object
´Ù¸¥ °÷¿¡¼ ã±â
³×À̹ö»çÀü ´ÙÀ½»çÀü Cambridge M-W M-W Thesaurus OneLook Wordnet Google
cognate object µ¿Á· ¸ñÀû¾î
direct object (¹®¹ý)Á÷Á¢ ¸ñÀû¾î
found object =OBJET TROUVE
IFO identified flying objectÈ®ÀÎ ºñÇ๰ü
indirect object (¹®¹ý)°£Á¢ ¸ñÀû¾î
object glass ´ë¹°·»Áî
object language ´ë»ó ¾ð¾î
object lens =OBJECT CLASS
object plate (Çö¹Ì°æÀÇ) °Ë°æ°ü
object £Û¡Ó£â£ä¬Ù¢¥£å£ë£ô£Ý ¹Ý´ëÇÏ´Ù, ½È¾îÇÏ´Ù
object £Û¡Ó£â£ä¬Ù¢¥£å£ë£ô£Ý ¹Ý´ë ÀÌÀ¯·Î µé´Ù, ¹Ý´ëÇÏ´Ù, ~less ¸ñÀû ¾ø´Â, objector ¹Ý´ëÀÚ
object £Û¢¥£á£â£ä¬Ù£é£ë£ô£Ý ¹°Ã¼, ¹°°Ç, ¸ñÀû(¹°), °´°ü, ´ë»ó, ¸ñÀû¾î, ºÒ½ÖÇÑ
quasistellar object £Û£ë£÷¢¥£å£é£ó£á£é£ó£ô¢¥£å£ì¡Ó£ò£Ý ÁØÇ×¼º»ó õü
retained object º¸·ù ¸ñÀû¾î
unidentified flying object ¹Ì È®ÀÎ ºñÇ๰ü(UFO)
virtu £Û£ö¡Ó:£ò£ô¢¥£õ:£Ý (¹Ì¼úǰ µûÀ§ÀÇ)¶Ù¾î³ °¡Ä¡(ÈǸ¢ÇÔ), ¹Ì¼úǰ, °ñµ¿Ç°, ¹Ì¼úǰ ¾ÖÈ£, articles (objects) of ~ °ñµ¿Ç°
argue against : oppose, object ¹Ý´ëÇÏ´Ù
artifact : a man-made object °ø¿¹Ç°, À¯¹°
object ¹°°Ç, ¹°Ã¼, ´ë»ó, ¸ñÀû, ¸ñÇ¥; ¹Ý´ëÇÏ´Ù, ½È¾îÇÏ´Ù
object 1. ´ë»ó, »ç¹°, ¹°Ã¼ 2. ¹Ý´ëÇÏ´Ù, ½È¾îÇÏ´Ù, À̰ßÀ» ³»¼¼¿ì´Ù.
object to ~¿¡ ¹Ý´ëÇÏ´Ù, ~À» Çù¿ÀÇÏ´Ù.
object lesson ±¸Ã¼ÀûÀÎ ¸ð¹üÀ» ³ªÅ¸³»´Â ÀÏ, ±³ÈÆÀÌ µÇ´Â ÀÏ
±×¿¡°Ô´Â ±× °èȹÀ» ¹Ý´ëÇÒ ¸¸ÇÑ ¿ë±â°¡ ¾ø´Ù.
He dare not object to the plan.
all but (£½almost) : °ÅÀÇ
It took him all but ten years to attain his object.
(±×°¡ ±×ÀÇ ¸ñÇ¥¸¦ ´Þ¼ºÇϴµ¥ °ÅÀÇ 10³âÀÌ °É·È´Ù.)
µ·°ÆÁ¤Àº ¸¶¶ó(¼±¹è°¡ ÈĹ迡°Ô ¼úÀ» »çÁÖ¸é¼).
Money is no object.
Play around¿Í Play a roundÀÇ Â÷ÀÌ.
How long has it been since you played around?
(¿©ÀÚµé°ú )Àç¹Ì º¸°í µ¹¾Æ ´Ù´ÏÁö ¸øÇÑ °ÍÀÌ ¾ó¸¶³ª µÇÁö¿ä?
How long has it been since you played a round?
°ñÇÁ¸¦ Ä¡Áö ¸øÇÑ °ÍÀÌ ¾ó¸¶³ª µÇÁö¿ä?
He was an object of interest simply by virtue of being a foreigner. ±×´Â ´ÜÁö ¿Ü±¹ÀÎÀ̶ó´Â ÀÌÀ¯ ¶§¹®¿¡ °ü½ÉÀÇ ´ë»óÀÌ µÇ¾ú´Ù.
Money is no object. ( µ·Àº ¹®Á¦°¡ ¾È µË´Ï´Ù. )
= No matter the cost.
Money is no object. I'll buy whatever you want.
( µ·Àº ¹®Á¦°¡ ¾ÈµÅ. ¿øÇÏ´Â °Ç ¹¹µçÁö »çÁÙ°Ô. )
Money is no object. Just name whatever you want to get.
( µ·Àº ¹®Á¦°¡ ¾ÈµÅ. °®°í ½ÍÀº °Å ¸»¸¸ ÇØ. )
OLE (Object Linking & Embedding)
UFO (Unidentified Flying Object)
X¼± õü (X-ray Objects)
¸ñÀû ÇÁ·Î±×·¥ (ÙÍîÜ ¡ª Object Program)
A telescope improves our view of the skies, partly by forming a large image
that magnifies the detail in objects, but even more importantly by
gathering more light than the human eye can.
¸Á¿ø°æÀº ´ÙÀ½ÀÇ µÎ°¡Áö¸¦ ÇÔÀ¸·Î½á Çϴÿ¡ ´ëÇÑ ¿ì¸®ÀÇ ½Ã¾ß¸¦ ÁõÁø½ÃŲ´Ù.
ºÎºÐÀûÀ¸·Î´Â ¹°Ã¼µé¿¡ ÀÖ¾î¼ÀÇ ¼¼ºÎÀûÀÎ °ÍµéÀ» È®´ë½ÃŰ´Â Å« »óÀ»
Çü¼ºÇÔÀ¸·Î½á. ±×·¯³ª ´õ¿í Áß¿äÇÑ °ÍÀº Àΰ£ÀÇ ´«ÀÌ ÇÒ ¼ö ÀÖ´Â °Íº¸´Ù
´õ ¸¹Àº ºûÀ» ¸ðÀ½À¸·Î½á.
In traditional Japanese ink drawings, the artist tries to paint
a state of mind rather than an exact copy of some object.
ÀüÅëÀûÀÎ ÀϺ» À×Å© ȸȿ¡¼, Ȱ¡´Â ¾î¶² ¹°Ã¼ÀÇ Á¤È®ÇÑ ¸ð½À ±×´ë·Î¸¦
±×¸®±âº¸´Ù´Â ¿ÀÈ÷·Á ¸¶À½ÀÇ »óŸ¦ ±×¸®·Á°í ³ë·ÂÇÑ´Ù.
Working like a telescope, a telephoto lens magnifies the size
of objects at great distances.
¸Á¿ø°æ°ú °°Àº ¹æ½ÄÀ¸·Î ÀÛµ¿ÇÏ´Â ¸Á¿ø »çÁø·»Áî´Â ¸Õ °Å¸®¿¡ ÀÖ´Â ¹°Ã¼ÀÇ
»çÀÌÁ È®´ëÇÑ´Ù.
Collecting antiques may seem to be a relatively modern phenomenon,
but documents prove that beautiful old objects have always been
appreciated.
°ñµ¿Ç°À» ¼öÁýÇÏ´Â °ÍÀº ºñ±³Àû Çö´ëÀûÀÎ Çö»óÀÎ °Íó·³ º¸ÀÏ ¼öµµ ÀÖ´Ù.
±×·¯³ª (¿©·¯ °¡Áö) ¹®¼µéÀÌ, ¾Æ¸§´Ù¿î ¿¾ ¹°°ÇµéÀº Ç×»ó (°¡Ä¡¸¦) ÀÎÁ¤¹Þ¾Æ
¿Ô´Ù´Â °ÍÀ» ÀÔÁõÇÑ´Ù.
X-rays are able to pass through objects and thus make visible details
that are otherwise impossible to observe.
X·¹ÀÌ´Â ¹°Ã¼¸¦ Åë°úÇÒ ¼ö ÀÖ´Ù, ±×·¡¼ ±×·¸Áö ¾Ê´Ù¸é °üÂûÇϱⰡ ºÒ°¡´ÉÇÑ
¼¼ºÎ»çÇ×µéÀ» º¼ ¼ö ÀÖ°Ô ¸¸µé¾îÁØ´Ù.
When the focus of a pair of binoculars is adjusted, distant objects
can be brought into view.
ÇÑ ½ÖÀÇ ½Ö¾È°æÀÇ ÃÊÁ¡ÀÌ ¸ÂÃçÁ³À» ¶§, ¸Ö¸® ÀÖ´Â ¹°Ã¼°¡ ½Ã¾ß¿¡ µé¾î¿Ã
¼ö ÀÖ´Ù.
A squid that has just been born will follow any nearby moving object during
the first few days of its existence.
¹æ±Ý ÅÂ¾î³ ¿À¡¾î´Â, ±×°ÍÀÌ ÅÂ¾î³ Áö óÀ½ ¸çÄ¥ µ¿¾È¿¡, ±Ùó¿¡ ¿òÁ÷ÀÌ´Â ¾î¶²
¹°Ã¼µçÁö ÂѾư¡´Â °æÇâÀÌ ÀÖ´Ù.
The Millicent Rogers Museum houses five thousand pieces of
Hispanic and American Indian jewelry, textiles, and other objects
documenting the vibrancy of these two cultures.
The Millicent Rogers ¹Ú¹°°üÀº 5õ Á¡ÀÇ ³²¹Ì¿Í ¹Ì±¹ Àεð¾ðµéÀÇ º¸¼®, Á÷¹°,
±×¸®°í ÀÌ µÎ ¹®ÈÀÇ È°·ÂÀ» ±â·ÏÇØÁÖ´Â ´Ù¸¥ ¹°°ÇµéÀ» ¼ö¿ëÇϰí ÀÖ´Ù.
The foot is used primarily for locomotion, but some primates,
notably the apes, also use their feet for grasping and picking up objects.
¹ßÀº ÁÖ·Î À̵¿¿¡ »ç¿ëµÈ´Ù, ±×·¯³ª ¾î¶² ¿µÀå·ùµé, ƯÈ÷ À¯ÀοøµéÀº ¹°°ÇÀ» Áã°í
¹°°ÇÀ» Áý´Âµ¥µµ ±×µéÀÇ ¹ßÀ» »ç¿ëÇÑ´Ù.
Attributing emotion to inanimate objects, such as machines, is a form of
animism.
¿¹¸¦ µé¸é ±â°è¿Í °°Àº, ¹«»ý¹°¿¡ °¨Á¤ÀÌ ÀÖ´Ù°í »ý°¢ÇÏ´Â °ÍÀº ÇÑ ÇüÅÂÀÇ (ÀÏÁ¾ÀÇ)
¹°È°·ÐÀÌ´Ù.
Quasars, faint celestial objects resembling stars, are perhaps the most
distant objects known.
º°°ú ´àÀº Èñ¹ÌÇÑ ÃµÃ¼ÀÎ ÁؼºÀº ¾Æ¸¶µµ ¾Ë·ÁÁø(°Í Áß¿¡¼) °¡Àå ¸Õ ¹°Ã¼ÀÏ °ÍÀÌ´Ù.
A mirage is an atmospheric optical illusion in which an
observer sees a nonexistent body of water or an image
of some object.
½Å±â·ç´Â ÇϳªÀÇ ´ë±â»óÀÇ ±¤ÇÐÀûÀÎ Âø°¢Àε¥ ±× ¾È¿¡¼´Â °üÂûÀÚ°¡ ÇϳªÀÇ
Á¸ÀçÇÏÁö ¾Ê´Â ¹°ÀÇ µ¢¾î¸® ¶Ç´Â ¾î¶² ¹°Ã¼ÀÇ À̹ÌÁö(»ó)À» º»´Ù.
Antique collecting became a significant pastime in the 1800's when old objects
began to be appreciated for their beauty as well as for their historical
importance.
°ñµ¿Ç° ¼öÁýÀº, ¿À·¡µÈ ¹°°ÇµéÀÌ ±×µéÀÇ ¿ª»çÀûÀÎ Á߿伺 ¶§¹®Àº ¹°·ÐÀÌ°í ±×µéÀÇ
¹Ì(beauty) ¶§¹®¿¡ ³ôÀÌ Æò°¡¹Þ±â ½ÃÀÛÇß´ø 1800³â´ë¿¡ Áß¿äÇÑ Ãë¹Ì»ýȰÀÌ µÇ¾ú´Ù.
Surprisingly, nonorganic objects such as rocks will increase
in size if in a proper environment.
³î¶ø°Ôµµ, ¹ÙÀ§¿Í °°Àº ¹«±â¹°Ã¼°¡ ¾Ë¸ÂÀº ȯ°æ¿¡ ³õÀδٸé Å©±â°¡ Áõ°¡ÇÏ´Â °æÇâÀÌ
ÀÖ´Ù.
object
object+prep. :: He objected to the harsh treatment he received.
object to+¢¦ing :: Do you object to smoking?
object to+one's ¢¦ing :: Would you object to my turning on the radio?
object+that :: She objected that the weather was too bad for a trip.
[ÝïÎò] special, particular, specific
specialÀº ´Ù¸¥ °Í°ú ±¸º°µÇ´Â µ¶Æ¯ÇÑ ¼º°Ý¡¤¼ºÁú¡¤¿ëµµ¸¦ °¡Áø °ÍÀ» ¸»ÇÑ´Ù. º¸ÅëÀÌ ¾Æ´Ñ °Í(uncommon)À̱⠶§¹®¿¡ À¯º°³ ¹è·Á¿Í Ãë±ÞÀ» ¹Þ´Â °Í, ¶ÇÇÑ »ý°¢¿¡ ¸¶¶¥È÷ ±×·± °ÍÀ» º»¹Þ¾Æ¾ß ÇÏ´Â °ÍÀ» ¸»ÇÑ´Ù.
The baby requires a special soap and a special powder./ He is a special friend of mine.
particular´Â ÁÖÀǸ¦ ²ø±â À§Çؼ °°Àº Á¾·ùÀÇ ¸¹Àº ´Ù¸¥ °Í Áß¿¡¼ °ñ¶ó³»´Â °Í ¶Ç´Â ¾î¶² »ç¹°ÀÇ °³¼º¡¤Æ¯À̼ºÀ» °Á¶ÇÑ´Ù.
May I show you the particular paragraph to which I object?
¶Ç ³í¸®Çп¡¼ particular´Â universal(º¸ÆíÀûÀÎ)ÀÇ ¹Ý´ë¾î·Î, ¡¸Æ¯¼öÇÑ¡¹À̶õ ¶æÀ¸·Î °°Àº Á¾·ùÀÇ Çϳª ¶Ç´Â ¸î¸î¿¡ °üÇÑ ¸íÁ¦¡¤ÆÇ´Ü¡¤°³³ä µûÀ§¿¡ °üÇØ¼ ¾²ÀδÙ.
Some men are highly intelligent.´Â particular proposition(ƯĪ ¸íÁ¦)À̰í All men make mistakes.´Â universal proposition(ÃÑĪ ¸íÁ¦)ÀÌ´Ù.
specificÀº öÇС¤°úÇпë¾î·Î´Â generic(¼Ó¿¡ ƯÀ¯ÇÑ)ÀÇ ¹Ý´ë¾î·Î, genus(¼Ó)¿Í ±¸º°µÇ´Â¡¸species(Á¾)¿¡ µ¶Æ¯ÇÑ¡¹À» ÀǹÌÇÑ´Ù.
Both the common violet and the pansy are violas, but their specific differences are more obvious than their specific likeness.
º¸´Ù ÀϹÝÀûÀÎ ¿ë¹ý¿¡¼´Â, ¾î´À Ưº°ÇÑ ¿¹Áõ, °æ¿ì¸¦ ºÐ¸íÈ÷ µé¾î¼ º¸ÀÌ´Â ¶æÀ» °®´Â´Ù.
He cited specific cases.
Money is no object.: µ· °ÆÁ¤ÇÏÁö ¸¶¶ó.
¡æ µ·ÀÌ ¹®Á¦°¡ ¾Æ´Ï´Ù.(Á÷¿ª)
bearing: a supporting object, purpose, or point: ŵµ, ¹æÀ§, °ü°è
µ·°ÆÁ¤ÇÏÁö¸¶.
Money is NO OBJECT.
µ· °ÆÁ¤Àº ÇÏÁö¸¶.
Money is no object.
His object in life is to earn as much money as possible.
±×ÀÇ Àλý¸ñÇ¥´Â °¡´ÉÇÑ ÇÑ µ·À» ¸¹ÀÌ ¹ö´Â °ÍÀÌ´Ù
Money is no object. µ· °ÆÁ¤ ÇÏÁö ¸¶¶ó.
cf) spendthrift. ³¶ºñ°¡ ½ÉÇÑ
A South Korean diplomat in Vladivostok was found murdered
Tuesday night in his apartment building. He had apparently been
struck on the back of the head with a blunt object and stabbed in
the side with an auger, the Foreign Ministry said yesterday.
1ÀϹ㠺í¶óµðº¸½ºÅäÅ© ÁÖÀç Çѱ¹ ¿Ü±³°ü 1¸íÀÌ ÀÚ½ÅÀÇ ¾ÆÆÄÆ®¿¡¼ »ì
ÇØµÈ ä·Î ¹ß°ßµÇ¾ú´Ù. ¿Ü¹«ºÎ´Â 2ÀÏ, »ìÇØµÈ ¿Ü±³°üÀº ¸Ó¸® µÞºÎºÐÀ»
µÐ±â·Î °¡°Ý¹Þ¾ÒÀ¸¸ç ¿·±¸¸®´Â ¼Û°÷À¸·Î Âñ·È´Ù°í ¹àÇû´Ù.
He and Evelyn had falled in love when they were in their teens,
but her parents objected because he was a ne'er-do-well.
±×¿Í ¿¡ºê¸°Àº 10´ë ¶§ »ç¶û¿¡ ºüÁ³´Âµ¥ ±×³àÀÇ ºÎ¸ð´Â ±×°¡ ¾µ¸ð¾ø´Â Àΰ£À̶ó°í
°áÈ¥À» ¹Ý´ëÇß´Ù.
2. µ·°ÆÁ¤ÇÏÁö¸¶.
Money is NO OBJECT.
38. I have no (object, objection) to your proposal.=>objection
Do you mind if we eat this in front of the TV ?
TV¸¦ º¸¸é¼ ÀÌ À½½ÄÀ» ¸Ô¾îµµ µÉ±î¿ä ?
mind : (ÁÖ·Î ºÎÁ¤,Àǹ®,Á¶°Ç¹®¿¡¼) ²¨·ÁÇÏ´Ù.
½È¾îÇÏ´Ù. --¿¡ ¹Ý´ëÇÏ´Ù.(object to)
¡Ú Do you mind a person's doing ? ~ ÇØµµ ÁÁ½À´Ï±î?
ex) Do[Would] you mind my if I smoke here ?
:´ã¹èÁ» Å¿ì¸é ¾ÈµÉ±î¿ä?
No,I don't. = No,not at all. Sure.:ÇǼ¼¿ä.
(½È¾îÇϼ¼¿ä?ÀÇ ´ë´äÀ̹ǷΠ"¾Æ´¢ Å¿켼¿ä")
Yes, I do. = Oh yes. :ÇÇÁö¸¶¼¼¿ä.
(³× ¾ÈµÇ¿ä. Å¿ìÁö ¸¶¼¼¿ä)
Can you identify that object? Àú°Ô ¹ºÁö ¾Ë°Ú½À´Ï±î?
ÀçÆÇÇÒ ¶§ º¯È£»ç°¡ º¯·ÐÇÒ ¶§ °Ë»ç°¡ ÀÌÀÇÀÖ½À´Ï´Ù.ÇÏ¸é ÆÇ»ç°¡ ±â
°¢ÇÕ´Ï´Ù.¸¦ ¿µ¾î·Î´Â¿ä?
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"ÀÌÀÇÀÖ½À´Ï´Ù."´Â (I have an) Objection. ÀÌ°í ÆÇ»ç°¡ Ÿ´çÇÏ´Ù°í
»ý°¢Çϸé,(Objection is) Sustained. ¹Ý´ë·Î "±â°¢ÇÕ´Ï´Ù."´Â,(Object
ion is) Overruled.±×¸®°í À¯ÁËÀÎÁö ¹«ÁËÀÎÁö ÆÇ°á³ª¸é Case (is) dis
missed.À̶ó°í ÇÕ´Ï´Ù.
ÀÌÀÇ ÀÖ½À´Ï´Ù.: Objection
ÀÎÁ¤ÇÕ´Ï´Ù. : Sustained
±â°¢ÇÕ´Ï´Ù. : Overruled
ÀçÆÇ ³¡³À´Ï´Ù.: Case dismissed
cynosure ³²ÀÇ À̸ñÀ» ²ô´Â °Í, Âù¹ÌÀÇ ´ë»ó (the object of general attention)
As soon as the movie star intered the room, she became the cynosure of all
eyes.
missile ¹Ì»çÀÏ (object to be thrown or projected)
Scientists are experimenting with guided missiles.
mite Áøµå±â; Àܵ· (very small object or creature; small coin)
Gnats are annoying mites that sting.
obtrude °¿äÇÏ´Ù (push into prominence)
The other members of the group object to the manner in which you obtrude your
opinions into matters of no concern to you.
put one`s foot down
- object strongly, take firm action
He put his foot down and didn`t allow any more money to be spent on company entertainment.
"Oh," said Mrs.Kim. "I guess you must have spent all of your time at the National Folk Museum. There are a lot of old objects from Korea's past there."
"¿À, ±×·¯¸é ºÐ¸íÈ÷ ±¹¸³ ¹Î¼Ó ¹Ú¹°°ü¿¡¼´Â ½Ã°£À» º¸³Â°ÚÁö.°Å±â¿¡´Â °ú°Å¿¡ ÀÖ¾ú´ø Çѱ¹ÀÇ ¿À·¡µÈ À¯¹°µéÀÌ ¸¹´Ü´Ù."¶ó°í ±è ¿©»ç°¡ ¸»Çß´Ù.
Because John likes to learn by seeing or touching the real object, he should, he should try to use real objects for his learning whenever possible.
½ÇÁ¦ »ç¹°À» º¸°Å³ª ¸¸Á®¼ ¹è¿ì´Â °ÍÀ» ÁÁ¾ÆÇϱ⠶§¹®¿¡ JohnÀº °¡´ÉÇÏ¸é ¾ðÁ¦³ª ¹è¿ï ¶§ ½ÇÁ¦ »ç¹°À» »ç¿ëÇϵµ·Ï ÇØ¾ß ÇÑ´Ù.
My favorite paintings are portraits.
°¡Àå ÁÁ¾ÆÇÏ´Â ±×¸²Àº ÃÊ»óȾß.
I like portraits if the artist really captures the person's character.
Ȱ¡°¡ ±× Àι°ÀÇ Æ¯Â¡À» Á¦´ë·Î Ç¥ÇöÇÑ ÃÊ»óȶó¸é ³ªµµ ÁÁ¾Æ.
Here's a still life.
¿©±â Á¤¹°È°¡ ÀÖ³×.
I've never understood the appeal of still lifes.
³ Á¤¹°ÈÀÇ ¸Å·ÂÀÌ ¹ºÁö Á¤¸» ¸ð¸£°Ú¾î.
They're like portraits of objects.
Á¤¹°È´Â »ç¹°ÀÇ ÃÊ»óÈ °°Àº °Å¾ß.
But an object doesn't have the character like a person.
ÇÏÁö¸¸ »ç¹°¿¡´Â »ç¶÷ °°Àº Ư¡ÀÌ ¾ø¾î.
No, but the artist can give the painting a mood or a feeling.
¾øÁö, ±×·¡µµ Ȱ¡°¡ ±×¸²¿¡ ºÐÀ§±â³ª °¨Á¤À» ºÎ¿©ÇÒ ¼ö´Â ÀÖÀݾÆ.
* still life Á¤¹°È, Á¤¹° cf. still ¿òÁ÷ÀÌÁö ¾Ê´Â, Á¤ÁöÇØ ÀÖ´Â
Corot painted poetic and diaphanous landscapes, in which even solid objects seemed to be suffused with light and movement.
Corot´Â ³¶¸¸ÀûÀ̰í Åõ¸íÇÑ Ç³°æÈ¸¦ ±×·Á¼ ±×ÀÇ ±×¸²¿¡¼´Â µüµüÇÑ ¹°Ã¼µµ ºû°ú ¿òÁ÷ÀÓÀ¸·Î °¡µæÂù °Í °°´Ù.
In the phrase "die a thousand deaths", the word "death" is a cognate object.
"die a thousand deaths"¶ó´Â Ç¥Çö¿¡¼ 'death'¶ó´Â ´Ü¾î´Â µ¿Á·¸ñÀû¾îÀÌ´Ù.
In the twentieth century, physicists have made their greatest discoveries about the characteristics of infinitesimal objects like the atom and its parts.
20¼¼±â¿¡ µé¾î ¹°¸®ÇÐÀÚµéÀº ¿øÀÚ¿Í ±× ±¸¼º ¿ä¼Òµé °°Àº ¹Ì¼ÒÇÑ ¹°Ã¼µéÀÇ Æ¯¼º¿¡ ´ëÇÏ¿© °¡Àå Å« ¹ß°ßµéÀ» Çß´Ù.
Rational thought, logical and metaphysical thought can comprehend only those objects which are free from contradiction.
ÇÕ¸®ÀûÀÎ »ý°¢, ³í¸®ÀûÀ̰í ÇüÀÌ»óÇÐÀûÀÎ »ý°¢Àº ¸ð¼øÀÌ ¾ø´Â ´ë»óµé¸¸ ÀÌÇØÇÒ ¼ö ÀÖ´Ù.
Scientists have been disinclined to accept the theories about "unidentified flying objects" coming from outer space.
°úÇÐÀÚµéÀº ¿Ü°è¿¡¼ ¿À´Â "¹ÌÈ®ÀÎ ºñÇ๰ü"¿¡ °üÇÑ ÀÌ·ÐÀ» ÀÎÁ¤Çϱ⸦ ²¨·ÁÇØ¿Ô´Ù.
The other members of the group object to the manner in which you obtrude your opinions into matters of no concern to you.
±× ±×·ìÀÇ ´Ù¸¥ »ç¶÷µéÀº ´ç½ÅÀÌ ´ç½Å°ú °ü°è¾ø´Â ¹®Á¦¿¡ ´ëÇØ ´ç½ÅÀÇ °ßÇØ¸¦ °¿äÇϴ ŵµ¸¦ ¹Ý´ëÇÑ´Ù.
The scientist claims that he saw a U. F. O. last night and it was spheroid object.
±× °úÇÐÀÚ´Â ¾îÁ¦ Àú³á ¹ÌÈ®ÀÎ ºñÇà ¹°Ã¼¸¦ º¸¾ÒÀ¸¸ç ±×°ÍÀº Ÿ¿øÃ¼¿´´Ù°í ÁÖÀåÇÑ´Ù.
This experiment can be repeated with any inert object, for example, a rock or a piece of wood.
When we think of money, we usually think of currency, or metal coins and paper bills.
In the modern world, almost every person uses money to exchange for other objects of value.
The sizes and shapes of coins are different in various countries, and the size and color of paper money vary.
In the United states, for example, all paper money is the same size and the same color;
only the printing on the bills is different.
¿ì¸®°¡ µ·À» »ý°¢ÇÒ ¶§, ¿ì¸®´Â º¸Åë ÈÆó, Áï µ¿ÀüÀ̳ª ÁöÆó¸¦ »ý°¢ÇÑ´Ù.
Çö´ë ¼¼°è¿¡¼, °ÅÀÇ ¸ðµç »ç¶÷ÀÌ ´Ù¸¥ ¹°°ÇÀ̳ª °¡Ä¡¸¦ ±³È¯Çϱâ À§Çؼ µ·À» »ç¿ëÇÑ´Ù.
µ¿ÀüÀÇ Å©±â¿Í ¸ð¾çÀº ³ª¶ó¸¶´Ù ´Ù¸£´Ù.
±×¸®°í Á¾ÀÌÀÇ Å©±â¿Í »ö±òµµ ´Ù¾çÇÏ´Ù.
¿¹¸¦ µé¾î ¹Ì±¹¿¡¼´Â ¸ðµç ÁöÆó°¡ °°Àº Å©±âÀÌ°í °°Àº »ö±òÀÌ´Ù.
´ÜÁö ÁöÆó¿¡ ÀμâµÈ °Í¸¸ ´Ù¸¦ »ÓÀÌ´Ù.
Almost everyone has heard of Halley's comet, but most people did not know what comets are.
They think they are bright objects that move quickly across the sky and then disappear,
or that they would be dangerous if they crashed into the Earth.
In fact, you cannot see most of them moving, and although they belong to the solar system,
they are different from planets because they are not solid.
One of them is Halley's Comet, which is unique.
It appears every 76 years.
°ÅÀÇ ´©±¸³ª ÇÛ¸®Çý¼º¿¡ °üÇØ µé¾îºÃÁö¸¸, ´ëºÎºÐÀÇ »ç¶÷µéÀº Çý¼ºÀÌ ¹«¾ùÀÎÁö ¸ð¸¥´Ù.
»ç¶÷µéÀº ±×°ÍµéÀÌ ÇÏ´ÃÀ» °¡·ÎÁú·¯ »¡¸® ¿òÁ÷ÀÌ´Ù »ç¶óÁö´Â ¹àÀº ¹°Ã¼À̰ųª,
Áö±¸¿¡ Ãæµ¹Çϸé À§ÇèÇÑ °ÍµéÀ̶ó°í »ý°¢ÇÑ´Ù.
»ç½Ç, ¿ì¸®´Â Çý¼ºÀÇ ¿òÁ÷ÀÓÀ» °üÂûÇÒ ¼ö ¾ø´Ù.
¶ÇÇÑ ±×°ÍµéÀº žç°è¿¡ ¼ÓÇÏÁö¸¸, °íü°¡ ¾Æ´Ï±â ¶§¹®¿¡ Ç༺°ú´Â ´Ù¸£´Ù.
±×°Íµé Áß Çϳª°¡ ÇÛ¸® Çý¼ºÀε¥, ±×°ÍÀº µ¶Æ¯ÇÏ´Ù.
±×°ÍÀº 76³â¸¶´Ù ³ªÅ¸³´Ù.
When I first opened ¡°Body Shop¡± in 1976
my only object was to earn enough to feed my children.
Today ¡°Body Shop¡± is a company rapidly growing all around the world.
In the years since I began I have learned a lot.
Much of what I have learned will be found in this book.
It says about how to run a successful business.
It's not a normal business book, nor is it just about my life.
The message is that to succeed in business you have to be different.
In business, as in life, you need to enjoy yourself,
to have a feeling of family and to feel excited by the unexpected things.
³»°¡ 1976³â¿¡ óÀ½À¸·Î ¡°Body Shop¡±À» ¿¾úÀ» ¶§
³ªÀÇ À¯ÀÏÇÑ ¸ñÇ¥´Â ÀڽĵéÀ» ¸Ô¿© »ì¸± ¼ö ÀÖÀ» ¸¸Å ÃæºÐÇÑ µ·À» ¹ö´Â °ÍÀ̾ú´Ù.
¿À´Ã³¯ ¡°Body Shop¡±Àº Àü ¼¼°è¿¡ °ÉÃļ ºü¸£°Ô ¼ºÀåÇϰí Àִ ȸ»çÀÌ´Ù.
³»°¡ »ç¾÷À» ½ÃÀÛÇÑ ÀÌ·¡·Î ³ª´Â ¸¹Àº °ÍÀ» ¹è¿ü´Ù.
³»°¡ ¹è¿î ¸¹Àº °ÍµéÀ» ÀÌ Ã¥¿¡¼ ã¾Æ º¼ ¼ö ÀÖÀ» °ÍÀÌ´Ù.
±×°ÍÀº ¼º°øÀûÀÎ »ç¾÷ü¸¦ ¿î¿µÇÏ´Â ¹æ¹ý¿¡ °üÇÏ¿© ¸»ÇÑ´Ù.
±×°ÍÀº Æò¹üÇÑ »ç¾÷ ¼ÀûÀÌ ¾Æ´Ï¸ç ±×Àú ³ªÀÇ »î¿¡ °üÇÑ °Íµµ ¾Æ´Ï´Ù.
¸Þ½ÃÁö´Â »ç¾÷¿¡¼ ¼º°øÇϱâ À§Çؼ´Â ´Þ¶ó¾ß ÇÑ´Ù´Â °ÍÀÌ´Ù.
»î¿¡ ÀÖ¾î¼¿Í ¸¶Âù°¡Áö·Î »ç¾÷¿¡ À־µ ¿ì¸®´Â Áñ°Å¿ï Çʿ䰡 ÀÖÀ¸¸ç
°¡Á·À̶ó´Â ´À³¦À» °¡Áú Çʿ䰡 ÀÖÀ¸¸ç ¿¹±âÄ¡ ¸øÇÑ °Íµé¿¡ ÀÇÇØ ÈïºÐÀ» ´À³¥ Çʿ䵵 ÀÖ´Ù.
Good jugglers make juggling look so easy that it is difficult to imagine all the physics that comes into play.
Gravity has a significant effect on the number of objects juggled.
Each ball must be thrown high enough to allow the juggler time to handle the other balls.
While throwing higher gives the juggler extra time, it also increases the risk of error.
Juggling low, on the other hand, requires the juggler to catch and throw quickly, also increasing the risk of error.
The need for speed or height will change dramatically as the number of objects being juggled increases.
ÈǸ¢ÇÑ ´øÁö±â °î¿¹»çµéÀº ´øÁö±â °î¿¹¸¦ ³Ê¹«³ª ½±°Ô ÇØ¼ °Å±â¿¡ ÀÛ¿ëÇÏ´Â ¹°¸®Àû Çö»óÀ» »ó»óÇϱⰡ ¾î·Æ´Ù.
Áß·ÂÀº ´øÁ® ¿Ã¸®´Â ¹°°ÇÀÇ ¼ýÀÚ¿¡ Å« ¿µÇâÀ» ¹ÌÄ£´Ù.
°¢°¢ÀÇ °øÀº ´øÁö±â °î¿¹»ç°¡ ´Ù¸¥ °øµéÀ» ó¸®ÇÒ ¼ö ÀÖ´Â ½Ã°£À» Çã¿ëÇØ ÁÙ ¸¸Å ÃæºÐÈ÷ ³ôÀÌ ´øÁ® ¿Ã·Á¾ß ÇÑ´Ù.
³ôÀÌ ´øÁ® ¿Ã¸®´Â °ÍÀº ´øÁö±â °î¿¹»ç¿¡°Ô ¿©ºÐÀÇ ½Ã°£À» ÁÖ´Â ¹Ý¸é¿¡, ½Ç¼öÀÇ À§Çèµµ Áõ°¡½ÃŲ´Ù.
ÇÑÆí, ³·°Ô ´øÁ® ¿Ã¸®¸é ´øÁö±â °î¿¹»ç°¡ »¡¸® Àâ°í ´øÁ®¾ß Çϸç, ¶ÇÇÑ ½Ç¼öÀÇ À§Çèµµ Áõ°¡ÇÑ´Ù.
´øÁ® ¿Ã¸®°í ÀÖ´Â ¹°°ÇÀÇ ¼ýÀÚ°¡ ´Ã¾î³²¿¡ µû¶ó ¼Óµµ¿Í ³ôÀÌ¿¡ ´ëÇÑ Çʿ伺Àº Å©°Ô º¯ÈÇÒ °ÍÀÌ´Ù.
tip
1. the end of a pointed or projecting object: walk on the tips of one's toes
»ÏÁ·ÇÏ°Ô ³»¹Î ¹°Ã¼ÀÇ ³¡: ¹ß³¡À¸·Î »ì±Ý»ì±Ý °È´Ù
2. a piece or an attachment like a cap, meant to be fitted to the end of something else
¾î¶² ¹°°ÇÀÇ ³¡¿¡ ¸ÂÃß¾î Áö´Â ¶Ñ²±°ú °°Àº ºÎÂø¹°À̳ª Á¶°¢
3. a small present of money given to a waiter, a porter, etc. for services done: He gave the attendant a ten-dollar tip.
Á¾¾÷¿øÀ̳ª Áü²Û°ú °°Àº »ç¶÷µé¿¡°Ô ºÀ»çÀÇ ´ë°¡·Î ÁÖ¾îÁö´Â ÀûÀº ¾×¼öÀÇ »ç·Ê±Ý: ±×´Â ½ÃÁßµå´Â »ç¶÷¿¡°Ô 10´Þ·¯ÀÇ »ç·Ê±ÝÀ» ÁÖ¾ú´Ù.
4. a helpful hint; a piece of private information: a column of tips on gardening
µµ¿òÀÌ µÇ´Â Á¶¾ð; »çÀûÀÎ Á¤º¸: Á¤¿ø °¡²Ù±â¿¡ ´ëÇÑ Á¶¾ðÀ» ÇØÁÖ´Â ±â»ç
5. a light stroke: He gave me a tip on the shoulder.
°¡º±°Ô Ä¡±â: ±×´Â ³ªÀÇ ¾î±ú¸¦ °¡º±°Ô Åö °Çµå·È´Ù.
Nowadays a new device called ¡°rear sonar¡± is built into the car.
It is used only when the driver backs up.
As a driver backs up, sound waves are sent to the rear.
They bounce off any object within six-and-a-half feet of the back bumper.
A tiny computer measures the distance from the bumper to the object.
When the distance is six feet or less, lights begin flashing and beepers sound.
By these warning signals, the driver will know there is something behind the car.
¿À´Ã³¯ ¡°Èĸé À½ÆÄŽÁö±â¡±¶ó ºÒ¸®´Â »õ·Î¿î ÀåÄ¡°¡ ÀÚµ¿Â÷¿¡ ÀåÂøµÇ°í ÀÖ´Ù.
±×°ÍÀº ¿îÀüÀÚ°¡ ÈÄÁøÇÒ ¶§¿¡¸¸ »ç¿ëµÈ´Ù.
¿îÀüÀÚ°¡ ÈÄÁøÇÒ ¶§, À½ÆÄ¸¦ µÚÂÊÀ¸·Î º¸³½´Ù.
±× À½ÆÄ´Â µÚ ¹üÆÛÀÇ 6.5ÇÇÆ® À̳»¿¡ ÀÖ´Â ¹°Ã¼¿¡ ºÎµúÃÆ´Ù°¡ µ¹¾Æ¿Â´Ù.
¼ÒÇü ÄÄÇ»ÅͰ¡ ¹üÆÛ·ÎºÎÅÍ ±× ¹°Ã¼±îÁöÀÇ °Å¸®¸¦ ÃøÁ¤ÇÑ´Ù.
±× °Å¸®°¡ 6ÇÇÆ® ÀÌÇϰ¡ µÇ¸é ºÒÀÌ ±ô¹ÚÀ̰í, ½ÅÈ£À½ÀÌ ¿ï¸°´Ù.
ÀÌ·¯ÇÑ °æ°í ½ÅÈ£¿¡ ÀÇÇØ ¿îÀüÀÚ´Â Â÷ µÚÂÊ¿¡ ¹«¾ùÀÌ ÀÖ´Ù´Â °ÍÀ» ¾Ë°Ô µÈ´Ù.
* bounce off : ºÎµúÃÄ µ¹¾Æ¿À´Ù
* rear sonar: Èĸé À½ÆÄŽÁö±â
Today most scientists believe that the moon formed from the Earth.
They think that a large object hit the Earth early in its history.
When the object hit the Earth, huge pieces of the Earth broke off.
These pieces went into orbit around the Earth.
After a brief time, the pieces came together and formed the moon.
¿À´Ã³¯ ´ëºÎºÐ °úÇÐÀÚµéÀº ´ÞÀÌ Áö±¸·ÎºÎÅÍ ¸¸µé¾îÁ³´Ù°í ¹Ï´Â´Ù.
±×µéÀº ź»ý Ãʱ⿡ ¾î¶² Å« ¹°Ã¼°¡ Áö±¸¿¡ ºÎµúÇû´Ù°í »ý°¢ÇÑ´Ù.
±× ¹°Ã¼°¡ Áö±¸¿¡ ºÎµúÇûÀ» ¶§, Áö±¸ÀÇ Ä¿´Ù¶õ ÆÄÆíµéÀÌ ¶³¾îÁ® ³ª°¬´Ù.
ÀÌ ÆÄÆíµéÀº Áö±¸ ±Ëµµ¿¡ ¿Ã¶ú´Ù.
¾ó¸¶°£ÀÇ ½Ã°£ÀÌ È帥 ÈÄ, ±× ÆÄÆíµéÀÌ °áÇÕÇÏ¿© ´ÞÀ» Çü¼ºÇß´Ù.
Today most scientists believe that the moon formed from the earth.
They think that a large object hit the earth early in its history.
Perhaps the object was as big as Mars.
When the object hit the earth, huge pieces of the earth broke off.
These pieces went into orbit around the earth.
After a brief time, the pieces came together and formed the moon.
¿À´Ã³¯ ´ëºÎºÐÀÇ °úÇÐÀÚµéÀÌ »ý°¢ÇÏ´Â °ÍÀº, ´ÞÀÌ Áö±¸¿¡¼ ¶³¾îÁ® ³ª°¡ »ý°Ü³µ´Ù´Â °ÍÀÌ´Ù.
±×µéÀº °Å´ëÇÑ ¹°Ã¼°¡ Áö±¸ Ãʱ⿪»ç¿¡¼ Áö±¸¿¡ Ãæµ¹Çß´Ù°í »ý°¢Çϰí ÀÖ´Ù.
¾Æ¸¶µµ ±× ¹°Ã¼´Â ȼº¸¸Å °Å´ëÇßÀ»Áöµµ ¸ð¸¥´Ù.
±× ¹°Ã¼°¡ Áö±¸¿¡ Ãæµ¹ÇßÀ» ¶§ °Å´ëÇÑ Áö±¸ÀÇ ÆÄÆíµéÀÌ ¶³¾îÁ® ³ª°¬´Ù.
ÀÌ·¯ÇÑ Á¶°¢µéÀÌ Áö±¸ ±Ëµµ ¼ÓÀ¸·Î µé¾î°¬°í ¾ó¸¶ ÈÄ ÀÌ·¯ÇÑ Á¶°¢µéÀÌ ÇÕÃÄÁ®¼ ´ÞÀÌ ¸¸µé¾îÁ³´Ù.
Is it possible to measure beauty?
Well, the ancient Greeks believed that all beauty could be explained with math and used a system to find what they called the ¡°Golden Ratio.¡±
They found it by drawing lines between key points of a beautiful object and making calculations.
They believed that all beautiful things share the same ratio.
This idea is still popular today.
An American researcher carefully measured thousands of faces and was able to produce a ¡°Universal Beauty Mask¡± based on this Golden Ratio.
According to him, how closely the mask fits can show how beautiful you are.
¾Æ¸§´Ù¿òÀ» ÃøÁ¤ÇÏ´Â °ÍÀÌ °¡´ÉÇѰ¡?
°í´ë ±×¸®½º ÀεéÀº ¸ðµç ¾Æ¸§´Ù¿òÀº ¼öÇÐÀ¸·Î ¼³¸íµÉ ¼ö ÀÖ´Ù°í ¹Ï¾úÀ¸¸ç, ¼ÒÀ§ 'Ȳ±Ýºñ' ã´Â üÁ¦¸¦ »ç¿ëÇß´Ù.
±×µéÀº ¾Æ¸§´Ù¿î ´ë»ó(¹°Ã¼)ÀÇ Áß¿äÇÑ Á¡µé »çÀÌ¿¡ ¼±µéÀ» ±×¸®°í °è»êÀ» ÇÔÀ¸·Î½á ±×°ÍÀ» ã¾Ò´Ù.
±×µéÀº ¸ðµç ¾Æ¸§´Ù¿î °ÍµéÀº ¶È°°Àº ºñÀ²À» °øÀ¯ÇÑ´Ù°í ¹Ï¾ú´Ù.
ÀÌ »ý°¢Àº ¿À´Ã³¯¿¡µµ ¿©ÀüÈ÷ ÀαⰡ ÀÖ´Ù.
ÇÑ ¹Ì±¹ ¿¬±¸¿øÀº ¼öõ ¸íÀÇ ¾ó±¼µéÀ» Á¶½É½º·´°Ô ÃøÁ¤Çؼ ÀÌ È²±Ýºñ¿¡ Åä´ë¸¦ µÐ 'º¸ÆíÀû ¾Æ¸§´Ù¿î ¾ó±¼'À» ¸¸µé ¼ö ÀÖ¾ú´Ù.
±×¿¡ µû¸£¸é, ¾ó¸¶³ª °¡±õ°Ô ±× ¾ó±¼¿¡ µé¾î¸Â´À³Ä°¡ ¾ó¸¶³ª ´ç½ÅÀÌ ¾Æ¸§´Ù¿îÁö¸¦ º¸¿© ÁÙ ¼ö ÀÖ´Ù.
band
1. thin flat strip used for fastening things together or for placing round an object to strengthen it: Tie the papers with a rubber band.
2. line on something, different in color or design from the rest: a white plate with a red band round the edge
3. particular range of numbers or values: a very wide band of radio frequencies
4. group of people with a common purpose: a growing band of supporters
5. group of musicians: They're a rock band, not a brass band.
1. »ç¹°À» °íÁ¤½ÃŰ°Å³ª ȤÀº ±×°ÍÀ» ưưÇÏ°Ô ÇÏ·Á°í ÁÖÀ§¿¡ °¨´Â ¾ã°í ÆòÆòÇÑ ²ö : °í¹« ¹êµå·Î ¼·ù¸¦ ¹¾î¶ó.
2. ´Ù¸¥ ºÎºÐ°ú »ö±òÀ̳ª µðÀÚÀÎÀÌ ´Ù¸¥ ÁÙ¹«´Ì : °¡ÀåÀÚ¸®¿¡ ÁÙ¹«´Ì°¡ ÀÖ´Â Èò Á¢½Ã
3. ¼ýÀÚ³ª ¼öÄ¡ÀÇ Æ¯Á¤ÇÑ ¹üÀ§ : ¾ÆÁÖ ±¤¹üÀ§ÇÑ ¹«¼± Á֯ļö ´ë
4. °øÅëÀÇ ¸ñÀûÀ» Áö´Ñ »ç¶÷µéÀÇ ¹«¸® : Áõ°¡ÇÏ´Â ÁöÁöÀÚµéÀÇ ¹«¸®
5. À½¾Ç°¡µéÀÇ Áý´Ü, ¾Ç´Ü : ±×µéÀº ÃëÁ־ǴÜÀÌ ¾Æ´Ï¶ó rock ¹êµåÀÌ´Ù.
SARS is a serious illness that has recently been reported in Asia, North America, and Europe.
The primary way that SARS appears to spread is by close person-to-person contact.
Most cases of SARS have involved people who cared for or lived with someone with SARS,
or had direct contact with infectious material from a person who has SARS.
Potential ways in which SARS can be spread include touching the skin of other people or objects that are infected and then touching your eyes, nose, or mouth.
It is also possible that SARS is spread more broadly through the air or by other ways that are currently not known.
SARS´Â ÃÖ±Ù ¾Æ½Ã¾Æ¿Í ºÏ¹Ì, À¯·´ µîÁö¿¡¼ º¸µµµÈ ¹Ù ÀÖ´Â ½É°¢ÇÑ Áúº´ÀÌ´Ù.
SARS°¡ ÆÛÁö´Â °ÍÀ¸·Î ÃßÁ¤µÇ´Â °¡Àå ÁÖµÈ °æ·Î´Â »ç¶÷°£ÀÇ ±ä¹ÐÇÑ Á¢ÃËÀÌ´Ù.
´ëºÎºÐÀÇ SARS °¨¿° »ç·Ê´Â SARS ȯÀÚ¸¦ °£È£Çϰųª, ÇÔ²² »ç´Â »ç¶÷,
¶Ç´Â SARS ȯÀڷκÎÅÍ ³ª¿Â ¿À¿° ¹°Áú¿¡ Á÷Á¢ÀûÀ¸·Î Á¢ÃËÇÑ »ç¶÷°ú °ü·ÃµÇ¾î ÀÖ´Ù.
SARS°¡ ÆÛÁú ¼ö ÀÖ´Â ÀáÀçÀûÀÎ °æ·Î¿¡´Â SARS¿¡ °¨¿°µÈ »ç¶÷ÀÇ ÇǺγª ¹°Ã¼¸¦ ¸¸Áø ÈÄ ÀÚ½ÅÀÇ ´«, ÄÚ, ÀÔ µîÀ» ¸¸Áö´Â °ÍÀÌ Æ÷ÇԵȴÙ.
¶ÇÇÑ °ø±â¸¦ ÅëÇϰųª ÇöÀç·Î¼´Â ¾Ë ¼ö ¾ø´Â ´Ù¸¥ °æ·Î¸¦ ÅëÇÏ¿© SARS°¡ ³Î¸® ÆÛÁö´Â °Íµµ °¡´ÉÇÑ ÀÏÀÌ´Ù.
* SARS: ÁßÁõ ±Þ¼º È£Èí±â ÁõÈıº
When you observe the night sky with a telescope, you must be patient.
If at first you don't see anything where a star cluster or nebula is supposed to be, keep looking.
Then look some more.
You'll be surprised at how much more of the scene comes into view with prolonged scrutiny: faint little stars here and there, and just possibly the object of your desire.
After you see your object once or twice, you'll see it more and more often.
After a few minutes you may be able to see it nearly continuously where at first you thought there was nothing but blank sky.
¸Á¿ø°æÀ¸·Î ¹ãÇÏ´ÃÀ» °üÂûÇÒ ¶§¿¡´Â ÂüÀ»¼ºÀÌ ÀÖ¾î¾ß ÇÑ´Ù.
¼º´ÜÀ̳ª ¼º¿îÀÌ ÀÖÀ» °ÍÀ¸·Î »ý°¢µÇ´Â °÷¿¡¼ óÀ½¿¡´Â ¾Æ¹« °Íµµ º¼ ¼ö ¾ø´õ¶óµµ, °è¼Ó ÁöÄѺ¸¶ó.
±×¸®°í Á» ´õ ¹Ù¶óº¸¶ó.
¿À·§µ¿¾È ÁÖÀÇ ±í°Ô »ìÆìº¸¸é ¾ó¸¶³ª ¸¹Àº ±¤°æ¡ª¿©±âÀú±â¿¡¼ ³ªÅ¸³ª´Â Èñ¹ÌÇÑ ÀÛÀº º°°ú ¾Æ¸¶µµ ¿©·¯ºÐµéÀÌ Ã£´ø ¹Ù·Î ±× ¹°Ã¼¡ªÀÌ ´«¾Õ¿¡ ÆîÃÄÁö´ÂÁö ³î¶ó°Ô µÉ °ÍÀÌ´Ù.
ÇѵΠ¹ø ±× ¹°Ã¼°¡ º¸À̸é Á¡Á¡ ´õ ÀÚÁÖ ±×°ÍÀÌ º¸ÀÌ°Ô µÉ °ÍÀÌ´Ù.
¸î ºÐÀÌ Áö³ª¸é, óÀ½¿¡´Â ¾Æ¹« °Íµµ ¾ø´Â ºó ÇÏ´ÃÀÌ¶ó ¿©°å´ø °÷¿¡¼ °ÅÀÇ °è¼ÓÇÏ¿© ±×°ÍÀ» º¼ ¼ö ÀÖ°Ô µÉ Áöµµ ¸ð¸¥´Ù.
While we're traveling, we normally spend only a second looking at everyday objects.
The day races past us without our really being aware of it.
The average time we spend looking at things has been steadily decreasing during the last fifty years.
We say that the world is going faster, but that might be because we are perceiving it faster.
Just try looking at objects for at least five seconds.
You can do this when you're walking or looking out of the car.
You'll find that five seconds is a long time.
This slight increase in the time we take to observe things can increase our passion for life and the quality of life.
¿©ÇàÀ» ÇÏ¸é¼ ¿ì¸®´Â, ÀÏ»óÀûÀÎ »ç¹°À» º¸´Â µ¥ º¸Åë ´Ü 1Ãʸ¸ ¼ÒºñÇÑ´Ù.
ÇÏ·ç´Â ¿ì¸®°¡ ÀǽÄÇÏÁöµµ ¸øÇÑ Ã¤ È× Áö³ª°¡ ¹ö¸°´Ù.
¿ì¸®°¡ »ç¹°À» º¸´Â µ¥ °É¸®´Â Æò±Õ ½Ã°£Àº Áö³ 50³â µ¿¾È ²ÙÁØÈ÷ ÁÙ¾îµé¾ú´Ù.
¿ì¸®´Â ¼¼»óÀÌ ´õ »¡¸® ¿òÁ÷ÀÎ´Ù°í ¸»ÇÏÁö¸¸, ¾Æ¸¶µµ ¼¼»óÀÌ ´õ »¡¸® °£´Ù°í ¿ì¸®°¡ ÀνÄÇÏ·Á Çϱ⠶§¹®ÀÏ ¼ö ÀÖ´Ù.
»ç¹°À» 5ÃÊ ÀÌ»ó ¹Ù¶óº¸´Â ÀÏÀ» ½ÃµµÇØ º¸¶ó.
°ÉÀ¸¸é¼µµ, â ¹ÛÀ» º¸¸é¼µµ ÀÌ·¸°Ô ÇÒ ¼ö ÀÖ´Ù.
5Ãʰ¡ ±ä ½Ã°£À̶ó´Â °ÍÀ» ¾Ë°Ô µÉ °ÍÀÌ´Ù.
¿ì¸®°¡ »ç¹°À» ¹Ù¶óº¸´Â µ¥ º¸³»´Â ½Ã°£À» Á¶±Ý¸¸ ´Ã·Áµµ »î¿¡ ´ëÇÑ ¿Á¤°ú »îÀÇ ÁúÀ» ³ôÀÏ ¼ö°¡ ÀÖ´Ù.
The rich and unhappy are likely to prize possessions such as a fancy car or an expensive necklace.
Unfortunately, they don't see objects as a link to other people but as something to stand out from others.
For example, Doris Duke was the only child of a multi-millionaire.
By the time she reached adulthood, she could fulfill any desire
¡ª from the B-25 bomber she remodeled for luxury travel, to her ceiling-high goldfish tanks.
Yet when she died three years ago, news reports detailed a lonely life of deep unhappiness.
ºÎÀ¯ÇÏ¸é¼ ºÒÇàÇÑ »ç¶÷µéÀº ¸ÚÁø ÀÚµ¿Â÷³ª °ªºñ½Ñ ¸ñ°ÉÀÌ¿Í °°Àº ¼ÒÀ¯¹°À» ÀÚ¶û½º·¯¿ö ÇÑ´Ù.
ºÒÇàÇϰԵµ, ±×µéÀº »ç¹°µéÀ» ´Ù¸¥ »ç¶÷µé°úÀÇ ¿¬°á °í¸®·Î º¸Áö ¾Ê°í ³²µé¿¡°Ô¼ ÀÚ½ÅÀ» µ¸º¸ÀÌ°Ô ÇØÁÖ´Â °ÍÀ¸·Î ¹Ù¶óº»´Ù.
¿¹¸¦ µé¾î, Doris Duke´Â ¾ï¸¸ÀåÀÚÀÇ ¹«³²µ¶³à¿´´Ù.
±×³à´Â ¼ºÀÎÀÌ µÇ¸é¼ ¾î¶² ¿å¸ÁÀ̵ç ÃæÁ·½Ãų ¼ö ÀÖ¾ú´Ù.
B-25 Æø°Ý±â¸¦ »çµé¿© °³Á¶Çؼ ȣȿ©ÇàÀ» ´Ù³æÀ¸¸ç, õÀå ³ôÀÌÀÇ °Å´ëÇÑ ±ÝºØ¾î ¼öÁ·°üÀ» °®±âµµ Çß´Ù.
±×·¯³ª ±×³à°¡ ¸î ³â Àü¿¡ Á×¾úÀ» ¶§, ¾ð·ÐÀº ±×³à°¡ ¸Å¿ì ºÒÇàÇÏ°í ¿Ü·Î¿î »îÀ» »ì¾ÒÀ½À» »ó¼¼È÷ º¸µµÇß´Ù.
Many superstitions abound in Chinese culture about brooms.
The use of brooms should only be for cleaning the house, shop, etc.
Traditional Chinese culture holds that a broom is inhabited by a spirit, thus explaining why it should not be used for games, playing, etc.
The broom should not be used for cleaning the household gods or altar as this is disrespectful.
These objects are cleaned with a cloth or a special small brush.
During the Spring Festival, Chinese custom prohibits the use of the broom for three days from New Year's Day,
as it is thought that the use of it will sweep away good luck.
Áß±¹ÀÇ ¹®È¿¡´Â ºøÀÚ·ç¿¡ °üÇÑ ¸¹Àº ¹Ì½ÅµéÀÌ ÀÖ´Ù.
ºøÀÚ·çÀÇ »ç¿ëÀº ÁýÀ̳ª °¡°Ô µîÀ» û¼ÒÇϴµ¥ ÇÑÁ¤µÇ¾î¾ß ÇÑ´Ù.
ÀüÅëÀû Áß±¹¹®È¿¡¼´Â ºøÀÚ·ç ¼Ó¿¡ ¿µÀÌ »ì°í ÀÖ´Ù´Â »ý°¢À» °¡Áö°í Àֱ⠶§¹®¿¡ ±×·¡¼ ºøÀÚ·ç°¡ °ÔÀÓ, ³îÀÌ µî¿¡ »ç¿ëµÇ¾î¼´Â ¾È µÈ´Ù.
ºñ¸¦ Àϰ¡ÀÇ ¼öÈ£½Å(ÅÍÁÖ)À̳ª Á¦´ÜÀ» û¼ÒÇϴµ¥ »ç¿ëÇÏ´Â °ÍÀÌ ºÒ°æ½º·´´Ù°í ¿©°ÜÁö±â ¶§¹®¿¡ ºñ°¡ ÀÌ·¯ÇÑ ¿ëµµ·Î »ç¿ëµÇ¾î¼´Â ¾È µÈ´Ù.
À̵éÀº õÀ̳ª Ưº°ÇÑ ÀÛÀº ¼Ö·Î û¼Ò¸¦ ÇØ¾ß ÇÑ´Ù.
º½ ÃàÁ¦ µ¿¾È Áß±¹°ü½ÀÀº ¼³³¯ºÎÅÍ 3Àϰ£ ºñÀÇ »ç¿ëÀ» ±ÝÁöÇÑ´Ù.
±×°ÍÀº ºøÀÚ·çÀÇ »ç¿ëÀÌ »õÇØ°¡ °¡Á®¿Ã Çà¿îÀ» ¾µ¾î¹ö¸± ¼ö Àֱ⠶§¹®ÀÌ´Ù.
The markets of the world are flowing with goods and services produced by the interplay of sun and earth, air and water, and the inexhaustible imagination and energy of man.
¼¼°èÀÇ ½ÃÀåÀº žç°ú Áö±¸, °ø±â¿Í ¹° ±×¸®°í Àΰ£ÀÇ ¹«ÇÑÇÑ »ó»ó·Â°ú ¿¡³ÊÁöÀÇ »óÈ£ÀÛ¿ëÀ¸·Î »ý»êµÈ ÀçÈ¿Í ¿ë¿ªÀ¸·Î ³ÑÃijª°í ÀÖ´Ù.
Wherever you touch an object made or conveyed by man, you are touched by all the people who have reached their hands to make this possible for you.
»ç¶÷µé¿¡ ÀÇÇØ ¸¸µé¾îÁö°í ¶ÇÇÑ ¿î¹ÝµÈ ¹°°ÇÀ» ¾îµð¿¡¼ ¸¸ÁöµçÁö °£¿¡ ´ç½ÅÀº À̰ÍÀ» ´ç½Å¿¡°Ô °¡´ÉÇÏ°Ô Çϱâ À§ÇØ ±×µéÀÇ ¼ÕÀ» »¸¾ú´ø ¸ðµç »ç¶÷µé°ú Á¢ÃËÇÏ´Â °ÍÀÌ´Ù.
Daily use is daily communion.
ÀÏ»óÀûÀÎ »ç¿ëÀÌ °ð Ä£±³ÀÎ °ÍÀÌ´Ù.
On a closer look, he found the dark object was a dead tree.
´õ ÀÚ¼¼È÷ ¹Ù¶óº¸ÀÚ, ±×´Â ±× ¾îµÎ¿î ¹°Ã¼°¡ Á×Àº ³ª¹«¶ó´Â °ÍÀ» ¾Ë¾Ò´Ù.
"Why should I study English?" objected a rebellious youth. "I know English I am
English."
But not everyone who is studying English really knows English, nor is knowing all
of the same kind. A professional ball player may know how to pitch a curve. A physicist
may know the same thing, but he will know it in quite a different way. His way of knowing
will be better, if he spent as much time in practice as the professional player, in all
likelihood he could pitch a better curve. In other words, analytic knowledge is an aid
and support to experimental knowledge.
"¿Ö Á¦°¡ ¿µ¾î¸¦ °øºÎÇØ¾ß Çմϱî?"¶ó°í ¾î¶² ¹ÝÇ×ÀûÀÎ ÀþÀºÀ̰¡
¹Ý¹ßÇß´Ù. "Àú´Â ¿µ¾î¸¦ ¾Ë°íÀÖ°í, ¶Ç Àú´Â ¿µ±¹ÀÎÀä." ±×·¯³ª ¿µ¾î¸¦
°øºÎÇϰí ÀÖ´Ù°í ´©±¸³ª Á¤¸»·Î ¿µ¾î¸¦ ¾Ë°íÀÖ´Â °ÍÀº ¾Æ´Ï°í, ¶ÇÇÑ ´©±¸³ª
°°Àº Á¾·ùÀÇ ¿µ¾î¸¦ ¸ðµÎ ¾Ë°í ÀÖ´Â °Íµµ ¾Æ´Ï´Ù. Á÷¾÷ÀûÀÎ ¾ß±¸¼±±¸°¡
Ä¿ºêº¼À» ´øÁö´Â ¹ýÀ» ¾Ë°í ÀÖÀ» ¼ö ÀÖ´Ù. ¾î¶² ¹°¸®ÇÐÀÚ°¡ °°Àº »ç½ÇÀ» ¾Ë°í
ÀÖÀ» ¼ö ÀÖÀ¸³ª, ±×°¡ ¾Ë°í ÀÖ´Â °ÍÀº ÀüÇô ´Ù¸¥ ¹æ¹ýÀÏ ¼ö ÀÖ´Ù. ±×°¡
¾Ë°íÀÖ´Â ¹æ¹ýÀº ´õ ³ªÀº °ÍÀÏ ¼ö ÀÖ´Ù. ¿Ö³ÄÇÏ¸é ºñ·Ï ±×°¡ ÇöÀç·Î¼´Â
Á÷¾÷ÀûÀÎ ¾ß±¸¼±¼ö ¸¸Å Ä¿ºêº¼À» Àß ´øÁú ¼ö ¾øÀ» Áö¶óµµ, ±×·¯³ª
´Ù¸¥ Á¶°ÇÀÌ °°Àº °æ¿ì¿¡ ¸¸ÀÏ ±×°¡ ¾ß±¸¼±¼ö¸¸Å ¸¹Àº ½Ã°£À» ¿¬½À¿¡
¼ÒºñÇÑ´Ù¸é, ÃæºÐÈ÷, ±×´Â ´õ ³ªÀº Ä¿ºêº¼À» ´øÁú ¼ö ÀÖÀ» °ÍÀÌ´Ù. ´Ù½Ã
¸»Çؼ(¿Ö³ÄÇϸé), ºÐ¼®ÀûÀÎ Áö½Ä(¹°¸®ÇÐÀÚ°¡ ¾Ë°í ÀÖ´Â °Í°ú °°Àº Áö½Ä)Àº
°æÇèÀûÀÎ Áö½ÄÀ» µµ¿ÍÁÖ¸ç ¶°¹ÞÃÄ ÁØ´Ù(Áֱ⠶§¹®ÀÌ´Ù).
Air resists the motion of objects passing through it.
°ø±â´Â °ø±â¸¦ Åë°úÇÏ´Â ¹°Ã¼ÀÇ ¿îµ¿¿¡ ÀúÇ×ÇÑ´Ù.
*section ºÎ¼ a separate part of a larger object, place, group, etc.:
¿ì¸® ºÎ¼´Â ±â·Ïº¸Á¸À» ´ã´çÇÑ´Ù.
My section of the office deals with record-keeping.
*wreck ÇüÆí¾øÀÌ ºÎ¼ÅÁø »óÅ any structure or object reduced to a state of ruin:
±× Â÷´Â ÇüÆí¾øÀÌ ºÎ¼ÅÁ³´Ù.
The car is a mere wreck.
On a Moscow street, a resident demonstrates perestroika to a visitor.
He has two pails, one empty and the second full of potatoes.
He keeps pouring the potatoes from one pail to the other, very satisfied
with what he's doing.
"But nothing has changed," the visitor objects.
"Ah, yes," agrees the Russian. "But what a noise it creates."
¸ð½ºÅ©¹Ù °Å¸®¿¡¼ ÇÑ ÁÖ¹ÎÀÌ ¿Ü±¹ ¹æ¹®°´¿¡°Ô Æä·¹½ºÆ®·ÎÀÌÄ«ÀÇ ½Ã¹üÀ» º¸À̰í ÀÖ´Ù.
¹°Åë µÎ °³¸¦ °¡Áö°í Àִµ¥ Çϳª¿¡´Â ¾Æ¹« °Íµµ ¾ø°í, ´Ù¸¥ °Í¿¡´Â °¨ÀÚ°¡ °¡µæ µé¾îÀÖ´Ù.
±×´Â ÇÑ Åë¿¡¼ ´Ù¸¥ ÅëÀ¸·Î °¨ÀÚµéÀ» ¹ø°¥¾Æ ½ñ¾Æ ºÎÀ¸¸ç ÀڱⰡ Çϰí ÀÖ´Â ÀÏ¿¡
¾ÆÁÖ ¸¸Á·Çϰí ÀÖ´Ù.
"±×·¯³ª ´Þ¶óÁø °ÍÀÌ ¾øÁö ¾Ê½À´Ï±î?" ¹æ¹®°´ÀÌ ¹Ý¹ßÇÑ´Ù.
"¹°·Ð ±×·¡¿ä," ·¯½Ã¾Æ »ç¶÷ÀÌ µ¿ÀÇÇÑ´Ù. "±×·¯³ª ¼Ò¸®¸¸Àº ¿ä¶õÇÏÁö¿ä."
*object ¹Ý´ëÇÏ´Ù feel or show opposition or disapproval:
¸ðµÎ ±¦Âú´Ù¸é â¹®À» ¿°í ½Í´Ù.
I'd like to open the window, if no one objects.
*Heimlich maneuver ÇÏÀÓ¸®Å© Á¶Ä¡:
À̹°ÁúÀÌ ¸ñ¿¡ °É¸° »ç¶÷À» µÚ¿¡¼ ²¸¾È°í Èä°ñ ÇϺθ¦ ÁÖ¸ÔÀ¸·Î ¼¼°Ô ¹Ð¾î ¿Ã·Á
À̹°ÁúÀ» ÅäÇØ³»°Ô ÇÏ´Â ÀÀ±Þ Á¶Ä¡¹ý
an emergency procedure to aid a person choking on food or some other object by
applying sudden pressure with an inward and upward thrust of the fist to the
victim's upper abdomen in order to force the obstruction from the windpipe
accessory N. supporting object to complete an arrangement.
She purchased the accessories to complete her wardrobe.
analogy N. a similarity between two different objects.
He illustrated an analogy between the fruit production of plants to the fruits of living a spiritual life.
±× ƯÀÌÇÑ ¹°Ã¼ÀÇ Ç¥¸éÀº »ó´çÈ÷ °ÅÄ¥´Ù.
The surface of the peculiar object is fairly rough.
°áÈ¥ÀÌ ±×µéÀÇ ¸ñÀûÀÌ´Ù.
Marrying is their object.
We can see an object only when a light shines on it. The surface of a
particular object will absorb some of this light's wavelengths and
reflect others. The color we see is the color that is reflected. The
leaves of a tree, for instance, appear green because all other
wavelengths of the light hitting them are absorbed. The trunk of a tree
appears brown because brown is the only wavelength which is reflected.
¹°Ã¼¿¡ ºûÀÌ ºñÃâ ¶§¸¸ ¾î¶² ¹°Ã¼¸¦ º¼ ¼ö ÀÖ´Ù. ƯÁ¤ÇÑ ¹°Ã¼ÀÇ Ç¥¸éÀº
ÀÌ·¯ÇÑ ºûÀÇ ÆÄÀå Áß ¾î¶² °ÍÀº Èí¼öÇÏ°í ¾î¶² °ÍÀº ¹Ý»çÇÑ´Ù. ¿ì¸®°¡ º¸´Â
»ö±òÀº ¹Ý»çµÇ´Â »öÀÌ´Ù. ¿¹¸¦ µé¾î, ¾î¶² ³ª¹«ÀÇ ÀÙÀº, ±×°Í¿¡ ºÎµúÄ¡´Â ºûÀÇ
¸ðµç ´Ù¸¥ ÆÄÀåÀÌ Èí¼öµÇ±â ¶§¹®¿¡ Ǫ¸£°Ô º¸ÀδÙ. ³ª¹« ÁÙ±â´Â, °¥»öÀÌ
¹Ý»çµÇ´Â À¯ÀÏÇÑ ÆÄÀåÀ̱⠶§¹®¿¡ °¥»öÀ¸·Î º¸ÀδÙ.
Elements of culture can be divided into two categories. The first is the
material culture, which is made up of all the physical objects that
people make and give meaning to. Books, clothing, and buildings are some
examples. We have a shared understanding of thief purpose and meanings.
In contrast, nonmaterial culture consists of human creations that are not
physical. Examples of nonmaterial culture are values and customs. Our
beliefs and the languages we speak are also part of our nonmaterial
culture.
¹®ÈÀÇ ¿ä¼ÒµéÀº µÎ ¹üÁÖ·Î ³ª´· ¼ö ÀÖ´Ù. ù °´Â ¹°ÁúÀû ¹®ÈÀε¥, ±×°ÍÀº
»ç¶÷µéÀÌ ¸¸µé¼ Àǹ̸¦ ºÎ¿©ÇÑ ¸ðµç °¡½ÃÀû ¹°Ã¼µé·Î ÀÌ·ç¾îÁ® ÀÖ´Ù. Ã¥,
ÀÇ·ù, °Ç¹° µîÀÌ ±× ¿¹µéÀÌ´Ù. ¿ì¸®´Â ±× °ÍµéÀÇ ¸ñÀû°ú¿Í Àǹ̿¡ ´ëÇÑ °ø°¨Àû
ÀÌÇØ¸¦ Çϰí ÀÖ´Ù. ´ëÁ¶ÀûÀ¸·Î ºñ¹°ÁúÀû ¹®È´Â ´«¿¡ º¸ÀÌÁö ¾Ê´Â Àΰ£ÀÇ
âÁ¶·Î ÀÌ·ç¾îÁø´Ù. ºñ¹°ÁúÀûÀÎ ¹®ÈÀÇ ¿¹·Î´Â °¡Ä¡°ü°ú °ü½ÀÀÌ ÀÖ´Ù. ¿ì¸®ÀÇ
¹ÏÀ½°ú ¿ì¸®°¡ ¾²´Â ¾ð¾î ¶ÇÇÑ ºñ¹°ÁúÀûÀÎ ¹®ÈÀÇ ÀϺÎÀÌ´Ù.
The river banks were low and flat; the settlements and log cabins
fewer in number; their inhabitants more wretched than any we had
encountered yet. No songs of birds were in the air, no pleasant scents,
no moving lights and shadows from swift passing clouds. Hour after hour,
the changeless glare of the hot sky shone upon the same object. Hour
after hour, the river rolled along, as slowly as time itself.
°µÏµéÀº ³·°í ÆòÆòÇß´Ù. Ã̶ô°ú Å볪¹«ÁýÀº ±× ¼ö°¡ ´õ Àû¾ú´Ù. ÁֹεéÀº
Áö±Ý±îÁö ¿ì¸®°¡ ¸¸³ ¾î´À ´©±¸º¸´Ùµµ ´õ ºñÂüÇß´Ù. »õµéÀÇ ³ë·¡ ¼Ò¸®µµ
°øÁß¿¡ ÀüÇô ¾ø¾ú°í, »óÄèÇÑ Çâ±âµµ ÀüÇô ¾ø¾ú°í ºü¸£°Ô Áö³ª°¡´Â ±¸¸§¿¡¼
¿À´Â ¿òÁ÷ÀÌ´Â ºû°ú ±×¸²ÀÚµµ ÀüÇô ¾ø¾ú´Ù. ¸î ½Ã°£ÀÌ°í ¶ß°Å¿î ÇÏ´ÃÀÇ ´«ºÎ½Å
ºûÀº °°Àº ¹°Ã¼¸¦ ºñÃß°í ÀÖ¾ú´Ù. ¸î ½Ã°£ÀÌ°í °Àº ½Ã°£ ÀÚü¸¸Å õõÈ÷
±¸¸£µí Èê·¯°¬´Ù.
Money is merely a convenient medium of exchange - nothing more and
nothing less. Before its invention, mankind used the barter system of
trading objects for other objects or services. One pig might have been
worth five chickens in trade ; a week's labor might have yielded one
goat, and so on. Can you imagine the problems of carrying around enough
livestock or grain to do one's weekly shopping? The barter system worked
well until people started to move about more and to greater distances.
µ·Àº ´ÜÁö Æí¸®ÇÑ ±³È¯¸ÅüÀÌÁö ±× ÀÌ»óµµ ±× ÀÌÇϵµ ¾Æ´Ï´Ù. µ·ÀÇ
¹ß¸íÀÌÀü¿¡, Àηù´Â ¾î¶² ¹°°ÇÀ» ´Ù¸¥ ¹°°ÇÀ̳ª ¿ë¿ª°ú ±³È¯ÇÏ´Â ¹°¹°±³È¯À»
»ç¿ëÇÏ¿´´Ù. ±³È¯¿¡ ÀÖ¾î µÅÁö ÇÑ ¸¶¸®´Â ´ß 5¸¶¸®ÀÇ °¡Ä¡°¡ ÀÖ¾úÀ» Å×°í,
ÀÏÁÖÀÏÀÇ ³ëµ¿Àº ¿°¼Ò ÇÑ ¸¶¸®¸¦ ³º¾ÒÀ» °ÍÀÌ´Ù. ±âŸµîµî. ¸ÅÁÖ ¼îÇÎÀ» À§ÇØ
°¡ÃàÀ̳ª °î½ÄÀ» °¡Áö°í ´Ù´Ï´Â ¹®Á¦¸¦ »ó»óÇÒ ¼ö Àְڴ°¡? ¹°¹°±³È¯Á¦µµ´Â
»ç¶÷µéÀÌ ´õ ¸¹ÀÌ, ´õ ¸Ö¸® µ¹¾Æ´Ù´Ï±â ½ÃÀÛÇÒ ¶§±îÁö´Â È¿°ú°¡ ÀÖ¾ú´Ù.
When we think of money, we usually think of currency, or coins and
bills. In the modern world, almost every country uses coins and paper
money to exchange for other objects of value. The sizes and shapes of
coins are different in various countries, and the size and color of
paper money also vary. In India, for example, some coins have square
sides. In Japan, coins have holes in the center. In the United States,
all paper money is the same size and the same color ; only the printing
on the bills is different.
¿ì¸®°¡ µ·¿¡ ´ëÇØ »ý°¢ÇÒ ¶§, ´ë°³ Çö±Ý, Áï µ¿ÀüÀ̳ª ÁöÆó¸¦ »ý°¢ÇÑ´Ù.
Çö´ë ¼¼°è¿¡¼ °ÅÀÇ ¸ðµç ³ª¶ó°¡ ´Ù¸¥ °¡Ä¡ÀÖ´Â ¹°°Ç°ú ±³È¯Çϱâ À§ÇØ,
µ¿ÀüÀ̳ª ÁöÆó¸¦ »ç¿ëÇÑ´Ù. µ¿ÀüÀÇ Å©±â¿Í ¸ð¾çÀÌ ¿©·¯ ³ª¶ó¿¡¼ ´Ù¸£°í,
ÁöÆóÀÇ Å©±â¿Í »ö±òµµ ¶ÇÇÑ ´Ù¸£´Ù. ¿¹¸¦ µé¾î, Àεµ¿¡¼´Â ¾î¶² µ¿ÀüÀº
»ç°¢ÇüÀÌ´Ù. ÀϺ»¿¡¼´Â µ¿Àü °¡¿îµ¥ ±¸¸ÛÀÌ ÀÖ´Ù. ¹Ì±¹¿¡¼´Â ¸ðµç ÁöÆóÀÇ
Å©±â¿Í »ö±òÀÌ µ¿ÀÏÇÏ¸ç ´ÜÁö ÁöÆóÀÇ Àμ⸸ ´Ù¸£´Ù.
[À§Å°] ¿ÀºêÁ§Æ® ÆÄ½ºÄ® Object Pascal
[À§Å°] ¹®¼ °´Ã¼ ¸ðµ¨ Document Object Model
[À§Å°] °´Ã¼ ÁöÇâ ÇÁ·Î±×·¡¹Ö Object-oriented programming
[À§Å°] ÄÄÆ÷³ÍÆ® ¿ÀºêÁ§Æ® ¸ðµ¨ Component Object Model
[À§Å°] ¹ÌÈ®ÀκñÇàü Unidentified flying object
[À§Å°] ÇØ¿Õ¼º ¹Ù±ù õü Trans-Neptunian object
[À§Å°] ¸Þ½Ã¿¡ õü Messier object
[À§Å°] ¸Þ½Ã¿¡ õü ¸ñ·Ï List of Messier objects
[À§Å°] SVOÇü Subject-verb-object
[À§Å°] ¸ñÀû ÆÄÀÏ Object code
[À§Å°] ¿ÀºêÁ§Æ® Object
[À§Å°] ȣũ·è½º Magical objects in Harry Potter#Horcruxes
[À§Å°] ¹ÝÁö¸§¼ø žç°è õü ¸ñ·Ï List of Solar System objects by size
[À§Å°] ÄÚ¹Ù Common Object Request Broker Architecture
[À§Å°] °´Ã¼ (ÄÄÇ»ÅÍ °úÇÐ) Object (computer science)
[À§Å°] °´Ã¼ °ü¸® ±×·ì Object Management Group
[À§Å°] µðÁöÅÐ °´Ã¼ ½Äº°ÀÚ Digital object identifier
[À§Å°] SOVÇü Subject-object-verb
[À§Å°] °´Ã¼ ÁöÇâ µ¥ÀÌÅͺ£À̽º Object database
[À§Å°] ¸ñÀû¾î Object (grammar)
[À§Å°] ´ë»ó (öÇÐ) Object (philosophy)
[À§Å°] VSOÇü Verb-subject-object
[À§Å°] »ó¼Ó (°´Ã¼ ÁöÇâ ÇÁ·Î±×·¡¹Ö) Inheritance (object-oriented programming)
[À§Å°] ´ë»ó °ü°è·Ð Object relations theory
[À§Å°] ºÒ°¡´ÉÇÑ ¹°Ã¼ Impossible object
[ÛÝ] °´°ü (ËÔκ) object
[ÛÝ] ´ë»ó (ÓßßÚ) object
[ÛÝ] ´ë»ó·Ð (ÓßßÚÖå) object theory
[ÛÝ] ´ë»ó¾Ö (ÓßßÚäñ) object love
[ÛÝ] ÀÌÇà´ë»ó (ì¹ú¼ÓßßÚ) transitional object
[ÛÝ] °ú¼¼¹°°Ç (ΤáªÚªËì) object of taxation
[ÛÝ] º¤Å©¸°³ëÀ̰Թٿì¾îõü Becklin-Neugebauer Object
[ÛÝ] TNO trans-neptune objects
[ÛÝ] ¹«»ý¹° (ÙíßæÚª) inanimate object
[ÛÝ] ¹ÌÈ®ÀκñÇ๰ü (Ú±ü¬ìãÞ«ú¼Úªô÷) unidentified flying object
[ÛÝ] ¸ñÀûÇÁ·Î±×·¥ object program
[ÛÝ] °´Ã¼ÁöÇâÇÁ·Î±×·¡¹Ö object-oriented programming
[ÛÝ] OTM object transaction middleware
[ÛÝ] OLE object linking and embedding
[ÛÝ] ¸ñÀû¾î (ÙÍîÜåÞ) object
[ÛÝBr] ´ë»ó¾ð¾î [ ÓßßÚåëåÞ, object language ]
[ÛÝBr] ¹ÌÈ®ÀκñÇ๰ü [ Ú±ü¬ìãÞ«ú¼Úªô÷, unidentified flying object, UFO,ºñÇàÁ¢½Ã ]
[ÛÝBr] °³Ã¼ÁöÇâ ÇÁ·Î±×·¡¹Ö [ object-oriented programming, OOP ]
object »ç¹°,¸ñÀû,¹Ý´ëÇÏ´Ù,ºÒº¹ÇÏ´Ù
Now we are about to enter a third wave known as "ubiquitous computing."
ÀÌÁ¦ ¿ì¸®´Â ¡°À¯ºñÄõÅͽº ÄÄÇ»ÆÃ¡±À¸·Î ¾Ë·ÁÁø Á¦ 3ÀÇ ¹°°á·Î ¸· ÁøÀÔÇÏ·Á°í ÇÑ´Ù.
Computers in the 21st century will be distributed throughout our public and private spaces and embedded in everyday objects, from clothes to chairs, from coffee cups to cakes.
21¼¼±âÀÇ ÄÄÇ»ÅÍ´Â °ø°ø Àå¼Ò³ª »çÀûÀÎ Àå¼Ò ¾îµð¿¡³ª ÀÖÀ» °ÍÀ̰í, ÀÇ·ù³ª ÀÇÀÚ, Ä¿ÇÇ ÀÜÀ̳ª ÄÉŸå¿¡ À̸£´Â ÀÏ»óÀûÀÎ ¹°°Ç ¼Ó¿¡µµ ħÅõµÉ °ÍÀÌ´Ù.
With their own computing capabilities, these "smart" things will relieve human beings of some of life's more mundane chores and help out with a host of trickier tasks.
ÄÄÇ»ÅÍÀÇ ÃѸíÇÑ ´É·ÂÀº »îÀÇ ¼¼¼ÓÀûÀÎ Çãµå·¿ÀϷκÎÅÍ ±¸Á¦ÇÒ °ÍÀ̰í, ´Ù·ç±â Èûµç ÀÏÀ» Àß ÇÒ ¼ö ÀÖµµ·Ï µµ¿òÀ» ÁÙ °ÍÀÌ´Ù.
Consumer goods allowed people to free themselves from their old, relatively secure but closed communities and enter the expressive individualism of a dynamic "mass" society.
¼ÒºñÀç »óǰÀ¸·Î ÀÎÇÏ¿© »ç¶÷µéÀº Ä£¼÷ÇÏ°í ºñ±³Àû ¾ÈÀüÇÏÁö¸¸ Æó¼âµÈ »çȸ·ÎºÎÅÍ ÀÚÀ¯·Ó°Ô µÇ¾î, ÀÚ±â Ç¥ÇöÀÌ °¡´ÉÇÑ ¿ªµ¿ÀûÀÎ ´ëÁß»çȸ·Î ÁøÀÔÇÑ´Ù.
Commodities gave people a sense of freedom.
»óǰÀº »ç¶÷µé¿¡°Ô ÀÚÀ¯¸¦ ´À³¢°Ô ÇØÁØ´Ù.
The taste, feel, and comfort of manufactured objects, designed to maximize physical satisfaction and to intensify pleasure and excitement, created new understandings of personal freedom.
»ý»êµÇ´Â Á¦Ç°ÀÇ ¸À°ú ´À³¦°ú ¾È¶ôÇÔÀº À°Ã¼Àû ¸¸Á·À» ±Ø´ëȽÃ۰í Áñ°Å¿ò°ú ÈïºÐÀ» °ÈÇϱâ À§ÇØ °í¾ÈµÇ¾ú°í, °³ÀÎÀÇ ÀÚÀ¯¿¡ ´ëÇÏ¿© »õ·Ó°Ô »ý°¢ÇÒ ¼ö ÀÖµµ·Ï ÇØÁÖ¾ú´Ù.
Traditional morality is often associated with the view that there is a certain natural and morally defensible hierarchy of beings.
ÀüÅëÀûÀÎ µµ´öÀº Àΰ£ÀÇ ¾î¶² ÀÚ¿¬ÀûÀÌ°í µµ´öÀûÀ¸·Î ¿ËÈ£ÇÒ ¼ö ÀÖ´Â Á¸ÀçµéÀÇ À§°èÁú¼°¡ ÀÖ´Ù¶ó´Â ½Ã°¢°ú °ü·ÃÀÌ ÀÖ´Ù.
There is, it is claimed, a natural order according to which inanimated objects are to serve animate ones; further, plants are here for the sake of animals, and animals for the sake of humans.
±×°Í¿¡ µû¶ó Ȱ±â ¾ø´Â ´ë»óµéÀÌ È°±âÀÖ´Â ´ë»óÀ» µµ¿Í¾ß ÇÏ¸ç ´õ ³ª¾Æ°¡¼ ½Ä¹°µéÀº µ¿¹°À» À§ÇØ Á¸ÀçÇϸç, µ¿¹°µéÀº Àΰ£À» À§ÇÏ¿© Á¸ÀçÇÏ´Â ÀÚ¿¬ÀÇ Áú¼°¡ ÀÖ´Ù°í ÁÖÀåÇÑ´Ù.
Those with less rationality exist to serve the needs, interests, or good of those with more.
À̼ºÀ» ´ú °®Ãá ÀÚ¿¬ÀÇ Áú¼µéÀº À̼ºÀ» ´õ ¸¹ÀÌ °®Ãá »ç¶÷µéÀÇ ¿å±¸³ª ÀÌÀÍÀ» µ½±â À§ÇØ Á¸ÀçÇÑ´Ù.
It is, thus, right and proper, for the "higher" to use the "lower," as the former see fit.
µû¶ó¼ ÀüÀÚ¿¡¼ ¾Ë ¼ö ÀÖµíÀÌ, º¸´Ù ³ôÀº À̼ºÀÇ ¼ÒÀ¯ÀÚ°¡ º¸´Ù ³·Àº À̼ºÀÇ ¼ÒÀ¯ÀÚ¸¦ ÀÌ¿ëÇÏ´Â °ÍÀº Á¤´çÇϰí ÀûÀýÇÏ´Ù.
Throughout history this view has rarely been questioned.
¿ª»çÀûÀ¸·Îµµ ÀÌ·¯ÇÑ °üÁ¡Àº Á»Ã³·³ ÀǽÉÀ» ºÒ·¯ÀÏÀ¸Å°Áö ¾Ê¾Ò´Ù.
It is a view implicit in much (at least) of natural law theory dating back to Aristotle (384-322 B.C) and in Thomas Aquinas's (1225-1274) theological revision of Aristotelianism.
Àû¾îµµ Aristotle·Î °Å½½·¯ ¿Ã¶ó°¡´Â ÀÚ¿¬¹ý ÀÌ·ÐÀÇ ´ëºÎºÐ¿¡ ³»ÀçÇÏ¸ç ±×¸®°í AristotleÀÇ ÀÌ·ÐÀ» ¼öÁ¤ÇÑ Thomas AquinasÀÇ ½ÅÇÐÀ̷п¡ À־µ ³»ÀçÇÑ´Ù.
In theological versions, of course, the natural order is seen as part of the divine order-and people are around for the sake of God¡ªand are to function within the constraints laid down by divine purposes.
¹°·Ð ÀÌ·ÐÀûÀÎ ÇØ¼³·Îµµ ÀÚ¿¬ÀÇ Áú¼´Â ½ÅÀÇ Áú¼ÀÇ ÀϺηΠº¸À̸ç - »ç¶÷µéÀº ½ÅÀ» À§ÇÏ¿© ÁÖº¯¿¡ Á¸ÀçÇϸç - ½ÅÀÇ Àǵµ¿¡ ÀÇÇØ ³»·ÁÁֽоö°ÝÇÔ ³»¿¡¼ ¿ªÇÒÀ» ÇÏ´Â °ÍÀÌ´Ù.
So one of the lessons of our century is : Beware the intellectuals.
µû¶ó¼ 20¼¼±â°¡ ÁÖ´Â ±³ÈÆ ÁßÀÇ Çϳª´Â Áö½ÄÀεéÀ» °æ°èÇ϶ó´Â °ÍÀÌ´Ù.
Not merely should they be kept well away from the levers of power, they also should be objects of peculiar suspicion when they seek to offer collective advice.
À̵éÀº ±Ç·ÂÀº Áö·¿´ë·ÎºÎÅÍ ¾ÆÁÖ ¸Ö¸® °Ý¸®µÅ¾ß ÇÒ »Ó¸¸ ¾Æ´Ï¶ó ±×µéÀÌ Áý´ÜÀû Á¶¾ðÀ» ³»³õÀ¸·Á°í ½ÃµµÇÒ ¶§´Â ƯÈ÷ Àǽɽº·± ´«À¸·Î ºÁ¾ßÇÑ´Ù.
Though M87 is the first supermassive black hole ever discovered, astronomers are convinced that such objects lie at the heart of many galaxies.
M87ÀÌ ÃÖÃÊ·Î ¹ß°ßµÈ ÃÊ´ëÇüÀÇ ºí·¢È¦ÀÌÁö¸¸, õ¹®ÇÐÀÚµéÀº ±×·± ¹°Ã¼°¡ ¸¹Àº ÀºÇϼöÀÇ Á߽ɿ¡ ÀÖ´Ù°í È®½ÅÇÑ´Ù.
The powerful forces unleashed as the holes gobble up stars and gas may be the source of quasars, mysterious beacons of light so bright that they're visible across the universe.
±× ºí·¢È¦µéÀÌ º°°ú °¡½º¸¦ »ïŰ¸é¼ Ç®¸° ±× °·ÂÇÑ ÈûÀº, ¿ìÁÖ Àüü¿¡¼ º¼ ¼ö ÀÖÀ» Á¤µµ·Î ¹àÀº ½ÅºñÇÑ ºûÀÇ È¶ºÒÀÎ, ÄùÀÌ»çÀÇ ¿øÃµÀÌ µÈ´Ù.
There are even hints of a giant black hole in our own Milky Way.
¹Ù·Î ¿ì¸®ÀÇ ÀºÇϼö¿¡ °Å´ëÇÑ ºí·¢È¦ÀÇ Á¸Àç¿¡ ´ëÇÑ ¾Ï½Ãµµ ÀÖ´Ù.
But the sun is too far away to be in any danger of falling in.
±×·¯³ª žçÀº ³Ê¹« ¸Ö¸® ¶³¾îÁ® ÀÖ¾î »¡·Á µé¾î°¥ ¾î¶² À§Çèµµ ¾ø´Ù.
The only ¡°black holes¡± we have to fear are the metaphorical ones here on Earth.
¿ì¸®°¡ µÎ·Á¿öÇØ¾ßÇÒ À¯ÀÏÇÑ ¡°black holes¡±´Â À̰÷ Áö±¸»óÀÇ ºñÀ¯ÀûÀÎ °ÍµéÀÌ´Ù.
The thermal emission from an asteroid acts like a rocket force in the opposite direction, although it is really, really weak.
¼ÒÇ༺¿¡¼ ³ª¿À´Â ¿ÀÇ ¹æ»ç´Â ¸¶Ä¡ ¹Ý´ë¹æÇâÀÇ ·ÎÄÏ Èûó·³ ÀÛ¿ëÇÑ´Ù.
If we can somehow change the thermal radiation being emitted by an asteroid, we can affect the object's orbit.
¾î¶»µç ¿ì¸®°¡ Ç༺ÀÌ ¹ß»êÇÏ´Â ¿ÀÇ ¹æ»ç¸¦ ¹Ù²Ü ¼ö ÀÖ´Ù¸é, ¿ì¸®´Â ±× ¹°Ã¼ÀÇ ±Ëµµ¿¡ ¿µÇâÀ» ¹ÌÄ¥ ¼ö ÀÖ´Ù.
A tiny thrust acting over a long time can be enough to nudge an asteroid from a path heading towards the Earth to one that narrowly misses the Earth.
¿À·£ ±â°£¿¡ °ÉÃÄ ¾à°£¾¿ ¹Ð¾î³»´Â ÀÛ¿ëÀº Áö±¸¸¦ Á¤¸éÀ¸·Î ÇâÇÏ´Â ±æ¿¡¼ °¡±î½º·Î Áö±¸¸¦ ÇÇÇØ°¡´Â ±æ·Î ¼ÒÇ༺À» ½½Â½ ¹Ð¸¸Å ÃæºÐÇÏ´Ù.
Another possible solution would be to ¡°paint¡± the asteroid's surface white.
¶Ç ´Ù¸¥ ÇØ°áÃ¥Àº ±× ¼ÒÇ༺ÀÇ Ç¥¸éÀ» ÇϾé°Ô ¡°ÆäÀÎÆ®¡±¸¦ Ä¥ÇÏ´Â °ÍÀÌ´Ù.
That would make a big change to the way the object reflects sunlight.
±×·¯¸é ±× ¹°Ã¼°¡ ÇÞºûÀ» ¹Ý»çÇÏ´Â ¹æ¹ý¿¡ Å« º¯È°¡ ÀÏ °ÍÀÌ´Ù.
That might require a thickness of only one millimeter or so (less than a 20th of an inch) over the entire surface.
±×·¸°Ô ÇÏ·Á¸é ÀüüÀÇ Ç¥¸é¿¡ °Ü¿ì 1¹Ð¸®¹ÌÅÍ Á¤µµÀÇ ( 1ÀÎÄ¡ÀÇ 20ºÐÀÇ 1ÀÌ µÇÁö ¸øÇÏ´Â) ÆäÀÎÆ® µÎ²²°¡ ÇÊ¿äÇÏ´Ù.
The concept of a period room as a display technique has developed
gradually over the years in an effort to present works of art in a
context that would show them to grater effect and would give them more
meaning for the viewer. Comparable to the habitat group in a natural
history museum, the period room represents the decorative arts in a
lively and interesting manner and provides an opportunity to assemble
objects related by style, date, or place of manufacture.
Àü½Ã±â¹ýÀ¸·Î¼ ½Ã´ëº° ¹æÀÇ °³³äÀÌ, ¹Ì¼úÀÛǰÀ» ÇϳªÀÇ È帧 ¡ª °ü°´À»
À§Çؼ ±×µéÀ» ´õ¿í Å« È¿°ú°¡ ÀÖµµ·Ï º¸¿©ÁÖ°í, ±×µé¿¡ ´õ Å« Àǹ̸¦
ºÎ¿©ÇÏ´Â ±×·¯ÇÑ È帧 ¡ª À¸·Î Á¦°øÇÏ·Á´Â ½Ãµµ¿¡¼, Áö³ ¼ö³â°£¿¡ °ÉÃÄ
¹ßÀüµÇ¾î¿Ô´Ù. ÀÚ¿¬»ç ¹Ú¹°°üÀÇ ¼½ÄÁö ±×·ì¿¡ ºñÀ¯µÉ ¼ö ÀÖ´Â, ÀÌ ½Ã´ëº°
¹æÀº »ýµ¿°¨ ÀÖ°í Èï¹Ì ÀÖ´Â ¹æ½ÄÀ¸·Î Àå½Ä¹Ì¼úµéÀ» Ç¥ÇöÇϰí, ½ºÅ¸Àϰú
½Ã´ë¿Í Á¦Á¶Àå¼Ò¿¡ ÀÇÇØ ¿¬°ü¼º ÀÖ´Â Àü½Ã¹°µéÀ» (°ü°´ÀÌ)
Á¶ÇÕÇØº¼(¿¬°á½ÃÄѺ¼) ±âȸ¸¦ Á¦°øÇÑ´Ù.
By comparison with these familiar yardsticks, the distances to the
galaxies are incomprehensibly large, but they too are made more
manageable by using a time calibration, in this case the distance that
light travels in one year. On such a scale the nearest giant spiral
galaxy, the Andromeda galaxy, is two million light years away. The most
distant luminous objects seen by telescopes are probably ten thousand
million light years away. Their light was already halfway here before
the Earth even formed. The light from the nearby Virgo galaxy set out
when reptiles still dominated the animal world.
ÀÌ·¸°Ô ¿ì¸®°¡ Àͼ÷ÇÑ Ã´µµ¿Í ºñ±³ÇÒ ¶§ ÀºÇϰèµé±îÁöÀÇ °Å¸®´Â ÀÌÇØÇÒ ¼ö
¾øÀ» Á¤µµ·Î Å©´Ù. ±×·¯³ª ±×µéµµ ½Ã°£ ôµµ¸¦ »ç¿ëÇÔÀ¸·Î½á ´õ ´Ù·ç±â
½¬¿öÁö´Âµ¥, ÀÌ °æ¿ì¿¡´Â ºûÀÌ Àϳ⠵¿¾È ¿©ÇàÇÏ´Â °Å¸®¸¦ ¸»ÇÑ´Ù. ±×·¯ÇÑ
ôµµ¿¡¼ °¡Àå °¡±î¿î ³ª¼±Çü ÀºÇϰèÀÎ ¾Èµå·Î¸Þ´Ù ÀºÇϰè´Â 200¸¸ ±¤³â
¶³¾îÁ®ÀÖ´Ù. ¸Á¿ø°æÀ¸·Î º¼ ¼ö ÀÖ´Â °¡Àå ¸Õ ¹ß±¤Ã¼µéÀº ¾Æ¸¶µµ 100¾ï ±¤³â
Á¤µµ ¸Ö¸® ÀÖ´Ù°í ¿©°ÜÁø´Ù. ±×µéÀÇ ºûÀº Áö±¸°¡ Çü¼ºµÇ±âµµ Àü¿¡ ÀÌ¹Ì ¹ÝÂë
¿ÍÀÖ¾ú´Ù. °¡±î¿î ó³àÀÚ¸® ÀºÇϰè·ÎºÎÅÍ ³ª¿Â ºûÀº ¾ÆÁ÷µµ ÆÄÃæ·ù°¡ µ¿¹°ÀÇ
¼¼°è¸¦ Áö¹èÇÏ´ø ½ÃÀý¿¡ Ãâ¹ßÇÑ °ÍÀÌ´Ù.
The most important feature of the Australopithecus robustus hand was the
pollical distal thumb tip, the last bone in the thumb. The bone had an
attachment point for a "uniquely human" muscle, the flexor pollicis
longus, that had previously been found only in more recent ancestors.
That muscle gave Australopithecus robustus an opposable thumb, a feature
that would allow them to grip objects, including tools. The researchers
also found primitive bone and stone implements, especially digging
tools, in the same layers of sediments.
Australopithecus robustus ÀÇ ¼ÕÀÇ °¡Àå Áß¿äÇÑ Æ¯Â¡Àº pollical distal
thumb tip, Áï ¾öÁö¼Õ°¡¶ôÀÇ ¸¶Áö¸· »ÀÀÌ´Ù. ±× »À´Â "Àΰ£¿¡°Ô¸¸ µ¶Æ¯ÇÑ"
±ÙÀ°(flexor pollicis longus)À» À§ÇÑ ºÎÂøÁöÁ¡À» °¡Á³´Âµ¥, ¿¾³¯¿¡´Â ±×°ÍÀÌ
´õ Èļ¼ÀÇ Á¶»ó¿¡°Ô¼¸¸ ¹ß°ßµÇ¾ú´ø °ÍÀ̾ú´Ù. ±× ±ÙÀ°Àº Australopithecus
robustus ¿¡°Ô ¸¶ÁÖº¼ ¼ö ÀÖ´Â ¾öÁö¼Õ°¡¶ôÀ» ÁÖ¾ú´Âµ¥, À̰ÍÀº ±×µé¿¡°Ô
¹°Ã¼(¿©·¯ °¡Áö µµ±¸¸¦ Æ÷ÇÔÇÏ¿©)¸¦ Áæ ¼ö ÀÖ°Ô Çϴ Ư¡À̾ú´Ù. ±×
¿¬±¸°¡µéÀº ¿ª½Ã °°Àº ÅðÀû¾Ï Ãþ¿¡¼ ¿ø½Ã »Àµé°ú ¼®±âµµ±¸µé, ƯÈ÷ ¶¥ÆÄ´Â
µµ±¸µéÀ» ¹ß°ßÇÏ¿´´Ù.
Besides living quarters, each pueblo included one or more kivas ¡ª
circular underground chambers faced with stone. They functioned as
sanctuaries where the elders met to plan festival, perform ritual
dances, settle pueblo affairs, and impart tribal lore to the younger
generation. Some kivas were enormous. Of the 30 or so at Pueblo Bonito,
two measured 20 meters across. They contained niches for ceremonial
objects, a central fire pit, and holes in the floor for communicating
with the spirits of tribal ancestors.
°ÅÁÖ °ø°£ À̿ܿ¡µµ, °¢°¢ÀÇ ÇÁ¿¡ºí·Î´Â Çϳª ÀÌ»óÀÇ Å°¹Ù(kiva) ¡ª µ¹·Î
¸¸µé¾îÁø ¸éÀ» °¡Áø ÁöÇÏÀÇ ¿øÇüÀ¸·Î µÈ ¹æ ¡ªÀ» Æ÷ÇÔÇß´Ù. ±×°ÍµéÀº °Å±â¼
¼ºÀεéÀÌ, ¿¬È¸¸¦ °èȹÇϰí Á¾±³ÀǽÄÀûÀÎ ´í½º¸¦ ¼öÇàÇÏ°í ¸¶À»ÀÇ ¹®Á¦¸¦
ÇØ°áÇÏ°í ºÎÁ·ÀÇ ¹Î¼ÓÀ» ÀþÀº ¼¼´ë¿¡°Ô Àü¼öÇϱâ À§Çؼ ¸¸³ª´Â ½Å¼ºÇÑ
Àå¼Ò·Î¼ ¿ªÇÒÀ» Çß´Ù. ¾î¶² Ű¹ÙµéÀº °Å´ëÇß´Ù. Pueblo Bonito¿¡¼ 30°³
Á¤µµÀÇ Å°¹ÙÁß¿¡¼ µÎ °³´Â Á÷°æÀÌ 20 ¹ÌÅÍ¿¡ ´ÞÇß´Ù. ±×µéÀº ÀǽÄÀ»
°ÅÇàÇϱâ À§ÇÑ ¹°°ÇµéÀ» ³õ´Â °ø°£°ú, Áß¾Ó¿¡ ºÒ ÇÇ¿ì´Â ±¸µ¢ÀÌ¿Í, ºÎÁ·ÀÇ
Á¶»óµéÀÇ ¿µÈ¥°ú ÀÇ»ç¼ÒÅëÀ» À§ÇÑ ¹Ù´Ú¿¡ ÀÖ´Â ±¸¸ÛµéÀ» Æ÷ÇÔÇß´Ù.
Astronomers have measured the abundance of helium throughout our galaxy
and in other galaxies as well. Helium has been found in old stars, in
relatively young ones, in interstellar gas, and in the distant objects
known as quasars. Helium nuclei have also been found to be constituents
of cosmic rays that fall on the earth (cosmic "rays" are not really a
form of radiation; they consist of rapidly moving particles of numerous
different kinds). It doesn't seem to make very much difference where the
helium is found. Its relative abundance never seems to vary much. In
some places, there may be slightly more of it ; in others, slightly
less, but the ratio of helium to hydrogen nuclei always remains about
the same.
õ¹®ÇÐÀÚµéÀº ¿ì¸®ÀÇ ÀºÇϰè Àüü¿¡ °ÉÃļ´Â ¹°·ÐÀÌ°í ´Ù¸¥ ÀºÇϰ迡¼µµ
Çï·ýÀÇ Ç³ºÎÇÔÀ» ÃøÁ¤ÇÏ¿´´Ù. Çï·ýÀº ¿À·¡µÈ º°µé¿¡¼, ºñ±³Àû ÀþÀº
º°µé¿¡¼, º°µé »çÀÌÀÇ °¡½º¿¡¼, ±×¸®°í Áؼº(quasar)¶ó°í ¾Ë·ÁÁ® ÀÖ´Â ¸Õ
¹°Ã¼µé¿¡¼ ¹ß°ßµÇ¾ú´Ù. Çï·ýÀÇ ÇÙµéÀº Áö±¸¿¡ ¶³¾îÁö´Â ¿ìÁÖ¼±(cosmic
rays)ÀÇ ±¸¼º ¼ººÐÀ̶ó´Â °ÍÀÌ ¹àÇôÁ³´Ù. (¿ìÁÖ¼± cosmic "rays"Àº ½ÇÁ¦·Î´Â
º¹»ç¼±ÀÇ ÇÑ ÇüÅ´ ¾Æ´Ï´Ù ; ±×µéÀº ¼ö¸¹Àº ´Ù¸¥ Á¾·ùÀÇ »¡¸® ¿òÁ÷ÀÌ´Â
ÀÔÀÚµé·Î ±¸¼ºµÇ¾îÀÖ´Ù.) Çï·ýÀÌ ¾îµð¼ ¹ß°ßµÇ´Â°¡´Â º°´Ù¸¥ Â÷À̰¡ ¾ø´Â °Í
°°´Ù. ±×°ÍÀÇ ºñ±³Àû dzºÎÇÔÀº °áÄÚ º°·Î º¯È°¡ ¾ø´Â °Í °°´Ù. ¾î¶²
°÷¿¡¼´Â ±×°ÍÀÌ ¾à°£ ´õ ¸¹ÀÌ ÀÖ°í ¾î¶² °÷¿¡¼´Â ¾à°£ ´õ Àû°Ô ÀÖÁö¸¸,
¼ö¼Ò ÇÙ¿¡ ´ëÇÑ Çï·ýÀÇ ºñÀ²Àº Ç×»ó °°Àº »óÅ·ΠÁ¸ÀçÇÑ´Ù.
The sacred objects of the family were under the control of the oldest
female, but the actual ceremonies were conducted by her brother or son.
Women owned the rooms in the pueblo and the crops, once they were
harvested. While still growing, crops belonged to the men who, in
contrast to most other Native American groups, planted them. The women
made baskets and pottery; the men wove textiles and crafted turquoise
jewelry.
°¡Á·ÀÇ ½Å¼ºÇÑ ¹°°ÇÀº ³ªÀÌ ¸¹Àº ¿©ÀÚ¿¡ ÀÇÇØ¼ °ü¸®µÇ¾ú´Ù. ±×·¯³ª ½ÇÁ¦ÀÇ
ÀǽÄÀº ±×³àÀÇ ³²ÀÚÇüÁ¦³ª ¾Æµé¿¡ ÀÇÇØ¼ ÇàÇØÁ³´Ù. ¿©ÀÚµéÀº ÇÁ¿¡ºí·Î¿¡
ÀÖ´Â ¹æµéÀ» ¼ÒÀ¯Çß°í, ÀÏ´Ü °î½ÄÀÌ Ãß¼öµÈ ÈÄ¿¡´Â °î½Äµµ ¼ÒÀ¯Çß´Ù. ¾ÆÁ÷
ÀÚ¶ó°í ÀÖ´Â µ¿¾È¿¡´Â °î½ÄÀÌ ³²Àڵ鿡°Ô ¼ÓÇߴµ¥, ´Ù¸¥ ¹Ì±¹ ¿øÁÖ¹Î
ºÎÁ·µé°ú´Â ´ëÁ¶ÀûÀ¸·Î ±×µé(³²ÀÚµé)ÀÌ °î½ÄÀ» ½É¾ú´Ù. ¿©ÀÚµéÀº ¹Ù±¸´Ï¿Í
µµÀڱ⸦ ¸¸µé¾ú°í, ³²ÀÚµéÀº Á÷¹°À» Â¥°í ÅÍÄÚÀ̽º º¸¼®·ù¸¦ ¼¼°øÇß´Ù.
Don Quixote makes chivalry seem absurd ; Brave New World ridicules the
pretensions of science ; A Modest Proposal dramatizes starvation by
advocating cannibalism. None of these ideas is original. Chivalry was
suspect before Cervantes, humanists objected to the claims of pure
science before Aldous Huxley, and people were aware of famine before
Swift. It was not the originality of the idea that made these satires
popular. It was the manner of expression, the satiric method, that made
them interesting and entertaining.
Don Quixote ´Â ±â»çµµ¸¦ ¾î¸®¼®°Ô º¸À̵µ·Ï ¸¸µé°í ; Brave New World ´Â
°úÇÐÀÇ °¡½ÄÀ» Á¶·ÕÇϸç ; Modest Proposal Àº "½ÄÀÎ"À» ¿ËÈ£ÇÔÀ¸·Î½á ±â¾Æ¸¦
±ØÈÇϰí ÀÖ´Ù. ÀÌ ¾ÆÀ̵ð¾îµé Áß¿¡ ¾î´À °Íµµ µ¶Ã¢ÀûÀÎ °ÍÀº ¾ø´Ù.
Cervantes ÀÇ ÀÌÀü¿¡µµ ±â»çµµ´Â Àǽɹ޾Ҿú°í, Aldous Huxley ÀÌÀü¿¡µµ
ÀεµÁÖÀÇÀÚµéÀº ¼ø¼ö°úÇÐÀÇ ÁÖÀå¿¡ ¹Ý´ëÇß¾ú°í, Swift ÀÌÀü¿¡µµ »ç¶÷µéÀº
±â±ÙÀ» ÀǽÄÇß¾ú´Ù. ÀÌ·¯ÇÑ Ç³ÀÚµéÀ» Àαâ ÀÖ°Ô ¸¸µç °ÍÀº ¾ÆÀ̵ð¾îÀÇ
µ¶Ã¢¼ºÀÌ ¾Æ´Ï´Ù. ±×µéÀ» Èï¹ÌÀÖ°í Àç¹ÌÀÖ°Ô ¸¸µç °ÍÀº Ç¥Çö¹æ½Ä, Áï ±×
dzÀÚÀûÀÎ ¹æ¹ýÀÌ´Ù.
Satires are read because they are aesthetically satisfying works of art,
not because they are morally wholesome or ethically instructive. They
are stimulating and refreshing because with commonsense briskness they
brush away illusions and secondhand opinions. With spontaneous
irreverence, satire rearranges perspectives, scrambles familiar objects
into incongruous juxtaposition, and speaks in a personal idiom instead
of abstract platitude.
dzÀÚÀÛǰµéÀº, ±×µéÀÌ µµ´öÀûÀ¸·Î °ÇÀüÇϴٵ簡 À±¸®ÀûÀ¸·Î ±³ÈÆÀûÀ̱â
¶§¹®ÀÌ ¾Æ´Ï¶ó, ±×µéÀÌ ¹ÌÀûÀ¸·Î ¸¸Á·½º·¯¿î ¿¹¼úÀÛǰÀ̱⠶§¹®¿¡ ÀÐÈ÷´Â
°ÍÀÌ´Ù. ±×µéÀº ÀÚ±ØÀûÀÌ°í ½Å¼±ÇÏ´Ù, ¿Ö³ÄÇÏ¸é »ó½ÄÀûÀÎ(º¸ÅëÀÇ) Ȱ±â¸¦
°¡Áö°í¼ ±×µéÀº ¸Á»ó°ú °£Á¢ÀûÀÎ °ßÇØ¸¦ ¾Ä¾î¹ö¸®±â ¶§¹®ÀÌ´Ù. ÀúÀý·Î
¿ì·¯³ª¿À´Â ºÒ°æÇÔÀ» °¡Áö°í, dzÀÚ´Â (»ç¹°À» º¸´Â)°üÁ¡À» ÀçÁ¤¸®Çϰí,
Ä£¼÷ÇÑ »ç¹°µéÀ» µÚÁ×¹ÚÁ× ¼¯¾î¼ Á¶ÈµÇÁö ¾Ê´Â º´·Ä°ü°è·Î ¸¸µé°í, Ãß»óÀû
ÁøºÎÇÔ ´ë½Å¿¡ °³ÀÎÀûÀÎ ¿ë¾îµéÀ» »ç¿ëÇÏ¿© À̾߱âÇÑ´Ù.
Intelligence tests have been constructed of three kinds. Verbal-and
pencil tests, non-verbal paper-and pencil tests, where the tasks are
presented by means of pictures and diagrams, and performance tests which
require the manipulation of objects.
Áö´É °Ë»ç´Â ¼¼ °¡Áö·Î ±¸¼ºµÈ´Ù. ¾ð¾î Çʱ⠰˻ç¿Í, ¹®Á¦°¡ ±×¸²°ú µµÇ¥·Î
Á¦½ÃµÇ´Â ºñ¾ð¾î Çʱ⠰˻ç, ±×¸®°í »ç¹°À» ´Ù·ç´Â ´É·ÂÀ» ¿ä±¸ÇÏ´Â Á÷¾÷
°Ë»ç°¡ ±×°ÍÀÌ´Ù.
We need lights to see what's going on,
¿ì¸®´Â ºûÀÌ ÀÖ¾î¾ß »óȲÀ» ÆÄ¾ÇÇÒ ¼ö ÀÖÁö¸¸
but in the pitch black the swiftlets manage unerringly to locate their individual nesting sites,
Á¦ºñ´Â Ä¥Èæ°°Àº ¾îµÒ ¼Ó¿¡¼µµ ºÒ°ú ¸î¼¾Æ¼¹ÌÅ;¿ ¶³¾îÁø µÕÁö¸¦
which are only a few centimetres across.
¾ÆÁÖ Á¤È®È÷ ã¾Æ°©´Ï´Ù
It's a remarkable skill and one we still do not fully understand.
¿ì¸®´Â ¾ÆÁ÷ ÀÌ ³î¶ó¿î ±â¼úÀ» ¿ÏÀüÈ÷ ÀÌÇØÇÏÁö ¸øÇÕ´Ï´Ù
These birds are unusual for another reason.
ÀÌ »õ´Â ´Ù¸¥ ÀÌÀ¯·Îµµ ¸Å¿ì µ¶Æ¯ÇÕ´Ï´Ù
Their little cup-like nests are made entirely from threads of saliva.
ÀÛÀº ÄÅó·³ »ý±ä À̵éÀÇ µÕÁö´Â ħ¿¡ µç ¼¶À¯·Î¸¸ ¸¸µé¾îÁø °ÍÀÔ´Ï´Ù
It takes more than 30 days to complete one.
µÕÁö Çϳª¸¦ ¸¸µé·Á°í ÇØµµ 30ÀÏÀÌ ³Ñ°Ô °É¸³´Ï´Ù
The nests are very precious objects, and not only for the birds.
ÀÌ µÕÁöµéÀº ¸Å¿ì ±ÍÇÑ º¸¹°·Î Á¦ºñ¿¡°Ô¸¸ ±ÍÇÑ °ÍÀº ¾Æ´Õ´Ï´Ù
For 500 years people have been harvesting the nests of cave swiftlets.
»ç¶÷µéÀº 500³âÀÌ ³Ñ°Ô ÀÌ Á¦ºñÁýÀ» äÁýÇØ ¿Ô½À´Ï´Ù
The Index of American Design is a collection of watercolor renderings that
represent objects of art popular in the United States from before 1700 until
about 1900. The painting dipict ceramics, furniture, woodcarving, glassware,
metal work, tools, costumes, and other crafts. There are some seventeen thousand
watercolors and, in addition, about five hundred photographs.
"¹Ì±¹ µðÀÚÀÎ »öÀÎ"Àº ¼öäȵéÀ» ¸ð¾Æ³õÀº °ÍÀ¸·Î, 1700³â ÀüºÎÅÍ ¾à 1900³â±îÁö
¹Ì±¹¿¡¼ ÀαâÀÖ´ø ¿¹¼úÀÛǰµéÀ» º¸¿©ÁØ´Ù. ÀÌ ±×¸²µéÀÇ ¼ÒÀç´Â µµÀÚ±â, °¡±¸,
¸ñ°¢Ç°, À¯¸®±×¸©, ±Ý¼ÓÁ¦Ç°, µµ±¸, ÀÇ»ó, ±×¸®°í ±× ¹ÛÀÇ °ø¿¹Ç°µéÀÌ´Ù. ¿©±â¿¡´Â ¾à
17,000Á¡ÀÇ ¼öäȿ¡ µ¡ºÙ¿© ¾à 500Á¡ÀÇ »çÁøµéÀÌ µé¾îÀÖ´Ù.
Seawees, or algae, do not have roots like higher land plants. Some of them
attach themselves to stationary objects such as rocks or piers by the suction of
organs called holdfasts. This keeps them from being swept out to open sea or
washed ashore.
ÇØÃÊ´Â ´õ ¹ß´ÞµÈ À°ÁöÀÇ ½Ä¹°°ú´Â ´Þ¸® »Ñ¸®°¡ ¾ø´Ù. ÀÏºÎ ÇØÃÊ´Â ÈíÂø ±â°üÀ̶ó
ºÒ¸®´Â Á¶Á÷ÀÇ »¡¾ÆµéÀÌ´Â Èû¿¡ ÀÇÇØ ¹ÙÀ§³ª ºÎµÎ¿Í °°Àº Á¤ÁöÇØÀÖ´Â ¹°Ã¼¿¡ ÀÚ½ÅÀ»
ºÎÂø½ÃŲ´Ù.
Aesthetic principles were applied to such banal objects as furnaces and
washing machines, and Bourke-White became one of the best industrial
photographers of the industrial photographers of the period.
During her career she also photographed such important subjects as the
serious midwestern drought of the 1930's and the Second World War, and
she saw her work published in some of the world's most famous magazines.
¹ÌÀûÀÎ ¿ø¸®µéÀÌ ¿ë±¤·Î¿Í ¼¼Å¹±â¿Í °°Àº ÈçÇØºüÁø ´ë»óµé¿¡°Ô Àû¿ëµÇ¾ú°í,
¹öÅ©-ÈÀÌÆ®´Â ÀÌ ½Ã´ëÀÇ °¡Àå ÈǸ¢ÇÑ »ê¾÷ÀÇ °¡¹³°ú Á¦2Â÷ ¼¼°è´ëÀü°ú °°Àº
Áß¿äÇÑ ¼ÒÀçµµ ÃÔ¿µÇߴµ¥, ±×³àÀÇ ÀÛǰÀº ¼¼°è¿¡¼ °¡Àå À¯¸íÇÑ ÀâÁöµé °¡¿îµ¥
¸î °³¿¡ ½Ç·È´Ù.
The biological sonar, or echolocation, of bats and a number fo other animals
is one of nature's great ingenuities. As a means of perceiving the environment
by bouncing high-frequency sounds off objects, it interests scientists in many
disciplines. Echolocation serves the bat as a substitute for vision in the
perception of near and moderately near objects.
¹ÚÁã¿Í ±×¹ÛÀÇ ¾ß¼öÀÇ µ¿¹°µéÀÇ »ý¹°ÇÐÀû À½ÆÄŽÁö±â°ü, Áï ECHOLOCATIONÀº ÀÚ¿¬ÀÇ
À§´ëÇÑ Ã¢ÀÛǰ ÁßÀÇ Çϳª´Ù. ¹°Ã¼¿¡ °íÁÖÆÄ ¼Ò¸®¸¦ ¹ß»çÇØ¼ ÁÖÀ§È¯°æÀ» ÆÄ¾ÇÇÏ´Â
ÇϳªÀÇ ¼ö´ÜÀ¸·Î¼, À̰ÍÀº ¸¹Àº ºÐ¾ßÀÇ °úÇÐÀڵ鿡°Ô Èï¹Ì¸¦ ÁÖ°í ÀÖ´Ù. ÀÌ ±â°üÀº
¹ÚÁã°¡ °¡±îÀÌ ÀÖ´Â ¹°Ã¼¿Í º¸Åë Á¤µµ·Î °¡±î¿î ¹°Ã¼¸¦ ÆÄ¾ÇÇÏ´Â µ¥¿¡ ´«ÀÇ ¿ªÇÒÀ»
´ë½ÅÇØ ÁØ´Ù.
Bats can examine the characteristics of objects-size, shape, distance,
direction, and motion-by sensing the way the objects modify the sonar
signals reflected back to the bat.
¹ÚÁã´Â Àڽſ¡°Ô µÇµ¹¾Æ¿À´Â À½Çâ½ÅÈ£¸¦ ¹°Ã¼°¡ º¯°æ½ÃŰ´Â ¹æ¹ýÀ» °¨ÁöÇÔÀ¸·Î½á
¹°Ã¼ÀÇ Æ¯Â¡-Å©±â, ¸ð¾ç, °Å¸®, ¹æÇâ ¹× ¿îµ¿-À» ÆÄ¾ÇÇÒ ¼ö ÀÖ´Ù.
The Grand Canyon, a long, narrow gorge in Arizona, is rich in geological
history. Its record of past plant and animal life also makes it an exciting and
invaluable object of study for biologists. Using samples from the two hundred
and seventeen miles of the canyon's walls, scientists analyze the building
materials that form the earth's surface and study the natural processes which
have affected the canyon over its four-billion-year history. These processes
include the eruption of volcanoes, which were active as recently as one thousand
years ago, and gradual decomposition by erosion. Scientists also study a great
variety of fossils that can be found in the canyon. These imprints of past forms
of life are preserved in rock. The lower levels of canyon rock contain fossils
of seashells and primitive algae, while the upperlevels contain fossils of such
creatures as dinosaurs and other prehistoric land animals. All of these
discoveries provide scientists with information both on the earth's history in
general and on the area around the Grand Canyon in particular.
±×·£µå ij³âÀº, ¾Æ¸®Á¶³Ê¿¡ ÀÖ´Â ±æ°í Á¼Àº Çù°îÀ¸·Î, ÁöÁúÇÐÀûÀÎ ¿ª»ç°¡ dzºÎÇÏ´Ù.
¿©±â¿¡´Â °ú°ÅÀÇ ½Ä¹°°ú µ¿¹°ÀÌ ±â·ÏµÇ¾î ÀÖÀ¸¹Ç·Î ¶ÇÇÑ »ý¹°ÇÐÀڵ鿡°Ô Èï¹ÌÁøÁøÇϰí
±ÍÁßÇÑ ¿¬±¸´ë»óÀÌ µÈ´Ù. 217¸¶ÀÏÀÇ ÀÌ Çù°î º®À¸·ÎºÎÅÍ Ç¥º»À» ÀÌ¿ëÇØ¼ °úÇÐÀÚµéÀº
Áö±¸ÀÇ Ç¥º»À» Çü¼ºÇÏ´Â ±¸¼º¹°ÁúÀ» ºÐ¼®Çϰí 40¾ï³â°£ÀÇ ¿ª»ç¿¡ °ÉÃļ ÀÌ Çù°î¿¡
¿µÇâÀ» ³¢ÃĿ ÀÚ¿¬ÀÇ °úÁ¤À» ¿¬±¸ÇÑ´Ù. ÀÌ·¯ÇÑ °úÁ¤¿¡´Â ºÒ°ú õ³âÀü±îÁö¸¸ ÇØµµ
Ȱµ¿Çß´ø È»êÀÇ Æø¹ß°ú ħ½Ä¿¡ ÀÇÇÑ Á¡ÁøÀûÀÎ ºÐÇØ°¡ Æ÷ÇԵȴÙ. °úÇÐÀÚµéÀº ¶ÇÇÑ ÀÌ
Çù°î¿¡¼ º¼ ¼ö ÀÖ´Â ¿©·¯°¡Áö ȼ®µµ ¿¬±¸ÇÑ´Ù. ÀÌ·¯ÇÑ °ú°ÅÀÇ »ý¹°ÀÇ ÈçÀûÀº ¹ÙÀ§
¾È¿¡ º¸Á¸µÇ¾î ÀÖ´Ù. Çù°î¹ÙÀ§ÀÇ ÇÏÃþ¿¡´Â ¹Ù´ÙÁ¶°³¿Í ¿ø½Ã½Ã´ëÀÇ ¸»¹«¸® ȼ®ÀÌ
µé¾îÀÖ´Â µ¥ ºñÇØ¼, »óÃþ¿¡´Â °ø·æ°ú ±âŸ À¯»çÀÌÀüÀÇ À°Áöµ¿¹° ȼ®ÀÌ µé¾îÀÖ´Ù. ÀÌ
¸ðµç ¹ß°ßÀº Áö±¸ÀÇ ¿ª»ç Àü¹Ý°ú ƯÈ÷ ±×·£µå ij³â ÁÖÀ§ Áö¿ª¿¡ °üÇÑ Á¤º¸¸¦
°úÇÐÀڵ鿡°Ô Á¦°øÇØÁØ´Ù.
Nowadays a new device called ¡°rear sonar¡± is built into the car.
¿À´Ã³¯ ¡°Èĸé À½ÆÄŽÁö±â¡±¶ó ºÒ¸®´Â »õ·Î¿î ÀåÄ¡°¡ ÀÚµ¿Â÷¿¡ ÀåÂøµÇ°í ÀÖ´Ù.
It is used only when the driver backs up.
±×°ÍÀº ¿îÀüÀÚ°¡ ÈÄÁøÇÒ ¶§¿¡¸¸ »ç¿ëµÈ´Ù.
As a driver backs up, sound waves are sent to the rear.
¿îÀüÀÚ°¡ ÈÄÁøÇÒ ¶§, À½ÆÄ¸¦ µÚÂÊÀ¸·Î º¸³½´Ù.
They bounce off any object within six-and-a-half feet of the back bumper.
±× À½ÆÄ´Â µÚ ¹üÆÛÀÇ 6.5ÇÇÆ® À̳»¿¡ ÀÖ´Â ¹°Ã¼¿¡ ºÎµúÃÆ´Ù°¡ µ¹¾Æ¿Â´Ù.
A tiny computer measures the distance from the bumper to the object.
¼ÒÇü ÄÄÇ»ÅͰ¡ ¹üÆÛ·ÎºÎÅÍ ±× ¹°Ã¼±îÁöÀÇ °Å¸®¸¦ ÃøÁ¤ÇÑ´Ù.
When the distance is six feet or less, lights begin flashing and beepers sound.
±× °Å¸®°¡ 6ÇÇÆ® ÀÌÇϰ¡ µÇ¸é ºÒÀÌ ±ô¹ÚÀ̰í, ½ÅÈ£À½ÀÌ ¿ï¸°´Ù.
By these warning signals, the driver will know there is something behind the car.
ÀÌ·¯ÇÑ °æ°í ½ÅÈ£¿¡ ÀÇÇØ ¿îÀüÀÚ´Â Â÷ µÚÂÊ¿¡ ¹«¾ùÀÌ ÀÖ´Ù´Â °ÍÀ» ¾Ë°Ô µÈ´Ù.
In one study, subjects deprived of food for varying lengths of time were shown blurred pictures of food-related and household-related objects.
ÇÑ ¿¬±¸¿¡¼ ´Ù¾çÇÑ ±æÀÌÀÇ ½Ã°£ µ¿¾È À½½ÄÀ» Á¦°ø ¹ÞÁö ¸øÇÑ ÇǽÇÇèÀڵ鿡°Ô À½½Ä°ú °ü·ÃµÈ ¹°°Ç°ú °¡Á¤°ú °ü·ÃµÈ ¹°°ÇÀÇ È帴ÇÑ ±×¸²À» º¸¿©ÁÖ¾ú´Ù.
In periods of food deprivation ranging up to six hours, subjects reported they saw an increasing number of food-related objects as their hunger increased.
À½½ÄÀ» ÁÖÁö ¾Ê¾Ò´ø 6½Ã°£¿¡ À̸£´Â ±â°£ µ¿¾È¿¡ ÇǽÇÇèÀÚµéÀº ¹è°¡ °íÆÄÁú ¼ö·Ï Á¡Á¡ ´õ ¸¹Àº À½½Ä°ú °ü·ÃµÈ ¹°°ÇÀ» º¸¾Ò´Ù°í ¸»Çß´Ù.
Nasty...
ÁöÀúºÐÇØ¿ä¡¦
No... "Striation."
¾Æ´Ï, "ÁÙ¹«´Ì"¾ß
Whenever two objects are broken there occurs what we called "stria"
µÎ ¹°Ã¼°¡ ¶³¾îÁ®³ª°£ ÀÚ¸®¿¡´Â ÁÙ¹«´Ì°¡ »ý±â°Ô µÇ´Âµ¥
- two unique connecting points.
±× Á¢ÇպεéÀº °íÀ¯ÇÑ ÇüŸ¦ ¶ç°Ô µÇÁö
And, if I can match the nail in the sneaker to the suspect's clippings,
±×¸®°í, ¿ëÀÇÀÚ°¡ ±ðÀº ¹ßÅé°ú ½Å¹ß¿¡¼ ãÀº ¹ßÅéÀÌ ÀÏÄ¡ÇÑ´Ù´Â °É Áõ¸íÇÑ´Ù¸é
Alcatraz.
¾ËīƮ¶óÁî Çà °áÁ¤À̾ß! (°ú°Å À¯¸íÇÑ °¨¿Á)
Three or four overpowering blows to the head
¸Ó¸®¸¦ ¼³Ê ¹ø Èû²¯ ³»¸®Ä¡´Â °ÅÁÒ
from a homemade weapon fashioned at the scene.
¹«±â´Â ¹üÇàÇöÀå¿¡¼ Á÷Á¢ ±¸ÇßÁÒ
Forces her to drink a mixture of sodium amytal as a chemical restraint.
¾ïÁö·Î ¼Òµð¿ò ¾Æ¹ÌÅ»À» ¸¶ÃëÁ¦·Î ¸¶½Ã°Ô ÇØ¼
Overligature of the victim ...
ÇÇÇØÀÚ¸¦ ²Ä¦ ¸øÇÏ°Ô ÇÑ ´ÙÀ½ ...
and an object rape.
µµ±¸¸¦ »ç¿ëÇØ¼ °°£ÇßÁÒ
Then he strangles her.
±×·± ´ÙÀ½ ¿©ÀÚ¸¦ ±³»ìÇϰí
Ejaculates on the bedsheets.
ħ´ë ½ÃÆ®¿¡ »çÁ¤À» Çß½À´Ï´Ù
And as a final act of degradation
Èñ»ýÀÚ¿¡ ´ëÇÑ ¸¶Áö¸· ¸ð¿åÀ¸·Î
he poses her like a pinup.
½Ãü¸¦ ¾ßÇÑ Æ÷Áî·Î µ×ÁÒ
Damn it.
Á¦±â¶ö
Sara. / Damn that guy.
- »õ¶ó - ³ª»Û »õ³¢
This way.
ÀÌÂÊÀÔ´Ï´Ù
I'm late for an autopsy.
Àü ºÎ°ËÇÏ·¯ °¡ºÁ¾ß°Ú±º¿ä
He'll need a little patience.
Àγ»½ÉÀÌ Á» ÇÊ¿äÇÏ½Ç °Ì´Ï´Ù
Wouldn't respect him if he didn't.
±×³ª¸¶ Àú´Ï±î »ó´ëÇØÁÖ´Â °ÅÁÒ
What can you tell us?
¾Ë¾Æ³»½Å °Å ÀÖ½À´Ï±î?
Nothing you don't know. Trauma to the head with a blunt object.
ÀÌ¹Ì ´Ù ¾Ë°í ÀÖ´Â °É¼¼ µÐ±â·Î ¸Ó¸®¿¡ ¿Ü»óÀ» ÀÔÇô
Overwhelmed her.
ÇÇÇØÀÚ¸¦ Á¦¾ÐÇßÁö
He got a mixture of sodium amytal in her.
¼Òµð¿ò ¾Æ¹ÌÅ»À» ¸ÔÀ̰í
A hypnotic.
¸¶ÃëÁ¦ÁÒ
Allowed him to control her for up to six hours.
6½Ã°£ µ¿¾È Èñ»ýÀÚ¸¦ ¸¶À½²¯ °®°í ³î ¼ö ÀÖ¾úÀ» °Å¾ß
Torture her.
°í¹®À» Çß°ÚÁö
Look at the bruises.
¸Û ÀÚ±¹À» º¸°Ô
Purple means she was alive for all of it.
º¸¶ó»öÀ̾ß, Àú°Ô ´Ù »ý±â´Â µ¿¾È »ì¾ÆÀÖ¾ú´Ù´Â ¶æÀÌÁö
Percussive control.
Ãæ°ÝÀ» Á¶ÀýÇß±º¿ä
He choked her unconscious and then brought her to multiple times.
Á¤½ÅÀ» ÀÒÀ» ¶§±îÁö ¸ñÀ» Á¶¸£°í ¶Ç ±ú¿ì±â¸¦ ¿©·¯ ¹ø ¹Ýº¹Çß±º¿ä
What about the rape?
°°£ ÂÊÀº ¾î¶»½À´Ï±î?
Same as the others: Indeterminate object caused severe internal lacerations.
Áö³¹ø°ú °°¾Æ, ¾Ë ¼ö ¾ø´Â µµ±¸·Î ³»ºÎ¿¡ ½É°¢ÇÑ ¿»óÀ» ÀÏÀ¸Ä×¾î
I did find a small trace of something creviced in the uterine wall.
À̹ø¿¡´Â Áú º®¿¡ ¹ÚÇô ÀÖ´ø ¹º°¡ ÀÛÀº Á¶°¢À» ¹ß°ßÇß³×
Looks like an everyday polymer to me.
Æò¹üÇÑ ÇÃ¶ó½ºÆ½ °°³×¸¸
Okay. I'll go back to the scene, try to find something like it.
Àü ÇöÀåÀ¸·Î µ¹¾Æ°¡¼ À̰Ͱú ºñ½ÁÇÑ °É ã¾Æº¸ÁÒ
What did you get?
¾Ë¾Æ³»½Å °Å ÀÖ½À´Ï±î?
I posted the lady from the hotel,
È£ÅÚ¿¡¼ Á×Àº ¿©ÀÚ¸¦ Á¶»çÇØ ºÃ³×¸¸
and I have to say it's the same menu as the last three-
Áö³ ¼¼ °Ç°ú °°Àº ¸Þ´º¾ß
chemical restraint, overligature, death by strangulation.
¸¶ÃëÁ¦, ¿©·¯ ¹ø ¸ñÀ» Á¹¶ú°í »çÀÎÀº Áú½ÄÀ̾ß
What about the object-rape?
µµ±¸¸¦ »ç¿ëÇÑ °°£Àº¿ä?
Indeterminate polymer?
¾Ë ¼ö ¾ø´Â ÇÃ¶ó½ºÆ½ÀԴϱî?
No, this one's different.
¾Æ´Ï, À̹ø¿¡´Â ´Þ¶ó
Different how?
¾î¶»°Ô ´Ù¸¨´Ï±î?
Cross-hatched leather, with tiny air holes for breathing.
±×¹°ÄÚ ¸ð¾ç °¡Á׿¡ ÀÛÀº ¼û±¸¸ÛÀ̶ó
I was thinking driving gloves, or weightlifting gloves, or ...
³»°¡ º¸±â¿£ ¿îÀü Àå°©À̳ª ¿îµ¿¿ë Àå°© ȤÀº ...
w-why? / Well, so I can see if the leather on your club handles
- ¿Ö¿ä? - °ñÇÁä ¼ÕÀâÀÌÀÇ °¡Á×ÀÌ
matches the leather from the object used to violate your wife.
ºÎÀÎÀ» ÆøÇàÇÑ ¹°°Ç¿¡¼ ³ª¿Â °Í°ú ÀÏÄ¡ÇÏ´ÂÁö È®ÀÎÇÏ°í ½Í¾î¼¿ä
Well, I-I, you know, if it does ...
¹¹, ¾Æ½Ã°ÚÁö¸¸, ÀÏÄ¡ÇÑ´Ù¸é...
I read that this, uh ...
Àúµµ ½Å¹®¿¡¼ ºÃÁÒ, ±×°Ô...
this, uh, you know, character uses whatever is at the scene of the crime for, uh ...
¹üÀÎÀÌ ¹üÇàÇÒ ¶§ ÇöÀå¿¡¼ µµ±¸¸¦ ±¸ÇÑ´Ù°í ±×·¯´Ï±î...
for killing his victims.
Èñ»ýÀÚµéÀ» Á×ÀÏ ¶§ ¸»ÀÌÁÒ...
Well, if this "character" ...
¸¸¾à ±× ¹üÀÎÀÌ...
killed your wife?
ºÎÀÎÀ» »ìÇØÇß´Ù¸é...
How did he get your clubs out of the case without the keys?
¾î¶»°Ô ¿¼èµµ ¾øÀÌ °ñÇÁ並 °¡¹æ¿¡¼ ²¨³ÂÀ»±î¿ä?
Or, for that matter back into the case after he killed your wife?
¶ÇÇÑ »ìÇØÇÑ µÚ¿¡´Â ¾î¶»°Ô °¡¹æ¿¡ µµ·Î ³Ö¾úÀ»±î¿ä?
But the truth is every object is changed by its owner.
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By his habits.
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His ... washing machine, for instance.
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His detergent.
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The totality of microscopic elements.
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(È¸é ¾îµð¼³ª Alt+Z : ´Ü¾î ÀçÀÔ·Â.)
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