (Á¶¼Á ÄÜ·¡µå)
68 MAIN STREET (¸ÞÀÎ ½ºÆ®¸®Æ®) Sinclair Lewis (½ÌŬ·¹¾î ·çÀ̽º)
69 THE HOUSE OF MIRTH (±â»ÝÀÇ Áý) Edith Wharton (À̵𽺠¿öÅæ)
70 THE ALEXANDRIA QUARTET (¾Ë·º»êµå¸®¾Æ »çÁßÁÖ) Lawrence Durell (·Î·»½º µÎ·¼)
71 A HIGH WIND IN JAMAICA (ÀÚ¸ÞÀÌÄ«ÀÇ ¹Ù¶÷) Richard Hughes (¸®Ã³µå ÈÞÁî)
72 A HOUSE FOR MR BISWAS (ºñ½º¿ö½º¾¾¸¦ À§ÇÑ Áý) V.S. Naipaul (V S ³×ÀÌÆú)
73 THE DAY OF THE LOCUST (·ÎÄ¿½ºÆ®ÀÇ ³¯) Nathanael West (³ª´Ù³ª¿¤ ¿þ½ºÆ®)
74 A FAREWELL TO ARMS (¹«±â¿© Àß ÀְŶó) Ernest Hemingway (¾î´Ï½ºÆ® Çì¹Ö¿þÀÌ)
75 SCOOP (½ºÄíÇÁ) Evelyn Waugh (¿¡ºí¸° ¿ö)
76 THE PRIME OF MISS JEAN BRODIE (Áø ºê·Îµð¾çÀÇ Àü¼º±â) Muriel Spark (¹Â¸®¿¤ ½ºÆÄÅ©)
77 FINNEGANS WAKE (Çdzװǽº ¿þÀÌÅ©) James Joyce (Á¦ÀÓ½º Á¶À̽º)
78 KIM (Å´) Rudyard Kipling (·çµð¾ßµå ŰÇøµ)
79 A ROOM WITH A VIEW (Àü¸ÁÁÁÀº ¹æ) E.M. Forster (E M Æ÷½ºÅÍ)
80 BRIDESHEAD REVISITED (´Ù½Ã ãÀº ºê¶óÀÌÁîÇØµå) Evelyn Waugh (¿¡ºí¸° ¿ö)
81 THE ADVENTURES OF AUGIE MARCH (¿À±â ¸¶Ä¡ÀÇ ¸ðÇè) Saul Bellow (¼Ö º§·Î¿ì)
82 ANGLE OF REPOSE (Æò¿ÂÀÇ ´Ü¸é) Wallace Stegner (¿ù·¯½º ½ºÅױ׳Ê)
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