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listen

´Ù¸¥ °÷¿¡¼­ Ã£±â  ³×À̹ö»çÀü ´ÙÀ½»çÀü Cambridge M-W M-W Thesaurus OneLook Wordnet Google


listening £Û£ì¢¥£é£ó£î£é©¯£Ý ûÀ½, °æÃ», ûÃë

listen £Û£ì¢¥£é£ó¡Ó£î£Ý °æÃ»ÇÏ´Ù, µè´Ù(to), (Ãæ°í µûÀ§¿¡) µû¸£´Ù(to), ±Í¸¦ ±â¿ïÀÌ´Ù(for), ~ in (¶óµð¿À¸¦) ûÃëÇÏ´Ù, (ÀüÈ­ µû·ò¸¦) µµÃ»ÇÏ´Ù

listening comprehension skills ûÃë·Â

listening post Á¤º¸ ûÃë¼Ò

What do you do for relaxation?
±âºÐÀüȯÀ¸·Î ¹«¾ùÀ» ÇØ?
I listen to music.
À½¾ÇÀ» µé¾î.

I often listen to Mozart when I feel depressed.
³ª´Â ±âºÐÀÌ ¿ì¿ïÇÒ ¶§ ¸ðÂ÷¸£Æ® À½¾ÇÀ» Á¾Á¾ µé¾î.

for (this) once; (=this once) ÇÑ ¹ø¸¸(À̹ø¸¸)
Listen to me for this once.

³­ °Ç¼ºÀ¸·Î µé¾ú¾î¿ä.
I listened absent-mindedly.

±×°¡ ¹«½¼ ¸»À» ÇÏ´ø, ³ª´Â °ü½ÉÀ» °®°í ±Í ±â¿ïÀδÙ.
No matter what he may say, I listen to him with interest.

³ª´Â ¶óµð¿À¸¦ µéÀ¸¸ç Àú³áÀ» ¸Ô¾ú´Ù.
I had dinner while listening to radio.

¼±»ý´ÔÀÇ ¼³¸í¿¡ ±Í¸¦ ±â¿ïÀÌÁö ¾Ê¾Ò´Ù.
I didn't listen to the teacher's explanation.

µè±â¸¦ À§Çؼ­´Â, TV ¿µ¾î ÇÁ·Î±×·¥À» º¸´Â °ÍÀÌ ÁÁ´Ù.
For listening, it's good to watch English programs on TV.

ÇлýµéÀº ¼±»ý´ÔÀÇ ¸»À» ±Í ±â¿ï¿© Àß µé¾î¾ß ÇÑ´Ù.
Students have to listen attentively to the teacher.
Students have to pay attention to the teacher.

Àǻ簡 ûÁø±â·Î ½ÉÀå ¼Ò¸®¸¦ µéÀ¸¸ç °ËÁøÇÏ¿´´Ù.
The doctor examined me by listening to my heart with a stethoscope.

Ãë¹Ì Ȱµ¿
À½¾Ç°¨»ó listening to music
¿µÈ­°¨»ó movie appreciation
µ¶¼­ reading
TVº¸±â watching TV
¿ìÇ¥ ¼öÁý collecting stamps
¿©ÇàÇϱâ traveling
¼­¿¹ calligraphy
¿ø¿¹ gardening
ÇÇ¾Æ³ë ¿¬ÁÖÇϱâ playing the piano
ÄÄÇ»ÅÍ °ÔÀÓÇϱâ playing computer games
½º³ë¿ì º¸µå Ÿ±â snowboarding
ÀÚÀü°Å Ÿ±â cycling
µî»êÇϱâ mountain climbing
Á¾ÀÌ Á¢±â paper folding
¶ß°³Áú knitting
ÀÚ¼ö embroidering

³ªÀÇ Ãë¹Ì´Â À½¾Ç°¨»óÀÌ´Ù.
My hobby is listening to music.

³ª´Â ¸î ½Ã°£¾¿ À½¾ÇÀ» µéÀ¸¸ç ¾É¾Æ ÀÖ°ï ÇÑ´Ù.
I used to sit for hours listening to classical music.

³ª´Â À½¾ÇÀ» µè´Â °Íº¸´Ù ³ë·¡ÇÏ´Â °ÍÀ» ´õ ÁÁ¾ÆÇÑ´Ù.
I like singing more than listening to music.

ÈÞ°¡ ÀÏ¿¡ À½¾ÇÀ» µé¾ú´Ù.
I listened to music on my day off.

¶§¶§·Î ¾È³» ¹æ¼ÛÀÌ ¾Èµé¸± ¶§µµ ÀÖ´Ù.
Sometimes I can't listen to announcements.

³»°¡ ¿Ö ±×ÀÇ ¸»À» Àß µèÁö ¾Ê¾Ò´Â Áö ¸ð¸£°Ú´Ù.
I don't know why I didn't listen to him.

for (this) once (£½this once) Çѹø¸¸(À̹ø¸¸)
Listen to me for this once. (À̹ø¸¸Àº ³»¸»À» µé¾î ´Ù¿À.)

À̺Á, ´©°¡ ³ÊÀÇ ¼¼¹ßÀÚÀü°Å¸¦ ¶Ê°­¿¡´Ù
Ãijֱâ¶óµµ ÇѰžß?
Listen boy, who kicked your trike
in the ditch?
ÇØ¼³ ´©°¡ È­³ª¼­ ºÎ·çÅüÇÑ ¾ó±¼À» Çϰí ÀÖ
À»¶§ ¾µ ¼ö Àִ ǥÇö.

À½¾ÇÀ» µè°í À־ ¹® µÎµå¸®´Â ¼Ò¸®¸¦ ¸øµé¾ú¾î¿ä.
I was listening to music and I didn't hear you knock on the door.

What are you listening to?
¹«¾ùÀ» µè°í °è½Ê´Ï±î?

We had to listen his reminiscences of the war. ¿ì¸®´Â ±×ÀÇ ÀüÀï ȸ°í´ãÀ» µé¾î¾ß Çß´Ù.

listen in respectful silence Á¤ÁßÄ¡ ħ¹¬À» ÁöŰ¸ç µè´Ù

[ï³ü¥] ¾Æ¸¶ ´©°¡ ´Ù¸¥ ¼± À¸·Î ¿ì¸® ¾ê±â¸¦ ¿³µè´Â °Í °°¾Æ¿ä.
Maybe somebody's listening on another extension.

* ÁÁ¾ÆÇÏ´Â À½¾Ç¿¡ ´ëÇÏ¿©
My hobby is listening to music.
Ãë¹Ì´Â À½¾Ç °¨»óÀ̶ø´Ï´Ù.
I`m very fond of music.
À½¾ÇÀ» ¸Å¿ì ÁÁ¾ÆÇÕ´Ï´Ù.
(*) be fond of: --À» ÁÁ¾ÆÇÏ´Ù
I like popular music.
´ëÁß À½¾ÇÀ» ÁÁ¾ÆÇÕ´Ï´Ù.
I love jazz.
ÀçÁ ÁÁ¾ÆÇÕ´Ï´Ù.
I have a preference for classical music.
Ŭ·¡½Ä À½¾Ç ¾ÖÈ£°¡ÀÔ´Ï´Ù.
I`m crazy about Beethoven.
º£Å亥À» ´ë´ÜÈ÷ ÁÁ¾ÆÇÕ´Ï´Ù.
(*) be crazy about: --¿¡ ´ëÇØ ¿­±¤ÇÑ, ¿­ÁßÇÏ´Ù
The music I like varies widely, ranging from classical, popular, country and western to Korean Chang song.
Àú´Â Ŭ·¡½Ä, ´ëÁß À½¾Ç, ÄÁÆ®¸®¿Í ¿þ½ºÅÏ ±×¸®°í Çѱ¹ÀÇ Ã¢¿¡ À̸£±â±îÁö ±¤¹üÀ§ÇÏ°Ô À½¾ÇÀ» ÁÁ¾ÆÇÕ´Ï´Ù.
(*) range from --to: (¹üÀ§°¡) --¿¡ °ÉÄ¡´Ù, ¹ÌÄ¡´Ù
I can`t relax unless I have a record on.
·¹Äڵ带 ƲÁö ¾ÊÀ¸¸é ÆíÈ÷ ½¯ ¼ö ¾ø½À´Ï´Ù.

I feel frustrated because no one listens to me.
( ¾Æ¹«µµ ³» ¾ê±â¸¦ ¾È µé¾îÁÖ´Ï ´ä´äÇÏ´Ù. )

An audience is different from a crowd in that it refers to
people who gather for the purpose of listening to or observing
some proceedings in accordance with a program set in advance.
°ü°´Àº < ¹Ì¸® ¸¶·ÃµÈ ÇÁ·Î±×·¥¿¡ µû¶ó ¾î¶² ÁøÇàµÇ´Â °ÍµéÀ» <µè´Â> ¶Ç´Â
<±¸°æÇÏ´Â> ¸ñÀûÀ» °¡Áö°í¼­ ¸ðÀÌ´Â »ç¶÷µéÀ» ÀǹÌÇÑ´Ù´Â Á¡¿¡ À־
±ºÁß°ú´Â ´Ù¸£´Ù.

enjoy
enjoy+O :: He enjoys himself at everything he does.
enjoy+¢¦ing :: I always enjoys listening to chamber music.

hate
hate to do :: I hate to travel alone.
hate+¢¦ing :: I hate lying to mother.
hate+O+to do :: I hate you to say things like that.
hate+O+¢¦ing :: She hates someone listening while she's telephoning.

listen
listen+prep. :: I listen to the band playing.
listen+complement :: It doesn't listen reasonable to me.

song and dance: Èï¹Ì ¾ø´Â À̾߱â, ²Ù¸ç³½ À̾߱â, º¯¸í(a long explanation, a long excuse that is often not true)
¡æ 1870³â´ëºÎÅÍ ¹Ì±¹ÀÇ TV¿¡ °¡¼öµéÀÌ ¹«´ë¿¡ ¿À¸£ÀÚ¸¶ÀÚ ³ë·¡¿Í ÃãÀ» Ã߱⠽ÃÀÛÇÑ °ÍÀÌ ³Ê¹« »óÅõÀûÀ¸·Î ¹Ýº¹µÇ¾ú±â¿¡¢¦
ex) I wish we didn't have to listen to such a long song and dance every time we want to get insurance.

Everyone got tired of listening to John's belly-aching.: ¸ðµç »ç¶÷ÀÌ ÁÔÀÇ ºÒÆòºÒ¸¸¿¡ Áú·È´Ù.
¡æ belly-ache´Â µ¿»ç·Î ºÒÆòºÒ¸¸À» Åоî³õ´Ù´Â ¶æ.

(1) Àΰ£Àº ¹° ¼Ó¿¡¼­ »ì ¼ö ¾øÁö¸¸ ¹° ¼Ó¿¡¼­ »ì ¼ö ÀÖÀ¸¸ç ¾î´À ¹°°í±âº¸´Ù ´õ ¸Ö¸® ¿©ÇàÇÒ ¼ö ÀÖ´Â Àá¼öÇÔÀ» ¸¸µé¾î³Â½À´Ï´Ù. ±×·¯³ª ¸Ó¸®¿Í ¼ÕÀ» ½á¼­ ±×¸¦ Å¿ì°í ¹Ù´Ù¸¦ Ⱦ´ÜÇÒ ¼ö ÀÖ´Â ¹è¸¦ ¸¸µé¾î³Â½À´Ï´Ù. ¿©·¯ºÐ ÁÖÀ§¸¦ »ìÆìº¸½Ê½Ã¿À. ½Å¹®À» Àаí ÅÚ·¹ºñÀüÀ» º¸½Ê½Ã¿À. ¶óµð¿À¸¦ µé¾îº¸½Ê½Ã¿À. ±×¸®°í ÀÌ¿Í °°ÀÌ Àΰ£ÀÌ ÀÌ·èÇÑ ¾÷ÀûÀÇ ¸ñ·ÏÀ» ¸¸µé¾î º¸½Ê½Ã¿À.
¡æ ¹° ¼Ó¿¡¼­ »ì´Ù: live under water
¡æ television ¾Õ¿¡´Â °ü»ç°¡ ºÙÁö ¾Ê´Â ¹Ý¸é¿¡, ¶óµð¿À ¶Ç´Â ½Å¹® ¾Õ¿¡´Â Á¤°ü»ç°¡ ºÙ´Â´Ù. watch television/ listen to the radio/ read the newspaper
¡æ Àΰ£ÀÌ ÀÌ·èÇÑ ¾÷ÀûÀÇ ¸ñ·ÏÀ» ¸¸µé´Ù: make a list of man's achievements
ANS) Man cannot live under water: but with his brain and hands, he has built a submarine in which he can live under water and travel farther than any fish. Man cannot swim across the ocean; but, with his brain and hands, he has built a ship to take himself across. Look around you; read the newspapers; watch television; listen to the radio; and try to make a list of man's achievements.

(1) ±×ÀÇ Çൿ¿¡ º¯¸íÀÇ ¿©Áö°¡ ÀÖ´Ù°í´Â »ý°¢µÇÁö ¾ÊÁö¸¸ ±×·¸Áö¸¸ ±×ÀÇ Àǰ߿¡ ±Í¸¦ ±â¿ï¿©¾ß ÇÑ´Ù.
¡æ ¡¸AÀÇ Àǰߡ¹Àº what A has to say·Î ÁÁ´Ù. ÀÌ °æ¿ìÀÇ to say´Â ¡¸¸»Çϱâ À§ÇÏ¿©/ ¸»ÇØ¾ß ÇÒ¡¹À̶ó´Â Àǹ̷Î, has to say¡¸¸»ÇÏÁö ¾ÊÀ¸¸é ¾È µÈ´Ù¡¹¶ó´Â ¶æÀÌ ¾Æ´Ñ °Í¿¡ ÁÖÀÇ.
¡æ Listen to his words´Â ºÎÀÚ¿¬½º·´´Ù.
¡æ ¡¸º¯¸íÀÇ ¿©Áö°¡ ¾ø´Ù¡¹ be inexcusable/ there is no excuse for¢¦
¡æ ¡¸±×·¸Áö¸¸¡¹ at the same time/ but/ nevertheless/ all the same
(ANS) I don't think there is any excuse for his behavior. At the same time, we should listen to what he has to say.

13. ±×¿¡°Õ ±Í¸¦ ±â¿ïÀÏ ¸¸ÇÑ ÀǰßÀÌ ¾ø´Ù.
¡æ ±Í¸¦ ±â¿ïÀÏ ¸¸ÇÑ: 'µéÀ» °¡Ä¡°¡ ÀÖ´Â'À̶ó°í º¸°í worth listening to.
(ANS) He has no opinion (which is) worth listening to.

[ÝïÎò] look, see, watch
look°ú seeÀÇ °ü°è´Â listen°ú hearÀÇ °ü°è¿Í °°´Ù. Áï, ÀüÀÚ´Â ÈÄÀÚ¿¡ ´ëÇÑ Áغñ ÇàÀ§¸¦ ¾Ï½ÃÇÑ´Ù. lookÀº ¹«¾ùÀ» º¸±â(see) À§Çؼ­ ½Ã¼±À» ±×°Í¿¡ °íÁ¤½ÃŰ´Â °Í ¶Ç´Â ÇÑ ¹æÇâÀ¸·Î °íÁ¤½ÃŰ´Â °ÍÀ» °¡¸®Å²´Ù. ÁÖÀÇ·ÂÀ» °¡Áö°í ½Ã·Â(eyesight)À» »ç¿ëÇÏ´Â °ÍÀ» ¸»ÇÑ´Ù.
ex) look for violets in the spring(º½¿¡ ¿À¶ûij²ÉÀ» ã´Ù)/ He refused to look in the mirror the nurse gave him.
lookÀº º¸·Á´Â ¿å¸ÁÀÇ ¶æÀ» ǰ°í ÀÖÁö¸¸, ¹Ýµå½Ã ±× ¿å¸ÁÀÌ Ã¤¿öÁø´Ù´Â ¶æÀº ǰ°í ÀÖÁö ¾Ê´Ù.
ex) I am looking, Mother, I can't see it anywhere.
see´Â ´«À¸·Î °¨ÁöÇÏ´Â °Í(perceive with the eyes), ÁÖÀÇ·ÂÀ» ÁýÁßÇϵç ÇÏÁö ¾Êµç, º¸·Á´Â Àǵµ°¡ ÀÖµç ¾øµç ½Ã°¢Àû ÀλóÀ» ¾òÀº °ÍÀ» ¸»ÇÑ´Ù. ´«À» ¿òÁ÷¿©, ±× °á°ú°¡ º¸ÀÌ´Â °ÍÀ» ¸»ÇÑ´Ù.
ex) animals able to see in the dark/ Once over the pass you will see the town below you.(Àú °í°³¸¸ ³Ñ¾î¼­¸é ¾Æ·¡¿¡ ±× ¸¶À»ÀÌ º¸ÀδÙ.)
watch´Â Àϰżö ÀÏÅõÁ·¡¤¸ðµç º¯È­¡¤À§ÇèÀÇ ³¦»õ¡¤ÁÁÀº ±âȸ µûÀ§¸¦ »ìÇDZâ À§ÇØ ´«À¸·Î ¹«¾ùÀ» ÁÀ´Â °Í, ±¸°æ²ÛÀÌ µÇ´Â °Í, ¹Ù¶ó´Ùº¸´Â °ÍÀ̳ª °üÂûÇÏ´Â °Í, ¶Ç´Â Çѵ¿¾È ¹«¾ù¿¡ ÁÖÀÇ·ÂÀ» ÁýÁßÇÏ´Â °ÍÀ» ¸»ÇÑ´Ù.
ex) watch while a procession passes/ watch something as closely as a cat watches a mouse.

[ÝïÎò] sullen, glum, morose, surly, sulky
sullenÀº ħ¿ïÇÏ°í »ý°¢¿¡ Àá°Ü ¸»ÀÌ ¾ø´Â °ÍÀ» ÀǹÌÇÏ°í º¸Åë È­°¡ ³­ °Í, ±âºÐÀÌ ÁÁÁö ¾ÊÀº °ÍÀ» °¡¸®Å²´Ù.
The sullen prisoners marched along./ In a morning, I am always sullen./ Sullenness doesn't imply silence, but an ill-natured silence.
glumÀº ±âºÐÀÌ ÁÁÁö ¾Ê´Ùµç°¡ ¼º¹Ì°¡ ³ªºü¼­°¡ ¾Æ´Ï¶ó, ³«´ãÇϰųª ÀDZâ¼Òħ¿¡¼­ ¿À´Â ħ¹¬À» °­Á¶ÇÑ´Ù.
He is glum about world affairs./ He listened with a glum expression.
morose´Â ½É¼ú±Ä°í(sour), ºñ»ç±³ÀûÀ¸·Î glumÇÑ °ÍÀ» ¶æÇÑ´Ù.
He took a morose view of the future./ She has tempted him to drink again because he is so morose when he is sober that she cannot endure living with him.(±×´Â ¼úÀ» ¸¶½ÃÁö ¾ÊÀ¸¸é ¶×ÇØ À־, ±× ¿©ÀÚ´Â Âü°í °°ÀÌ »ì ¼ö°¡ ¾ø±â ¶§¹®¿¡ ±×¸¦ ²Ò¾î¼­ ´Ù½Ã ¼úÀ» ¸¶½Ã°Ô Çß´Ù.)
surly´Â sullen, morose¿¡ Åü¸í½º·¯¿ò(brusqueness)°ú °ÅÄ¥À½(gruffness)ÀÌ µ¡ºÙÀº °ÍÀ» ¶æÇÑ´Ù.
Mr. Kim replied instantly, in a surly, nasal tone.
sulky´Â ¾î¸°¾Öó·³ °ÉÇÍÇÏ¸é ¼º³»°í ºÒ¸¸¿¡ Â÷¼­ sullenÇÑ °ÍÀ» ¶æÇÑ´Ù.
a sulky child/ Dogs sometimes become sulky because they are jealous.

±Íµ¿³ÉÀ¸·Î ¾Ë´Ù[¹è¿ì´Ù] = pick something up from others[others conversation]
¶Ç´Â learn about something by listening to what people say

µýÀü ºÎ¸®´Â ô ÇÏÁö ¸»¾Æ¶ó.
Stop pretending you're not listening!

´Ù¸¥ Áþ ÇÏÁö¸»°í Àß µé¾î¶ó.
Would you stop doing that and please listen to me?

brush aside: to refuse to listen to; ¹«½ÃÇÏ´Ù

³ª´Â ±×³àÀÇ ´ÞÄÞÇÑ ³ë·¡¸¦ µè°í ÀÖ¾ú´Ù.
I was listening her sweet song.

´Ù½Ã ¸¸³ª¸é ¸ð¸¥ ü Çϰھî.
If I ever meet you again, I'll give you the brush-off.
# brush-off---a clear refusal to be friendly or to listen.

I sat there pretending to listen but I was bored to death.
³ª´Â °Å±â¿¡ ¾É¾Æ µè´Â ôÇßÁö¸¸ µûºÐÇØ Á×´Â ÁÙ ¾Ë¾Ò´Ù.

I listened to the band in the square.
³ª´Â ±× ±¤Àå¿¡¼­ ¹êµå°¡ ¿¬ÁÖÇÏ´Â °ÍÀ» µé¾ú´Ù.

In the classroom, Ungdae sits quietly while Choi listens and
takes notes during the lecture.
ÃÖ±ºÀÌ °­ÀÇ ¹Þ´Â °­Àǽǿ¡¼­ `¿õ´ë'´Â ´Ù¼Ò°÷ÇÑ ÀÚ¼¼·Î ¼û Á×À̰í
¾É¾Æ ÀÖ´Ù.

Rep. Kim Dong-wook said the government should listen to
criticism that the economic ban has triggered varying degrees of
inconvenience to the public in its financial dealings.
±èµ¿¿íÀÇ¿øÀº "½Ç¸íÁ¦·Î ÀÎÇØ ¼­¹ÎµéÀÌ ÀÚ±Ý °Å·¡¿¡ ÀÖ¾î ¿©·¯ ºÒÆí
À» °Þ°í ÀÖ´Ù´Â ºñÆÇÀÇ ¼Ò¸®¿¡µµ Á¤ºÎ°¡ ±Í ±â¿ï¿©¾ß ÇÒ °Í"À̶ó°í ÁÖ
ÀåÇß´Ù.

George discovers that Lennie is concealing a dead mouse in his pocket and stroking it.
ÁÒÁö´Â ·¹´Ï°¡ ÁÖ¸Ó´Ï¿¡ Á×Àº Á㸦 °¨Ãß°í ¸¸ÁöÀ۰Ÿ®´Â °ÍÀ» ¹ß°ßÇÑ´Ù.
George throws it away.
ÁÒÁö´Â ±×°ÍÀ» ´øÁ®¹ö¸°´Ù.
The childlike Lennie is unhappy at the loss of his toy,
¾î¸°¾Ö °°Àº ·¹´Ï´Â Àå³­°¨ÀÌ ¾ø¾îÁ®¼­ ¿ïÀûÇØÁø´Ù
but obediently settles down to listen George's coaching on how he should
behave the next day.
±×·¯³ª À¯¼øÇÏ°Ô ÀÚ¸®¸¦ Àâ°í ¾É¾Æ ´ÙÀ½³¯ ±×°¡ ¾î¶»°Ô Çàµ¿ÇØ¾ß ÇÏ´ÂÁö¿¡ °üÇÑ
ÁÒÁöÀÇ ÄÚÄ¡¿¡ ±Í¸¦ ±â¿ïÀδÙ.

She warns him against their mother,
±×³à´Â ±×¿¡°Ô ¾î¸Ó´Ï¿¡ ´ëÇØ Á¶½ÉÇ϶ó°í °æ°íÇÑ´Ù
hinting at dark disclosures to come,
¾ÕÀ¸·Î µå·¯³¯ ¹«¼­¿î ºñ¹ÐÀ» ¾Ï½ÃÇϸ鼭
but he is as deeply attached to Christine as Lavinia was to their father,
and he does not listen.
±×·¯³ª ±×´Â ¶óºñ´Ï¾î°¡ ¾Æ¹öÁö¿¡°Ô Çß´ø °Íó·³ Å©¸®½ºÆ¾¿¡°Ô ±íÀÌ ºüÁ®Àֱ⠶§¹®¿¡
±Í¸¦ ±â¿ïÀÌÁö ¾Ê´Â´Ù.

In Parritt's stories of quarreling with his mother about prostitutes and in
the boy's references to a betrayer,
ÆÄ¸®Æ®°¡ â³àµé¿¡ °üÇØ ±×ÀÇ ¾î¸Ó´Ï¿Í ´ÙÅõ¾ú´Ù´Â À̾߱â¿Í °í¹ßÀÚ¿¡ ´ëÇÑ ¾ð±ÞÀ» µè°í
Larry senses a truth he does not want to recognize.
¶ó¸®´Â ¾Ë°í ½ÍÁö ¾ÊÀº »ç½ÇÀ» °¨ÁöÇÑ´Ù.
Determined to remain the unconcerned observer, Larry rejects
Parritt's demands for some emotional response and tries not to listen.
¹«°ü½ÉÇÑ ¹æ°üÀÚ·Î ³²À¸·Á°í °á½ÉÇÑ ¶ó¸®´Â °¨Á¤ÀûÀÎ ¹ÝÀÀÀ» º¸À̶ó´Â ÆÄ¸®Æ®ÀÇ
¿ä±¸¸¦ °ÅºÎÇÏ°í µéÀ¸·Á ÇÏÁö ¾Ê´Â´Ù.

As Hickey tells his story, Parritt, half-listening, confesses
È÷۰¡ À̾߱âÇÏ´Â µ¿¾È ÆÄ¸®Æ®´Â °Ç¼º µè´Ù°¡ °í¹éÇÑ´Ù
that he informed on his mother because he hated her.
¹Ì¿öÇ߱⠶§¹®¿¡ ¾î¸Ó´Ï¸¦ ¹Ð°í Çß´Ù°í.

Rodion's nervousness nearly betrays him as he listens
to his friends discuss the murder by his bedside.
±×ÀÇ Ä£±¸µéÀÌ Ä§´ë ¿·¿¡¼­ »ìÀÎ »ç°Ç¿¡ ´ëÇØ À̾߱âÇÏ´Â °ÍÀ» µè´Â µ¿¾È
·Îµð¿ÂÀº ½Å°æ°ú¹ÎÀ¸·Î ÀÚ½ÅÀ» Æø·ÎÇÒ »·ÇÑ´Ù.

He occupies the apartment next to Sonia and was listening during the confession.
±×´Â ¼Ò´Ï¾ÆÀÇ ¿·¹æ¿¡ ÀÖ´Ù°¡ °í¹éÇÏ´Â °ÍÀ» µé¾ú´ø °ÍÀÌ´Ù.

Pelle listens and begins to form ideas about the world.
Æç·¹´Â º¸°í µéÀ¸¸é¼­ ¼¼»ó¿¡ ´ëÇÑ °ü³äÀ» Çü¼ºÇϱ⠽ÃÀÛÇÑ´Ù.

Howard, enraptured by a new tape recorder, can hardly listen to the salesman,
»õ·Î¿î Å×ÀÌÇÁ ·¹ÄÚ´õ¿¡ ³ÌÀÌ ³ª°£ ÇÏ¿öµå´Â Àª¸®ÀÇ ¸»À» °ÅÀÇ µèÁö ¾Ê´Â´Ù
and not only denies his request but fires him.
±×¸®°í ±×ÀÇ ¿ä±¸¸¦ °ÅÀýÇÒ »Ó¾Æ´Ï¶ó ±×¸¦ ÇØ°í½ÃŲ´Ù.

When Willy comes, Biff tries to tell him what happened, but his father will
listen only to good news.
Àª¸®°¡ ¿ÔÀ» ¶§ ºñÇÁ´Â ÀÚÃÊÁöÁ¾À» ¸»ÇÏ·Á ÇÏÁö¸¸ ±×ÀÇ ¾Æ¹öÁö´Â ÁÁÀº ¼Ò½Ä¸¸À» µéÀ¸·ÁÇÑ´Ù.

She won't open her mind. (X)
"±×³à´Â ¸¶À½À» ¿­Áö ¾Ê¾Æ." ³Ê¹«µµ Àý¹¦ÇÑ ¹ß»óÀÌÁö¸¸,
°æ¿ì°¡ µÚ¹Ù²î¾ú´Ù. 'not open one's mind'´Â
'³²ÀÇ ¸»À» µèÁö ¾Ê´Ù'°¡ ¾Æ´Ï¶ó '»ý°¢À» ³²¿¡°Ô µå·¯³»Áö ¾Ê´Ù'¸¦
¶æÇϱ⠶§¹®ÀÌ´Ù.
¨ç She doesn't have an open mind.(±×³à´Â ¸¶À½ÀÌ ³ÐÁö ¸øÇØ.)
¨è She won't look at both sides of the issue.
(±×³à´Â ¹®Á¦¸¦ ³ÐÀº ¾È¸ñ¿¡¼­ º¸·ÁÇÏÁú ¾Ê¾Æ.)
¨é Nothing will change her mind.(¹«¾ùÀ¸·Îµµ ±×³àÀÇ ¸¶À½À» ¹Ù²Ü ¼ö ¾ø¾î.)
¨ê She's not willing to listen to other opinions.(±×³à´Â ´Ù¸¥ Àǰ߿¡ ±Í±â¿ïÀÌÁö ¾Ê¾Æ.)

President Kim and his ruling party should carefully listen to three outspoken
criticisms proposed by the opposition leader: the rule of law and institutions,
discussion of state affairs and policymaking through the Assembly rather than
unilaterally, and the end of cronyism based on regional biases.
ÐÝ´ëÅë·É°ú ¿©´çÀº ×ÝÃÑÀç°¡ ȸ°ß¿¡¼­ Á¦½ÃÇÑ ¹ý°ú Á¦µµ¿¡ ÀÇÇÑ ±¹Á¤¿î¿µ, ±¹È¸¸¦
ÅëÇÑ ±¹Á¤Åä·Ð°ú Á¤Ã¥¼ö¸³, Áö¿ªÁÖÀÇ Ã»»êÀ̶ó´Â ¼¼ °¡Áö °í¾ð (ÍÈåë)¿¡ ±Í¸¦
±â¿ï¿©¾ß ÇÑ´Ù.

¡· You're the guys breathing on the other end of my phone.
* breathing = listening

* Ex) I'm telling you, we have to go. ºÐ¸íÈ÷ ¾ê±âÇϴµ¥ ¿ì¸° °¡¾ßÇØ.
I'm telling you ´ë½Å¿¡ I told you³ª ListenÀ» ³Ö¾îµµ °°Àº¶æ.
ƯÈ÷ È­°¡ ³µÀ»¶§µµ ÀÌ·¸°Ô Ç¥ÇöÇÑ´Ù.

>> I'll tell you what.
: ³» ¸» Á» Àß µé¾îº¸¼¼¿ä.
( = Listen to me. = Listen carefully. = I'm telling you. )
* I'm telling you.
1) ¿©±â°¡ Áß¿äÇÑ ´ë¸ñÀε¥, Àß µé¾îºÁ.(ÈļÓÀÇ ¸»À» °¥Á¶ÇÏ¿©)
2) Á¤¸»À̾ß. ( ¸ÕÀú ¸»À» °­Á¶ÇÏ¿© )

¡í I'll tell you what.
=I'll tell you something.
=Listen !

Listen to me. ³» ¸»À» µéÀ¸¼¼¿ä.

1) Hey, listen, this is serious.
: Á¦ ¸» Á» µé¾îº¸¼¼¿ä. ½É°¢ÇÑ °ÍÀÔ´Ï´Ù.

Listen up.
¸ðµÎµé Àß µé¾î¶ó.

GMP is very is very helpful for English study.
"GMP"´Â ¿µ¾î°øºÎ¿¡ ¸¹Àº µµ¿òÀ» ÁÝ´Ï´Ù.
= Listening to GMP well help you sharpen your English skill.
= To listen to GMP is very helpful in studying English.
= You can improve by listen to GMP your English.

I don't have much time, so just listen.
½Ã°£ÀÌ ¸¹Áö ¾ÊÀ¸´Ï ±×³É Á¦ ¾ê±â¸¸ µéÀ¸½Ê½Ã¿ä.

Listen,we've got problems,but who doesn't?
==>À̺Á,¿ì¸®¿¡°Ô´Â ¹®Á¦°¡ ÀÖ¾î,ÇÏÁö¸¸ ¹®Á¦ ¾ø´Â »ç¶÷ÀÌ ´©°¡ÀÖ°Ú¾î?

He used to brag to me how he got up every morning
at 6 a.m. to listen to GMP.
He used to be so hot headed about how he ...
He used to go on and on about how he ...
±× Ä£±¸ »õº® 6½Ã¿¡ ÀϾ GMP¸¦ µè´Â´Ù°í ³ªÇÑÅ×
ÀÚ¶û²²³ª Çß¾úÁö.

Listening to people is part of communication. A good
listener hears what someone else says. It is important to be
a good speaker. It is also important to be a good listener.
³²ÀÇ À̾߱⿡ ±Í¸¦ ±â¿ïÀÌ´Â °Íµµ Ä¿¹Â´ÏÄÉÀ̼ÇÀÇ ÀϺδÙ. Àß
µè´Â »ç¶÷Àº ´Ù¸¥ »ç¶÷ÀÌ À̾߱âÇÏ´Â ¹Ù¸¦ ±Í´ã¾Æ µè´Â´Ù. À̾ß
±â¸¦ ÀßÇÏ´Â »ç¶÷ÀÌ µÇ´Â °Íµµ Áß¿äÇÏ´Ù. Àß µè´Â »ç¶÷ÀÌ µÇ´Â
°Í ¿ª½Ã Áß¿äÇÏ´Ù.

for hours ¸î ½Ã°£¾¿À̳ª
Talk to a man about himself and he will listen for hours.
»ó´ë¹æ¿¡ ´ëÇØ¼­ ¸»À» ÇÑ´Ù¸é ±×´Â ¸î½Ã°£ÀÌ¶óµµ ±Í¸¦ ±â¿ï¿©ÁØ´Ù.
- Benjamin Disraeli

³» ¸» Á» µé¾îºÁ
I'm telling you.
=Listen to me.
=Let me tell you on.

Listen, I got an idea.
À̺Á¿ä, Á¦°Ô ÁÁÀº »ý°¢ÀÌ ¶°¿Ã¶ú¾î¿ä.

I'll tell you what.³»¸»Á» µé¾îºÁ!
=Let me tell you what.
=Listen to me.

·ÏŰ, Àú·± ¸»Àº µèÁö¸¶.
Don't listen to it, Rocky.

Listen, put yourself in my shoes.
(À̺Á¿ä, ³» ÀÔÀå¿¡¼­ µÇ¾î¼­ ÇÑ ¹ø »ý°¢ÇØ º¸¼¼¿ä.)
You'd feel different if you put yourself in his shoes.
(´ç½ÅÀÌ ±× »ç¶÷ ÀÔÀåÀÌ µÇ¾î º¸¸é ´Ù¸£°Ô »ý°¢ÀÌ µÉ²¬¿ä.)
Try putting yourself in her shoes.
(±× ¿©ÀÚ ÀÔÀå¿¡¼­ Çѹø »ý°¢ÇØ º¸¼¼¿ä.)

Á¦ ¸»À» µè°í °è½Å°¡¿ä? (ÀüÈ­»ó¿¡¼­)
Are you with me?
= Are you listening to me?
= Are you there?

Weren't you listening?
(³» ¸»À» ¾È µé¾ú³ª¿ä?)

½Ã°£ÀÌ °ãÃļ­ °­ÀǸ¦ µéÀ» ¼ö ¾ø¾î¿ä.
I can't take your class because it conflicts with another one.
= I can't sit in on your class because I have another class at the same time.
= I can't listen to your class because it overlaps with another one.

Àß µéÀ¸¼¼¿ä.
Listen up.

Àß µéÀ¸¼¼¿ä.
Listen up.
= Listen carefully.
= Pay attention to what I'm saying.

±×°ÍµéÀº ´ç½ÅÀÇ ±âºÐÀ» ÁÁ°Ô ÇØ¿ä.
They get you high.
Looking at this picture gets me high.
(±× ±×¸²À» º¸°í ÀÖÀ¸¸é ³ª´Â ±âºÐÀÌ ÁÁ¾ÆÁ®¿ä.)
Listening to Beethoven gets me high.
(º£Å亥 À½¾ÇÀ» µè°í ÀÖÀ¸¸é ³ª´Â ±âºÐÀÌ ÁÁ¾ÆÁ®¿ä.)

Listening to his voice, the new hope of life springs for my breast.
±×ÀÇ ¸ñ¼Ò¸®¸¦ µéÀ¸¸é ÀλýÀÇ »õ·Î¿î Èñ¸ÁÀÌ ³» °¡½¿¿¡¼­ ¶ÙÃijª¿Í¿ä.

I have to listen to GMP.
Áö¿¥ÇǸ¦ µé¾î¾ß¸¸ ÇØ.

±Í Á» ºô·Á ÁÖ¼¼¿ä.
Lend me an ear.
= Listen up.
= I have something to tell you.

±×³à°¡ ´ç½Å¿¡°Ô ÇÏ´Â ¸»À» µé¾î º¸¼¼¿ä.
Listen to what she's saying to you.

¿©º¸¼¼¿ä? ÁÙ¸®, µè°í ÀÖ¾î¿ä?
Hello? Are you still there, Julie?
= Hello? Are you listening, Julie?

obdurate ¿Ï°íÇÑ (stubborn)
He was obdurate in his refusal to listen to our complaints.

panegyric Âù»ç,°úÀåµÈ ĪÂùÀÇ ¸» (formal praise)
The modest hero blushed as he listened to the panegyric uttered by the speakers
about his valorous act.

rostrum ¿¬´Ü; °­´Ü (platform for speechmaking; pulpit)
The crowd murmured angrily and indicated that they did not care to listen to
the speaker who was approaching the rostrum.

all ears
- eager to listen to someone
Okay, I`m all ears, please tell me about the party.

pay attention
- look at or listen to with full attention
He never pays attention to what his supervisor tells him.

µè´Ù: listen in, listen to reason

After listening to me, he said, "Come on, let's go back to my office."
³» ¾ê±â¸¦ ´Ù µè°í, ±×´Â ¸»Çß´Ù. "ÀÚ, ³» »ç¹«½Ç·Î °¡µµ·Ï ÇÏÁö."

He said, "On this tape are three short recordings made by three people who came to me for help.Listen to the recordings of these three people and pick out the two-word phrase that each of them uses."
±×´Â ¸»Çß´Ù. "ÀÌ Å×ÀÌÇÁ´Â ³ª¿¡°Ô µµ¿òÀ» ûÇÏ·¯ ¿Â ¼¼ »ç¶÷ÀÌ ¸»ÇÑ Â©¸·ÇÑ ³»¿ëÀÌ µé¾î ÀÖ³×. ÀÌ ¼¼ »ç¶÷ÀÌ ÇÏ´Â ¸»À» µè°í, ±×µé ¸ðµÎ°¡ »ç¿ëÇÑ µÎ ´Ü¾î·Î ÀÌ·ç¾îÁø ¸»À» Çѹø ã¾Æº¸°Ô³ª."

"Thousands of times I've sat in this chair and listened to sorrowful sentences beginning with those two words.
"³ª´Â ÀÌ ÀÇÀÚ¿¡ ¾É¾Æ¼­ ±× µÎ ´Ü¾î·Î ½ÃÀÛÇÏ´Â ½½Ç ¸»µéÀ» ¼öõ ¹øÀ̳ª µé¾ú³×.

I listen to a little music before getting up at 6:30.
³ª´Â 6½Ã 30ºÐ¿¡ ÀϾ±â Àü±îÁö´Â À½¾ÇÀ» Àá½Ã µè´Â´Ù.

She explained that he wouldn't listen to her and she worried it was becoming an addiction.
±×³à´Â ¾ÆµéÀÌ ÀÚ±âÀÇ ¸»À» µéÀ¸·Á ÇÏÁö ¾Ê´Â´Ù°í ¼³¸íÇÏ¸ç ±×°¡ ¼³ÅÁ¿¡ Áßµ¶µÇ¾î°¡°í ÀÖ´Ù°í °ÆÁ¤Çß´Ù.

We listened to music using albums on a record player.
ÀüÃà¿¡ ÀÖ´Â À½¹ÝÀ» ÀÌ¿ëÇÏ¿© À½¾ÇÀ» µé¾ú¾úÁö.

Don't listen to flattery.
¾ÆÃ·¿¡ ±Í±â¿ïÀÌÁö ¸»¾Æ¶ó.

Moral: Don't listen to flattery
±³ÈÆ: ¾ÆÃ·¿¡ ±Í±â¿ïÀÌÁö ¸¶¶ó.

Mr. Kim, listen, do you think you could decrease the minimum quantity on model No.A-55?
±è ¼±»ý´Ô, Àú, ¸ðµ¨¹øÈ£ A-55ÀÇ ÃÖÀúÁÖ¹®¼ö·®À» Á» ÁÙ¿©ÁÖ½Ç ¼ö ¾øÀ»±î¿ä?

Listen, Mr. Kim. We've hotta have that shipment no later than September 30th.
Àú, ±è ¼±»ý´Ô. ±× ¼±ÀûǰÀº ´Ê¾îµµ 9¿ù 30ÀϱîÁö´Â µµÂøµÇ¾î¾ß¸¸ ÇÕ´Ï´Ù.

Mr. Kim, listen, we've gotta have that new model ready for shipment no later than September 1st.
Àú, ±è ¼±»ý´Ô, ´Ê¾îµµ 9¿ù 1ÀϱîÁö´Â ±× »õ ¸ðµ¨ÀÇ ¼±ÀûÁغñ¸¦ ¿Ï·áÇØ¾ß ÇÕ´Ï´Ù.

Say, listen, before we talk about any new business, I'd like to discuss you order No.1001 on which the opening bank refused to accept the documents.
Àú, ½Å±Ô°Å·¡¿¡ °üÇØ ¾ê±âÇϱâ Àü¿¡, °³¼³ÀºÇà¿¡¼­ ¼±Àû¼­·ù Àμö¸¦ °ÅºÎÇÑ ±Í»ç ÁÖ¹®¹øÈ£ 1001¿¡ ´ëÇØ ÀdzíÇÏ°í ½Í½À´Ï´Ù.

Listen, I've got to run over to the US Embassy first before I do anything else.
±×·±µ¥, ¸¸»ç Á¦Ãijõ°í ¹Ì´ë»ç°ü¿¡ ¸ÕÀú °¬´Ù ¿Í¾ß ÇÒ ÀÏÀÌ ÀÖ¾î¿ä.

Listen, do you think you could spare a few minutes today?
Àú, ¿À´Ã Àá½Ã¸¸ ½Ã°£ Á» ³»ÁÖ½Ç ¼ö ÀÖÀ¸¼¼¿ä?

Listen, I'm sorry to call like this, but we've got a problem.
Àú, ÀÌ·± ÀüÈ­¸¦ µå·Á¼­ Á˼ÛÇÕ´Ï´Ù¸¸, ¹®Á¦°¡ »ý°å¾î¿ä.

Listen, I'd like to see you when you have some free time.
¾ðÁ¦ Á» Á¶¿ëÇÏ½Ç ¶§ ºË°í ½ÍÀºµ¥, ÀüÈ­·Î ¿¬¶ôÀÌ °¡´ÉÇմϱî?

Listen, I need that data on the construction site. Do you have it there with you?
³»°¡ Áö±Ý ÇöÀåÀÚ·á°¡ ÇÊ¿äÇѵ¥, Áö±Ý ±×°÷¿¡ °¡Áö°í ÀÖ¾î¿ä?

Listen, In case I have to go out, I'll leave it with my secretary, and she'll relay it to you.
Á¦°¡ Ȥ½Ã ¿ÜÃâÀÌ¶óµµ ÇÏ¸é ¿©Á÷¿øÇÑÅ× ÀڷḦ ¸Ã°Ü¼­ Àü´ÞÀÌ µÇµµ·Ï ÇØµå¸®Áö¿ä.

But, listen, I won't have much time go drop over from next week on.
Àú, ±×·±µ¥ ¸»ÀÌÁÒ, ´ÙÀ½ÁÖ ºÎÅÍ´Â ¿©±â µé¸± ±âȸ°¡ º°·Î ¾øÀ» °Í °°¾Æ¿ä.

Maybe somebody's listening on another extension.
´©°¡ ´Ù¸¥ ÀüÈ­±â¿¡¼­ ¿ì¸® ¾ê±â¸¦ ¿³µè°í ÀÖ´Â ¸ð¾çÀÔ´Ï´Ù.

Àü ÁÖÀÇ ±í°Ô µèÁö ¾Ê¾Ò¾î¿ä.
I didn't really listen closely.

When somebody picks up a Jacky Cheung CD, anywhere in this world ?what do you hope that they will get out of it,
¼¼°è ¾îµð¼­°Ç ´©±º°¡ À彦À¯ ¾¾ÀÇ CD¸¦ ±¸ÀÔÇßÀ» ¶§, ±× »ç¶÷ÀÌ ±× CD¿¡¼­ ¹«¾ùÀ» ¾ò±â¸¦ ¹Ù¶ó½Ã³ª¿ä?
What do you hope they will feel when they listen to your music?
´ç½ÅÀÇ À½¾ÇÀ» µéÀ¸¸é¼­ ¹«¾ùÀ» ´À³¢±æ ¹Ù¶ó½Ã³ª¿ä?
I just want them to feel what they feel.
±×µé °¢ÀÚ°¡ ´À³¦ÀÌ ¿À´Â ´ë·Î ´À²¼À¸¸é ÇÕ´Ï´Ù.
I mean, what's important about songs, it can make you feel something.
³ë·¡°¡ Áß¿äÇÑ °ÍÀº »ç¶÷µéÀÌ ¹º°¡ ´À³¥ ¼ö ÀÖ´Ù´Â °Ì´Ï´Ù.
If you can feel something from it, that's what I want actually.
±× ³ë·¡¿¡¼­ ¹º°¡ ´À³¥ ¼ö ÀÖ´Ù¸é ¹Ù·Î ±×°ÍÀÌ Á¤¸»·Î Á¦°¡ ¿øÇÏ´Â °ÍÀÔ´Ï´Ù.
You can feel from my album.
Á¦ À½¹Ý¿¡¼­ ¹«¾ð°¡ ´À³¥ ¼ö ÀÖÀ» °Å¿¡¿ä.
* get A out of B A¸¦ B¿¡¼­ ¾ò´Ù[¾Ë¾Æ³»´Ù, ¹Þ¾Æ³»´Ù] ex. He failed to get a confession out of her.(±×´Â ±×³à¿¡°Ô¼­ ÀÚ¹éÀ» ¹Þ¾Æ³»Áö ¸øÇß´Ù.)

If this is your idea of the closest women get involved with the launch of a new car,
Áö±Ý º¸½Ã´Â È­¸éÀÌ ½ÅÂ÷ Ãâ½Ã °úÁ¤¿¡ ¿©¼ºÀ» Âü¿©½ÃŰ´Â ´ç½ÅÀÌ ¾Ë°í ÀÖ´Â ÃÖ¼±ÀÇ ¹æ¹ýÀ̶ó¸é,
Volvo has other ideas.
º¼º¸ »çÀÇ »ý°¢Àº ´Ù¸¨´Ï´Ù.
An all-female project team designed its latest concept car.
¾Æ¿¹ ¿©¼ºÀ¸·Î¸¸ ±¸¼ºµÈ ÇÁ·ÎÁ§Æ® ÆÀÀÌ ÃֽŠÄÁ¼ÁƮ °³¹ßÇÏ¿´½À´Ï´Ù.
The Ford-owned luxury brand says women now influence 80 percent of auto purchases.
Æ÷µå ±×·ìÀÇ °í±Þ ºê·£µåÀÎ º¼º¸ »ç´Â ¿À´Ã³¯ ÀÚµ¿Â÷ ±¸¸ÅÀÇ 80ÆÛ¼¾Æ® °¡·®À» ¿©¼ºÀÌ Á¿ìÇÑ´Ù°í ¸»ÇÕ´Ï´Ù.
So they must be listened to.
µû¶ó¼­ ¿©¼ºµéÀÇ ÀǰßÀ» Á¸ÁßÇØ¾ß ÇÑ´Ù´Â °ÍÀÔ´Ï´Ù.
* if this is your idea ... of a new car (±âÁ¸¿¡´Â) À̰ÍÀÌ ½ÅÂ÷ Ãâ½Ã °úÁ¤¿¡ ¿©¼ºµéÀ» Âü¿©½ÃŰ´Â ÃÖ¼±ÀÇ ¹æ¹ýÀ̾ú´Ù¸é: ¿©±â¼­ this´Â '½ÅÂ÷¸¦ ¼±º¸ÀÏ ¶§ ¿©¼ºµéÀÌ È«º¸ µµ¿ì¹Ì ¿ªÇÒÀ» ÇÏ´Â °Í'À» ÀǹÌÇϸç closest¿Í women »çÀÌ¿¡´Â °ü°è ´ë¸í»ç thatÀÌ »ý·«µÇ¾î ÀÖ´Ù cf. (1) get involved with ...¿¡ °ü¿©ÇÏ´Ù (2) launch Ãâ½Ã
* all-female Àü¿ø ¿©¼ºÀÎ
* concept car ÄÁ¼ÁƮī: ¼ÒºñÀÚÀÇ ¹ÝÀÀÀ» »ìÆìº¸±â À§ÇØ °³¹ßÇÏ´Â ¸ðµ¨À» ¹Ì¸® »ùÇ÷Πº¸¿©ÁÖ´Â Â÷. À̹ø¿¡ º¼º¸¿¡¼­ Ãâ½ÃÇÑ ¿©¼ºÀü¿ë ÄÁ¼ÁƮī´Â 'º¼º¸ YCC(Your Concept Car)'ÀÌ´Ù.
* Ford-owned luxury brand Æ÷µå ±×·ìÀÇ °í±ÞÂ÷ ºê·£µå: Áï, º¼º¸ »ç¸¦ ¸»ÇÔ
* influence ...À» Á¿ìÇÏ´Ù; ...¿¡ ¿µÇâ[°¨È­]À» ÁÖ´Ù

T : Your name, please?
S1 : Hi, I'm Song-eun Kim. I'll just tell you a bit about myself.
I'm from Seoul. Currently, I live with my parents and younger sister.
T : Any questions for her?
S2 : What is your hobby?
S1 : Well, I like listening to music and watching TV.
S3 : What is your motto?
S1 : Do to others as you would have others do to you.
S4 : What would you like to be in the future?
S1 : I'd like to be a flutist.
T : That's enough. Thank you.
±³ »ç: À̸§ÀÌ ¹¹¿¹¿ä?
Çлý1: ±è¼ÛÀºÀÔ´Ï´Ù. Á¦ ¼Ò°³¸¦ ÇÒ²²¿ä. ¼­¿ï Ãâ½ÅÀ̰í, ºÎ¸ð´Ô ¿©µ¿»ý°ú ÇÔ²² »ì°í ÀÖ¾î¿ä.
±³ »ç: Áú¹® ÀÖÀ¸¸é Çϼ¼¿ä.
Çлý2: Ãë¹Ì°¡ ¹¹¾ß?
Çлý1: À½¾Ç°¨»ó°ú ÅÚ·¹ºñÀü º¸±â¾ß.
Çлý3: Á¿ì¸íÀº?
Çлý1: "´Ù¸¥ »ç¶÷ÀÌ ³»°Ô ÇØÁֱ⸦ ¿øÇÏ´Â ´ë·Î Çϱâ"¾ß.
Çлý4: Àå·¡ Èñ¸ÁÀº?
Çлý1: ÇÃ·Ô ¿¬ÁÖÀÚ.
±³ »ç: ÁÁ¾Æ ÀÌÁ¦ µÆ¾î¿ä. °í¸¶¿ö¿ä.

T : Let's get started. Where were we last class?
S1 : We learned the dialogue on page 40.
T : Have you all memorized it? Let's go over what we did last time.
Ss : Okay.
T : All right. Then, let's listen to it again.
Now, go on to Unit 5. Listen carefully to the tape.
S2 : Could you play it once more?
T : Sure. Here are some comprehension questions.
S3 : Do we have to do them?
T : I'm afraid you have to.
±³ »ç: ¼ö¾÷ ½ÃÀÛÇÏÀÚ. ¾îµð ÇÒ Â÷·ÊÁö?
ÇÐ »ý1: 40ÆäÀÌÁö ´ëÈ­±îÁö Çß¾î¿ä.
±³ »ç: ´Ù ¿Ü¿ü½À´Ï±î? Áö³­ ½Ã°£ ³»¿ëÀ» º¹½ÀÇսôÙ.
Çлýµé: ³×.
±³ »ç: ÀÚ, ´Ù½Ã µé¾îº¸¼¼¿ä.
5°ú¸¦ °è¼Ó °øºÎÇսôÙ. Å×ÀÌÇÁ¸¦ Àß µé¾îº¸¼¼¿ä.
ÇÐ »ý2: ÇÑ ¹ø ´õ µé·ÁÁÖ¼¼¿ä.
±³ »ç: ±×·¡¿ä. ¹®Á¦¸¦ Ç®¾îº¸¼¼¿ä.
ÇÐ »ý3: ²À ÇØ¾ß µÅ¿ä?
±³ »ç: ±×·¡¿ä.

Listen to me carefully.
(³» ¸» Àß µéÀ¸¼¼¿ä.)
Don't talk with your friends during the class.
(¼ö¾÷½Ã°£¿¡ Ä£±¸¿Í ¾ê±âÇÏÁö ¸¶¼¼¿ä.)
I wish you would stop talking.
(±×¸¸ ¾ê±âÇßÀ¸¸é ÁÁ°Ú´Ù.)
I don't think I can stand this noise any longer.
(½Ã²ô·¯¿ö¼­ ´õ ÀÌ»ó ÂüÀ» ¼ö ¾ø¾î.)

T: Listen! What's that sound?
S1: Isn't that a cell phone ringing?
S2: It's not mine. Whew, I'm relieved!
T: What do you think about using cell phones in public?
S1: We should put them on vibration. All these cell phones and beepers seem like pollution.
S2: I don't agree. I think cell phones are useful.
We can use them whenever we want.
T: That's enough. Let's move on.
Please pay attention during class.
Now shall we start today's lesson?
±³ »ç: ÀÌ°Ô ¹«½¼ ¼Ò¸®Áö?
Çлý1: ÈÞ´ëÀüÈ­ ¼Ò¸®´Ù, ±×·¸Áö?
Çлý2: ³» °ÍÀº ¾Æ´Ï¾ß. ÈÞ, ¾È½ÉÀÌ´Ù!
±³ »ç: °ø°øÀå¼Ò¿¡¼­ÀÇ ÈÞ´ëÀüÈ­ »ç¿ëÀ» ¾î¶»°Ô »ý°¢ÇÏ´Ï?
Çлý1: Áøµ¿À¸·Î ÇØ³õ¾Æ¾ß ÇÕ´Ï´Ù.
³Ê¹« ¸¹Àº ÈÞ´ëÀüÈ­, È£Ãâ±â, ¶Ç ÇϳªÀÇ °øÇØÀÎ °Í °°¾Æ¿ä.
Çлý2: Àú´Â ±×·¸°Ô »ý°¢ÇÏÁö ¾Ê½À´Ï´Ù.
¾ðÁ¦³ª »ç¿ëÇÒ ¼ö À־ À¯¿ëÇÕ´Ï´Ù.
±³ »ç: ±×¸¸ Çϼ¼¿ä. ±×¸®°í ¼ö¾÷½Ã°£¿¡´Â ÁÖÀÇÇØ¾ß µÇ¿ä.
ÀÚ, ¿À´Ã ¼ö¾÷À» ½ÃÀÛÇÒ±î¿ä?

T : Today is for Lesson Two.
Where did we stop last time, Young-hee?
S1 : We stopped at page ten.
T : Thank you very much.
Please open your books at page eleven.
Listen to the tape carefully.
(After a while)
Now read after me.
OK. Everybody did a good job.
Mi-ra, would you read from the first line?
S2 : I'm so sorry, Miss Lee.
I left my book at home.
T : Oh, that's too bad.
You must be better prepared from now on.
±³ »ç: ¿À´Ã ¼ö¾÷Àº Á¦2°úÀÔ´Ï´Ù.
¿µÈñ, Áö³­ ½Ã°£¿¡ ¾îµð±îÁö ÇßÁö¿ä?
Çлý1: 10ÂʱîÁö Çß½À´Ï´Ù.
±³ »ç: °í¸¶¿ö¿ä. ±×·¯¸é ±³°ú¼­ 11ÂÊÀ» Æì¼¼¿ä.
¿ì¼± Å×ÀÙÀ» Àß µéÀ¸½Ã±â ¹Ù¶ø´Ï´Ù.
(Àá½Ã ÈÄ)
À̹ø¿¡´Â ³ª¸¦ µû¶ó ÀÐÀ¸¼¼¿ä.
ÁÁ¾Æ¿ä. ¸ðµÎµé ¾ÆÁÖ ÀßÇß¾î¿ä.
¹Ì¶ó¾ß, ³×°¡ óÀ½ºÎÅÍ Àо°Ú´Ï?
Çлý2: Á˼ÛÇÕ´Ï´Ù, ¼±»ý´Ô. ±×¸¸ Ã¥À» Áý¿¡ µÎ°í ¿Ô¾î¿ä.
±³ »ç: Àú·±. ´ÙÀ½ºÎÅÍ´Â ²À ì°Ü¿Í¾ß ÇÑ´Ù.

S1 : What game is it today?
T : A guessing game. First of all, let's make teams. Any good idea?
S2 : Rocks-papers-scissors.
T : Anyone who wins is team "A." The others are team "B." Sounds good?
S1 : Why not?
T : Then, play rocks-papers-scissors with your partner. Are you finished?
S1 : Yes.
T : Now listen carefully to what I am saying and guess the word. Do you understand?
S1 : Of course. I'm sure I'll know the answer.
T : Great! Today team "A" won the guessing game 4 to 1. Congratulations!
Çлý1: ¿À´ÃÀº ¹«½¼ °ÔÀÓÀԴϱî?
±³ »ç: ÃßÃøÇÏ´Â °ÔÀÓÀÌ´Ù. ¿ì¼± ÆíÀ» °¡¸£ÀÚ. ÁÁÀº »ý°¢ÀÌ ÀÖ´Ï?
Çлý2: °¡À§ ¹ÙÀ§ º¸·Î °áÁ¤ÇØ¿ä.
±³ »ç: À̱â´Â »ç¶÷Àº ¡°A", Áö´Â »ç¶÷Àº ¡±B" ÆÀÀÌ´Ù. Âù¼ºÇÏ´Ï?
Çлý1: ³×.
±³ »ç: ±×·¯¸é, ¦°ú °¡À§ ¹ÙÀ§ º¸·Î ÆíÀ» Á¤Çضó. ´Ù µÆ´Ï?
Çлý1: ¿¹.
±³ »ç: ±×·³ ³» ¸»À» Àß µè°í ´Ü¾î¸¦ ÃßÃøÇØºÁ. ¾Ë¾ÒÁö?
Çлý1: ¹°·ÐÀÌÁÒ. ´äÀ» ¾Ë¾Æ³¾ °ÍÀ» È®½ÅÇÕ´Ï´Ù.
±³ »ç: ÀßÇß´Ù. ¿À´ÃÀº "A"ÆÀÀÌ 4´ë 1·Î À̰å´Ù. ÃàÇÏÇÑ´Ù.

T : Now, we are going to play "Word Game'.
I'll divide the class into two teams. This is team A. And this is team B. Does everyone know which team they are on?
Ss : Okay.
T : Then I'll explain how to play the game.
Please pay attention and listen carefully.
First, ...
S1 : Give us an example, please.
T : All right.
±³ »ç: ÀÚ, ÀÌÁ¦ ¡®´Ü¾î °ÔÀÓ¡¯À» ÇϰڽÀ´Ï´Ù.
³»°¡ ÇбÞÀ» µÎ ÆÀÀ¸·Î ³ª´©°Ú½À´Ï´Ù. ¿©±â´Â AÆÀÀ̰í, ¿©±â´Â BÆÀÀÔ´Ï´Ù. ¸ðµÎ ÀڱⰡ ¾î´À ÆÀ¿¡ ¼ÓÇØ ÀÖ´Â Áö ¾Ð´Ï±î?
Çлýµé: ¿¹.
±³ »ç: ±×·³ °ÔÀÓÀ» ÇÏ´Â ¹æ¹ýÀ» ¼³¸íÇϰڽÀ´Ï´Ù.
ÁýÁßÇϰí Àß µé¾îÁÖ¼¼¿ä. ¸ÕÀú ...
ÇÐ »ý1: ¿¹¸¦ Çϳª µé¾îÁÖ¼¼¿ä.
±³ »ç: ÁÁ¾Æ¿ä.

My hobby is to listen to pop music.
(Á¦ Ãë¹Ì´Â ÆË¼Û µè±â¿¹¿ä.)
This song is used in a drama.
(ÀÌ °îÀº µå¶ó¸¶¿¡ »ðÀÔµÈ °îÀÔ´Ï´Ù.)
Let's sing in a group.
(Á¶º°·Î ºÒ·¯ º¾½Ã´Ù.)
Shall we try and sing along?
(´Ù ÇÔ²² ºÒ·¯ º¼±î¿ä?)
How about listening to the singer before singing it?
(¸ÕÀú µé¾îº¼±î¿ä?)
How do you feel about the song?
(¾î¶² ´À³¦ÀÌ µå³ª¿ä?)
Please sing after me line by line.
(ÇÑ ¼ÒÀý¾¿ µû¶óÇϼ¼¿ä.)
Let's sing in our groups in front of everyone.
(Á¶º°·Î Àüü ¾Õ¿¡¼­ ºÒ·¯ º¾½Ã´Ù)

Listen to the words[lyrics] first.
(¸ÕÀú °¡»ç¸¦ µé¾îº¸¼¼¿ä.)
Repeat the words after me.
(³ª¸¦ µû¶ó °¡»ç¸¦ ¹Ýº¹ÇØ º¸¼¼¿ä.)
This is one of my favorite songs. Who sings this song?
(À̰ÍÀº ³»°¡ ÁÁ¾ÆÇÏ´Â ³ë·¡Àä. ´©°¡ ÀÌ ³ë·¡¸¦ ºÎ¸£ÁÒ?)
Clap your hands to the rhythm.
(¸®µë¿¡ ¸ÂÃç ¼Õ»ÁÀ» Ä¡¼¼¿ä.)
Listen carefully as you watch the video.
(ºñµð¿À¸¦ º¸¸é¼­ Àß µé¾îº¸¼¼¿ä.)
Let's hear that line again.
(±× ¼ÒÀýÀ» ´Ù½Ã µé¾îº¸ÁÒ.)
Can you play that song for us again?
(±× ³ë·¡¸¦ ´Ù½Ã Çѹø µé·ÁÁֽðھî¿ä?)
Sing after me line by line/one line at a time.
(ÇÑ ¼ÒÀý¾¿ Àú¸¦ µû¶ó ³ë·¡Çϼ¼¿ä.)
We'll begin after I count to three.
(Çϳª, µÑ, ¼Â ÇÏ¸é ½ÃÀÛÇÕ´Ï´Ù.)

T : Today, we'll learn a pop song called 'Yellow Submarine'.
S1 : Who sings this song?
T : A musical group called the Beatles. Have you heard of the Beatles?
S2 : Yes, but I've never heard that song before.
T : I have brought the music video of this song.
First, let's listen carefully as we watch the video.
±³ »ç: ¿À´Ã ¿ì¸®´Â 'Yellow Submarine'À̶ó´Â ³ë·¡¸¦ ¹è¿ì°Ú½À´Ï´Ù.
Çлý1: ´©°¡ ºÎ¸¥ ³ë·¡Àä?
±³ »ç: ¡®ºñƲÁ¶ó´Â ±×·ìÀÇ ³ë·¡Àε¥, ¡®ºñƲÁ¶ó´Â ±×·ì À̸§À» µé¾îº» ÀûÀÌ ÀÖ½À´Ï±î?
Çлý2: ¿¹, ±×·±µ¥ ±× ³ë·¡´Â Àü¿¡ µé¾îº» ÀûÀÌ ¾ø¾î¿ä.
±³ »ç: ¿©±â ³»°¡ ±× ¹ÂÁ÷ ºñµð¿À¸¦ °¡Á® ¿Ô¾î¿ä.
¿ì¼± ºñµð¿À¸¦ º¸¸é¼­ Àß µé¾îº¾½Ã´Ù.

Can I have your attention, please? / Pay attention, please.
(ÁÖ¸ñÇϼ¼¿ä.)
No, don't! / Don't do that!/ Stop (doing) that!
(ÇÏÁö ¸¶¼¼¿ä.)
Please be quiet. / Calm down now./ Settle down all of you.
(Á¶¿ëÈ÷ Çϼ¼¿ä.)
Don't chat with/disturb your neighbor.
(¿· »ç¶÷°ú À̾߱âÇÏÁö ¸¶¼¼¿ä. / ¿· »ç¶÷À» ¹æÇØÇÏÁö ¸¶¼¼¿ä.)
No more talking/chatting/playing around, please.
(´õ ÀÌ»ó À̾߱âÇÏÁö/Àå³­Ä¡Áö ¸¶¼¼¿ä.)
Please do not speak in Korean. Use only English.
(¿ì¸®¸»·Î ¸»ÇÏÁö ¸¶¼¼¿ä. ¿µ¾î¸¸ »ç¿ëÇϼ¼¿ä.)
Put your pencils down. Listen to what I'm saying.
(¿¬ÇÊÀ» ³»·Á³õÀ¸¼¼¿ä. ³»°¡ ÇÏ´Â ¸»À» µé¾î¿ä.)
No talking while I'm talking.
(³»°¡ ¸»ÇÒ ¶§ À̾߱âÇÏÁö ¸»¾Æ¶ó.)
Please don't interrupt others.
(´Ù¸¥ »ç¶÷ ¹æÇØÇÏÁö ¸»¾Æ¶ó.)

T : Everyone, be quiet! No more talking! Let's look at Number 2. Whose turn is it to read?
S1 : It's my turn.
T : Min-su, I told you to stop chatting. Please behave your- self.
S2 : I'm sorry.
T : Don't interrupt others. Listen and see if he is reading well.
S1 : Which line should I start to read from?
T : The second line from the bottom.
±³ »ç: ÀÚ, ¿©·¯ºÐ Á¶¿ëÈ÷ Çϼ¼¿ä. ±×¸¸ À̾߱â Çϼ¼¿ä. 2¹øÀ» º¸¼¼¿ä. ´©°¡ ÀÐÀ» Â÷·Ê¿¹¿ä?
Çлý1: Á¦ Â÷·ÊÀÔ´Ï´Ù.
±³ »ç: ¹Î¼ö, Àâ´ãÇÏÁö ¸»¶ó°í ÇßÀݾƿä. ŵµ¸¦ ¹Ù¸£°Ô Çϼ¼¿ä.
Çлý2: Á˼ÛÇÕ´Ï´Ù.
±³ »ç: ´Ù¸¥ »ç¶÷ ¹æÇØÇÏÁö ¸¶¼¼¿ä. ±×°¡ Àß ÀдÂÁö º¸¼¼¿ä.
Çлý1: ¾îµðºÎÅÍ ÀÐÁö¿ä?
±³ »ç: ¾Æ·¡¿¡¼­ µÑ° ÁÙºÎÅÍ Àоî¿ä.

T : Why do you pick on him?
S : I don't pick on him. I just want to talk with him, but he doesn't listen.
T : There must be some reason why he doesn't want to.
S : I don't know what the reason is.
T : Anyway, stop teasing him and mind your own business.
S : I'll try.
T : Also, I want you two to separate.
±³»ç: ¿Ö ±× ÇлýÀ» ³î¸®Áö?
Çлý: Àú ³î¸°°Ô ¾Æ´Ï¿¡¿ä. ±× ¾Ö¿Í ´ëÈ­ÇÏ°í ½ÍÁö¸¸ ±×°¡ µèÁö ¾Ê¾Æ¿ä.
±³»ç: ±×¸¸ÇÑ ÀÌÀ¯°¡ ÀÖ°ÚÁö.
Çлý: ¹«½¼ ÀÌÀ¯ÀÎÁö ¸ð¸£°Ú¾î¿ä.
±³»ç: ¾î·µç ±×¸¦ ±×¸¸ ±«·ÓÈ÷°í ³ÊÀÇ ÀÏ¿¡³ª ½Å°æ½á¶ó.
Çлý: ¾Ë°Ú½À´Ï´Ù.
±³»ç: ±×¸®°í ³ÊÈñ µÑÀº ¶³¾îÁ®¾ß µÅ.

T : Everyone, It's time for listening practice. First of all, let's check the tape recorder. Is it clear enough?
S1 : Not bad, Mr. Kim.
T : Can you hear in the back?
S2 : No, Mr. Kim. Is it at the maximum?
T : I wonder.
S2 : If so, I don't think the tape recorder works properly.
T : Oh, I'm sorry. I've got too much bass. Just a second. I'll try it again. Is the volume all right now?
S2 : Yes, Mr. Kim.
T : Good. Now, you will hear the dialogue. Listen carefully.
±³ »ç: ¿©·¯ºÐ, ¿À´ÃÀº µè±â ¿¬½À½Ã°£ÀÔ´Ï´Ù. ¿ì¼± ³ìÀ½±â¸¦ È®ÀÎÇØ º¾½Ã´Ù. ±ú²ýÇÏ°Ô µé¸³´Ï±î?
Çлý1: ±¦Âú¾Æ¿ä, ¼±»ý´Ô.
±³ »ç: µÚ¿¡ ÀÖ´Â Çлýµéµµ Àß µé¸®³ª¿ä?
Çлý2: ¾Æ´¢. Áö±ÝÀÌ ÃÖ´ëÀΰ¡¿ä?
±³ »ç: ¿Ö ±×·²±î.
Çлý2: ¸¸ÀÏ ±×·¸´Ù¸é Á¦ »ý°¢¿¡´Â ³ìÀ½±â°¡ ¿Ã¹Ù¸£°Ô ÀÛµ¿ÇÏÁö ¾Ê´Â °Í °°½À´Ï´Ù.
±³ »ç: ¾Æ, ¹Ì¾ÈÇØ¿ä. ÀúÀ½À» ³Ê¹« ¿Ã·È³×¿ä. Àá±ñ¸¸, ´Ù½Ã Çѹø ÇØ º¼²²¿ä. ÀÌÁ¦ ±¦Âú¾Æ¿ä?
Çлý2: ¿¹, ¼±»ý´Ô.
±³ »ç: ÀÌÁ¦ ¿©·¯ºÐÀº ´ëÈ­¸¦ µè°Ô µÉ °Ì´Ï´Ù. ÁÖÀÇ ±í°Ô µé¾î º¸¼¼¿ä.

Could you plug the cassette player in for me?
Put this plug in the socket over there.
(³ìÀ½±â Ç÷¯±×¸¦ ²È¾ÆÁÙ·¡¿ä?)
Could someone please unplug it?
Pull the plug out of the wall.
(Ç÷¯±× Á» »Ì¾Æ ÁÖ¼¼¿ä.)
Turn on/off the cassette player.
(³ìÀ½±â¸¦ ÄѼ¼¿ä/²ô¼¼¿ä.)
Listen to the tape recorder carefully and repeat after the tape.
(³ìÀ½±â¸¦ ÁÖÀÇ ±í°Ô µè°í µû¶ó Çϼ¼¿ä.)
Turn up/down the volume.
(¼Ò¸®¸¦ ³ô¿© / ³»·Á ÁÖ¼¼¿ä.)
Can you hear in the back?
(µÚ¿¡±îÁö µé·Á¿ä?)
The tape recorder seems to be broken.
(³ìÀ½±â°¡ °íÀå³­ °Í °°¾Æ¿ä.)
Is there anyone who knows how this works?
(À̰ÍÀÌ ¾î¶»°Ô ÀÛµ¿ÇÏ´ÂÁö ¾Æ´Â »ç¶÷ ÀÖ¾î¿ä?)
While listening, mark your answer sheet.
(µéÀ¸¸é¼­ ´ä¾ÈÁö¿¡ Á¤´äÀ» Ç¥½ÃÇϼ¼¿ä.)

T : Let's listen to the tape. Min-ho, could you plug the cassette player in for me?
S1 : Yes, sir.
T : You're going to hear a dialogue about In-su's school life. Can you hear in the back?
S2 : No, I can't, Mr. Kim.
T : OK. I'll turn up the volume. Is the sound clear enough?
S1 : Yes, it is.
T : Good. The tape has started. Listen carefully.
±³ »ç: ³ìÀ½ Å×ÀÌÇÁ¸¦ µé¾îº¾½Ã´Ù. ¹ÎÈ£, ³ìÀ½±âÀÇ Ç÷¯±×¸¦ ²È¾ÆÁÖ°Ú¾î¿ä?
Çлý1: ¿¹, ¼±»ý´Ô.
±³ »ç: ¿©·¯ºÐÀº ÀμöÀÇ Çб³ »ýȰ¿¡ °üÇÑ ´ëÈ­¸¦ µè°Ú½À´Ï´Ù. µÚ¿¡±îÁö Àß µé¸³´Ï±î?
Çлý2: ¾Æ´Ï¿À. µé¸®Áö ¾Ê½À´Ï´Ù.
±³ »ç: ¾Ë¾Ò¾î¿ä. ¼Ò¸®¸¦ ³ôÀϲ²¿ä. Àß µé¸®³ª¿ä?
Çлý1: ¿¹.
±³ »ç: ÁÁ¾Æ¿ä. ÀÌÁ¦ ³ìÀ½ ³»¿ëÀÌ ³ª¿É´Ï´Ù. ÁÖÀÇ ±í°Ô Àß µé¾î º¸¼¼¿ä.

T : This is the first time we are reading passages. For now, read the passage silently to yourselves.
S : Yes, Mr. Kim. (They read the passage silently.)
T : Now, I'll read first. Listen carefully.
S : Yes, sir. (They listen to the teacher carefully.)
T : Now, it's your turn. Let's read the text aloud together.
S : (They read the text.)
T : Good job. Now, I'll ask you to read the text aloud, one by one. Mi-ra, would you start with the first paragraph?
S : Sure. (Reading the first paragraph)
T : Stop there, please. Good job. Nam-su, will you continue reading from where Mi-ra stopped?
±³»ç: ¿À´ÃÀº Àбâ ù ¼ö¾÷½Ã°£ÀÔ´Ï´Ù. ¿©·¯ºÐ ¿ì¼± ±ÛÀ» Á¶¿ëÈ÷ Àо½Ã´Ù.
Çлý: ¿¹, ¼±»ý´Ô. (Á¶¿ëÈ÷ Àд´Ù.)
±³»ç: ÀÚ, ÀÌÁ¦ ¼±»ý´ÔÀÌ ¸ÕÀú ÀÐ¾î º¼Å×´Ï Àß µé¾îº¸¼¼¿ä.
Çлý: ¿¹, ¼±»ý´Ô (¼±»ý´ÔÀÇ Àб⸦ ±Í ±â¿ï¿© µè´Â´Ù.)
±³»ç: ÀÌÁ¦ ¿©·¯ºÐ Â÷·ÊÀÔ´Ï´Ù. Å«¼Ò¸®·Î Àо½Ã´Ù.
Çлý: ( º»¹®À» Àд´Ù.)
±³»ç: Àß Àоú½À´Ï´Ù. ÀÌÁ¦ ÇÑ ¸í¾¿ Àо½Ã´Ù.
¹Ì¶ó, ¸ÕÀú ù ¹®´ÜÀ» Àо°Ú´Ï?
Çлý: ¿¹. (ù ¹®´ÜÀ» Àд´Ù.)
±³»ç: °Å±â±îÁö¸¸. ±×·¡, ÀßÇß´Ù. ³²¼ö, ¹Ì¶ó µÚ¸¦ À̾ °è¼Ó Àо°Ú´Ï?

T : We are going to study some new words that we shall need for the reading passage. Listen and repeat after me.
S1 : Mr. Kim, would you pronounce the third word again?
T : OK, listen again and repeat. Now, read the whole passage and guess the meanings of the new words. Do not use a dictionary.
(after a while)
T : If you are finished, here are some groups of words. Write the topic word for each group.
S2 : I wrote down 'some ways to get better grades' as the topic for this group of words. How about you?
S1 : Mine is similar. I wrote down 'how to study' as the topic.
±³ »ç: ±ÛÀ» Àдµ¥ ÇÊ¿äÇÑ ¸î °³ÀÇ »õ·Î¿î ´Ü¾î¸¦ °øºÎÇϵµ·Ï ÇϰڽÀ´Ï´Ù. µè°í µû¶ó ÀÐÀ¸¼¼¿ä.
Çлý1: ¼±»ý´Ô, ¼¼ ¹øÂ° ´Ü¾î¸¦ ´Ù½Ã ¹ßÀ½ÇØ Áֽðھî¿ä?
±³ »ç: ÁÁ¾Æ¿ä. ´Ù½Ã µè°í µû¶óÇϼ¼¿ä. ÀÌÁ¦, Àüü ±ÛÀ» Àаí, »õ·Î¿î ´Ü¾îÀÇ Àǹ̸¦ ÃßÃøÇϼ¼¿ä. »çÀüÀº ÀÌ¿ëÇÏÁö ¸¶¼¼¿ä.
(Àá½Ã ÈÄ¿¡)
±³ »ç: ´Ù ³¡¸¶ÃÆÀ¸¸é, ¿©±â¿¡ ¸î °³ÀÇ ´Ü¾î ±×·ìÀÌ ÀÖ½À´Ï´Ù. °¢ ±×·ìÀÇ Ç¥Á¦¾î¸¦ ¾²¼¼¿ä.
Çлý2: ³ª´Â ÀÌ ´Ü¾î ±×·ì¿¡ ´ëÇÑ Á¦¸ñÀ¸·Î ¡®´õ ÁÁÀº Á¡¼ö¸¦ ¾ò´Â ¹æ¹ý¡¯À̶ó°í Àû¾ú¾î. ³Ê´Â ¾î¶§?
Çлý1: ³» °Íµµ ºñ½ÁÇØ. Á¦¸ñÀ¸·Î, ¡®°øºÎÇÏ´Â ¹æ¹ý¡¯À̶ó°í Àû¾ú¾î.

Did you catch the announcement just now?
(¹æ±Ý ÇÑ ¾È³»¹æ¼ÛÀ» µé¾ú³ª¿ä?)
I listened absent-mindedly.
(°Ç¼ºÀ¸·Î µé¾ú¾î¿ä.)

S1 : Everybody, be quiet. Listen up! I have big news. There won't be any classes tomorrow. We will be out in the field helping farmers harvest.
SS : Wow, great! No class? It'll be exciting.
S1 : So we need to wear casual clothes.
S2 : It'll be a hard day.
S1 : Lunch and drinking water will be served by the school.
S2 : Of course.
ÇÐ »ý1: ¸ðµÎ Á¶¿ë. Á» µé¾îºÁ! Å« ¼Ò½ÄÀÌ ÀÖ¾î. ³»ÀÏ ¼ö¾÷ÀÌ ¾ø´ë. µé¿¡ ³ª°¡ ³óºÎµéÀÌ Ãß¼öÇÏ´Â °ÍÀ» µµ¿ï°Å·¡.
Çлýµé: ¿Í! ¼ö¾÷ÀÌ ¾ø´Ù°í? ½Å³ª°Ú´Â °É.
ÇÐ »ý1: ±×·¡¼­ ³»ÀÏ °£ÆíÇÑ º¹ÀåÀÌ ÇÊ¿äÇҰžß.
ÇÐ »ý2: Èûµç ³¯ÀÌ µÇ°Ú±º.
ÇÐ »ý1: Á¡½É°ú ½Ä¼ö´Â Çб³¿¡¼­ Á¦°øÇÑ´ë.
ÇÐ »ý2: ¹°·Ð ±×·¡¾ßÁö.

After listening to the pleas for clemency, the judge was inexorable and gave the convicted man the maximum punishment allowed by law.
°ü´ëÇÑ Ã³ºÐÀ» ´Þ¶ó´Â È£¼Ò¸¦ µè°í ³ª¼­µµ ±× ÆÇ»ç´Â ³ÃȤÇÏ°Ô ¹ýÀÌ Çã¿ëÇÏ´Â ÃÖ°íÇüÀ» ¼±°íÇß´Ù.

He was obdurate in his refusal to listen to our complaints.
±×´Â °íÁýÀÌ ¼¼¼­ ¿ì¸®ÀÇ Ãæ°í¸¦ µéÀ¸·Á°í ÇÏÁö ¾Ê¾Ò´Ù.

He was so abstemious that he extended his self-control even to his beloved music, and listened to records no more than an hour each day.
±×´Â ¿ö³« °Ë¼ÒÇÏ¿© ±×°¡ ÁÁ¾ÆÇÏ´Â À½¾Ç¿¡±îÁö ÀÚÁ¦·ÂÀ» È®´ë½ÃÄÑ ÇÏ·ç¿¡ ÇÑ ½Ã°£¹Û¿¡ À½¾Ç°¨»óÀ» ÇÏÁö ¾Ê´Â´Ù.

I don't like listening to my mother and my sister quarrel, but I like even less being the person to mediate their disagreements.
³ª´Â ¾î¸Ó´Ï¿Í ´©À̰¡ ½Î¿ì´Â ¼Ò¸® µè±â¸¦ ½È¾îÇÏÁö¸¸ ±×µéÀÇ ÀÇ°ß Â÷À̸¦ ÁßÀçÇÏ´Â »ç¶÷ÀÌ µÇ´Â °ÍÀº ´õ¿í ½È´Ù.

I find no one more obnoxious than a person who insists on talking instead of listening to the brilliant and important things that I have to say.
³»°¡ ÇÒ Áß¿äÇÏ°íµµ ÁÁÀº ¸»µéÀ» µèÁö ¾Ê°í À̾߱âÇϱ⸦ °íÁýÇÏ´Â »ç¶÷º¸´Ù ´õ ¹Ì¿î »ç¶÷Àº ¾ø´Ù.

I listened to the sermon with keen interest, for it clarified passages in the Bible that I had never understood.
³ª´Â ±× ¼³±³°¡ ³»°¡ ÀÌÇØÇÏÁö ¸øÇß´ø ¼º¼­ ±¸ÀýÀ» ºÐ¸íÈ÷ Ç߱⠶§¹®¿¡ ¿¹¸®ÇÑ °ü½ÉÀ» °¡Áö°í µé¾ú´Ù.

I remember vividly those hours sitting before the fire and listening to her fascinating disquisitions on almost any subject under the sun.
³­·ÔºÒ ¾Õ¿¡ ¾É¾Æ¼­ ÀÌ ¼¼»ó °ÅÀÇ ¸ðµç ºÐ¾ß¿¡ °üÇØ ±×³àÀÇ ¸ÅȤÀûÀÎ ³í¼úÀ» µé¾ú´ø ½Ã°£µéÀ» ³ª´Â »ý»ýÈ÷ ±â¾ïÇÑ´Ù.

He was obdurate in his refusal to listen to our complaints.
±×´Â °íÁýÀÌ ¼¼¼­ ¿ì¸®ÀÇ Ãæ°í¸¦ µéÀ¸·Á°í ÇÏÁö ¾Ê¾Ò´Ù.

Jim's most valuable assets may be his ability to listen quietly and nod appreciatively, even when he doesn't fully understand what is being said.
JimÀÇ °¡Àå °¡Ä¡ ÀÖ´Â ÀÚÁúÀº ¸»Çϰí ÀÖ´Â ³»¿ëÀ» ±×°¡ ¿ÏÀüÈ÷ ÀÌÇØÇÏÁö ¸øÇÒ ¶§¶óµµ ÀÌÇØÇÏ·Á´Â ŵµ·Î Á¶¿ëÈ÷ µè°í °¨»çÇØ ÇÏ¸ç °í°³¸¦ ²ô´öÀÏ ¼ö ÀÖ´Â ±×ÀÇ ´É·ÂÀÏ °ÍÀÌ´Ù.

The guests, having eaten until they were satiated, now listened inattentively to the speakers.
¹°¸± Á¤µµ·Î ¸ÔÀº ¼Õ´ÔµéÀº ÀÌÁ¦ ¿¬»çÀÇ ¸»¿¡ ±Í±â¿ïÀÌÁö ¾Ê¾Ò´Ù.

The hours I spent listening to this wise woman replenished my spirit and gave me the strength to carry on.
ÀÌ Çö¸íÇÑ ¿©ÀÎÀÇ À̾߱⸦ ¸î ½Ã°£ µé¾ú´õ´Ï ³ªÀÇ »ç±â°¡ µÇ»ì¾Æ³ª¼­ °è¼ÓÇÒ ¼ö ÀÖ´Â ÈûÀ» ¾ò°Ô µÇ¾ú´Ù.

The modest hero blushed as he listened to the panegyrics uttered by the speakers about his valorous act.
°¡Àå °â¼ÕÇÑ ±× ¿µ¿õÀº ÀÚ±âÀÇ ¿ë°¨ÇÑ ÇàÀ§¿¡ ´ëÇØ ¿¬»çµéÀÌ ¾ð±ÞÇÏ´Â Âù»ç¸¦ µè°í ¾ó±¼ÀÌ ºÓ¾îÁ³´Ù.

The warden listened as they aired their grievance.
±×µéÀÌ ºÒÆòÀ» ´Ã¾î³õ¾ÒÀ» ¶§ °£¼ö´Â ÁÖÀÇ ±í°Ô µé¾ú´Ù.

We listened to an uncanny sense of direction.
¿ì¸®´Â ½Åºñ½º·± ¹æÇâ°¨¿¡ ±Í¸¦ ±â¿ï¿´´Ù.

When he says that his analysis of energy problems is indisputable, all he means is that he's not willing to listen to anyone else's ideas.
¿¡³ÊÁö ¹®Á¦¿¡ °üÇÑ ±×ÀÇ ºÐ¼®ÀÌ ³í¶õÀÇ ¿©Áö°¡ ¾ø´Ù°í ¸»ÇÒ ¶§ ±×°¡ ¶æÇÏ´Â ¹Ù´Â ´Ù¸¥ »ç¶÷ÀÇ »ý°¢À» ¹Þ¾ÆµéÀÌÁö ¾Ê°Ú´Ù´Â °ÍÀÌ´Ù.

If you recognize your friend Jack feels depressed, what should you do?
First talk to him about it.
Try to discover what he is feeling.
If you can't persuade him to discuss the problem,
try an approach like "you remind me of the time when I was depressed."
This may keep him from feeling lonely.
Then, provide emotional support.
Please don't forget to listen sympathetically, point out the realities of the situations and always offer hope.
´ç½ÅÀÇ Ä£±¸ JackÀÌ ¿ì¿ïÇÏ´Ù´Â °ÍÀ» ¾Ë°Ô µÇ¸é, ´ç½ÅÀº ¾î¶»°Ô ÇÒ °ÍÀΰ¡?
¸ÕÀú ±×¿¡°Ô ±×°Í¿¡ ´ëÇØ¼­ À̾߱⸦ ÇØ¶ó.
±×ÀÇ ±âºÐÀÌ ¾î¶²Áö¸¦ ¾Ë¾Æº¸·Á°í ³ë·ÂÇØ¶ó.
´ç½ÅÀÌ ±× ¹®Á¦¸¦ ³íÀÇÇÏÀÚ°í ±×¸¦ ¼³µæÇϴµ¥ ½ÇÆÐÇÑ´Ù¸é,
¡°³Ê¸¦ º¸´Ï ³»°¡ ¿ì¿ïÇß´ø ½Ã±â°¡ »ý°¢³ª´Â±¸³ª.¡±¿Í °°Àº Á¢±Ù¹ýÀ» ½ÃµµÇØ º¸¾Æ¶ó.
ÀÌ·¸°Ô ÇÏ¸é ±×°¡ ¿Ü·Ó´Ù°í ´À³¢´Â °ÍÀ» ¸·¾Æ ÁÙ °ÍÀÌ´Ù.
±×·± ´ÙÀ½¿¡, Á¤¼­Àû ÈÄ¿øÀ» ÇØ ÁÖ¾î¶ó.
°ø°¨ÇÏ¸ç µé¾îÁÖ°í, ±× »óȲÀÇ Çö½ÇÀ» ÁöÀûÇØ ÁÖ°í ±×¸®°í Ç×»ó Èñ¸ÁÀ» ÁÖ´Â °ÍÀ» ÀØÁö ¸»¶ó.

Jack is a good leader.
If you ever had a chance to join any of his group meetings, you would notice right away that he enjoys guiding others.
He always encourages them to participate in what is going on.
When there are decisions to be made, he listens to everyone's opinions and respects their suggestions.
So people cannot but like him very much, The only bad thing I can say about him is that I don't see him often enough.
JackÀº ÈǸ¢ÇÑ ÁöµµÀÚÀÌ´Ù.
¸¸ÀÏ ´ç½ÅÀÌ ±×°¡ ÀÖ´Â ´Üü ¸ðÀÓ Áß ¾îµð¶óµµ Âü¿©ÇÒ ±âȸ¸¦ °¡Áø´Ù¸é, ±×°¡ ³²µéÀ» ÀεµÇÏ´Â °ÍÀ» ÁÁ¾ÆÇÑ´Ù´Â °ÍÀ» Áï°¢ ¾Ë¾ÆÂ÷¸± ¼ö ÀÖÀ» °ÍÀÌ´Ù.
±×´Â ¾ðÁ¦³ª ³²µéÀÌ ÁøÇàµÇ°í ÀÖ´Â ÀÏ¿¡ Âü¿©Çϵµ·Ï °Ý·ÁÇÑ´Ù.
°áÁ¤À» ³»·Á¾ß ÇÒ ¶§, ±×´Â ¸ðµç »ç¶÷µéÀÇ Àǰ߿¡ ±Í¸¦ ±â¿ïÀÌ°í ±×µéÀÇ Á¦¾ÈÀ» Á¸ÁßÇÑ´Ù.
±×·¡¼­ »ç¶÷µéÀº ±×¸¦ ÁÁ¾ÆÇÒ ¼ö¹Û¿¡ ¾ø´Ù.
±×¿¡ ´ëÇØ ³»°¡ ºÎÁ¤ÀûÀ¸·Î ¸»ÇÏ°í ½ÍÀº ´Ü ÇÑ °¡Áö´Â ±×¸¦ ÃæºÐÈ÷ ÀÚÁÖ º¼ ¼ö ¾ø´Ù´Â Á¡ÀÌ´Ù.

Frodo woke and found himself lying in bed.
At first he thought that he had slept late, after a long unpleasant dream that still hovered on the edge of memory.
Or perhaps he had been ill?
But the ceiling looked strange; it was flat, and it had dark beams richly carved.
He lay a little while longer looking at patches of sunlight on the wall, and listening to the sound of the waterfall.
¡°Where am I, and what is the time?¡± He said aloud to the ceiling.
¡°In the House of Elrond, and it is ten o'clock in the morning,¡± said a voice.
There was the old wizard, sitting in a chair by the open window.
Àá¿¡¼­ ±ú¾î³­ Frodo´Â ÀÚ½ÅÀÌ Ä§´ë¿¡ ´©¿öÀÖ´Â °ÍÀ» ¾Ë°Ô µÇ¾ú´Ù.
óÀ½¿£ ¿©ÀüÈ÷ ±â¾ï¿¡ ¸Éµ¹°í ÀÖ´Â ¿À·£ µ¿¾ÈÀÇ ºÒÄèÇÑ ²Þ ¶§¹®¿¡ ´Ê°Ô ÀϾ´Ù°í »ý°¢Çß´Ù.
¾Æ´Ï¸é ¾ÆÆÄ¼­¿´À»±î?
±×·¯³ª õÀåÀÌ ÀÌ»óÇØ º¸¿´´Ù. ±×¸®°í õÀåÀÌ ÆòÆòÇß°í È­·ÁÇÏ°Ô ¼ö³õ¾ÆÁø ¾îµÎ¿î »öÀÇ ºöÀÌ ÀÖ¾ú´Ù.
±×´Â º®¿¡ ºñÄ¡´Â ÇÞºûÀ» º¸°í ÆøÆ÷¼Ò¸®¸¦ µéÀ¸¸é¼­ Àá½Ã µ¿¾È ´©¿ö ÀÖ¾ú´Ù.
¡°¿©±â°¡ ¾îµðÁö? Áö±ÝÀÌ ¸î ½ÃÁö?¡± ±×´Â õÀå¿¡ ´ë°í Å« ¼Ò¸®·Î ¸»Çß´Ù.
¡°ElrondÀÇ Áý¾ÈÀ̾ß. ¾ÆÄ§ 10½Ã´Ù¡±¶ó´Â ¸ñ¼Ò¸®°¡ µé·È´Ù.
ÇÑ ´ÄÀº ¸¶¹ý»ç°¡ ¿­¸° â¹® ¿·ÀÇ ÀÇÀÚ¿¡ ¾É¾Æ ÀÖ¾ú´Ù.

When I was growing up, television wasn't encouraged ¡ª but I was permitted to watch return of ¡°I love Lucy.¡±
And did I ever love her!
When I was six, I asked my father, a minister in San Diego, to arrange a meeting with my idol.
He tried reasoning with me, but I didn't listen.
Papa paused, looked me straight in the eye and said, ¡°I want you to be real.¡±
Over the years Papa's words became increasingly important to me.
Being ¡®real' meant knowing who I was, being true to myself, and standing up for my beliefs.
³»°¡ ¾î·ÈÀ» ¶§, ÅÚ·¹ºñÀü ½ÃûÀº ±ÇÀåµÇÁö ¾Ê¾Ò´Ù.
±×·¯³ª ³ª´Â ¡°I love Lucy.¡±ÀÇ Àç¹æ¼ÛÀº º¼ ¼ö ÀÖµµ·Ï Çã¶ô¹Þ¾Ò´Ù.
±×¸®°í ³ª´Â Á¤¸» Lucy¸¦ »ç¶ûÇß´Ù!
6»ì ¶§, ³ª´Â San DiegoÀÇ ¸ñ»çÀÎ ¾Æ¹öÁö¿¡°Ô ³ªÀÇ ¿ì»ó°úÀÇ ¸¸³²À» ÁÖ¼±ÇØ ´Þ¶ó°í ºÎŹÇß´Ù.
¾Æ¹öÁö´Â ³ª¸¦ ¼³µæÇÏ·Á ÇßÁö¸¸, ³ª´Â µèÁö ¾Ê¾Ò´Ù.
¾Æ¹öÁö´Â ¸»¾¸À» ¸ØÃß°í, ³ªÀÇ ´«À» ¶È¹Ù·Î ÃÄ´Ùº¸¼Ì´Ù.
±×¸®°í´Â ¸»¾¸Çϼ̴Ù.
¡°³ª´Â ³×°¡ Çö½ÇÀûÀ̱⸦ ¿øÇÑ´Ù.¡± Áö³­ ¸î ³â°£ ¾Æ¹öÁöÀÇ ¸»¾¸Àº Á¡Á¡ ³ª¿¡°Ô Áß¿äÇØÁ³´Ù.
¡®Çö½ÇÀû'ÀÌ µÈ´Ù´Â °ÍÀº ³»°¡ ´©±¸ÀÎÁö¸¦ ¾Æ´Â °Í, ³» Àڽſ¡°Ô Ãæ½ÇÇÑ °Í, ±×¸®°í ³ªÀÇ ¹ÏÀ½À» °í¼öÇÏ´Â °Í µîÀ» ÀǹÌÇß´Ù.

But is it all good news? Not always.
They don't operate well when the battery is low.
When a communications satellite failed in 1998, some users lost their phone service.
They are also dangerous to use when you drive.
More and more car accidents happen while people are talking on their cell phones.
In addition, cell phone conversations are not private.
Some people can listen in to other people's conversations when they are talking on their cell phones.
ÇÏÁö¸¸ ¸ðµÎ ÁÁÀº ¼Ò½Ä¸¸ ÀÖ´Â °ÍÀϱî? Ç×»ó ±×·± °ÍÀº ¾Æ´Ï´Ù.
¹èÅ͸®°¡ ¾àÇÒ ¶§ ±×°Íµé(ÈÞ´ëÀüÈ­)Àº ÀÛµ¿ÀÌ Àß µÇÁö ¾Ê´Â´Ù.
1988³â Åë½ÅÀ§¼ºÀÌ °íÀå ³µÀ» ¶§ ¸î¸î ÈÞ´ëÀüÈ­ »ç¿ëÀÚµéÀÌ ÀüÈ­ ¼­ºñ½º¸¦ ¹ÞÁö ¸øÇß´Ù.
¶ÇÇÑ ±×°ÍµéÀº ¿îÀüÇÒ ¶§ »ç¿ëÇϸé À§ÇèÇÏ´Ù.
Á¡Á¡ ´õ ¸¹Àº ÀÚµ¿Â÷ »ç°í°¡ ÈÞ´ëÀüÈ­·Î À̾߱⸦ ÇÏ´Â µ¿¾È ÀϾ´Ù.
°Ô´Ù°¡ ÈÞ´ëÀüÈ­¸¦ ÀÌ¿ëÇÑ ´ëÈ­°¡ ³ëÃâµÇ±âµµ ÇÑ´Ù.
¸î¸î »ç¶÷µéÀº ´Ù¸¥ »ç¶÷µéÀÌ ÈÞ´ëÀüÈ­·Î ÅëÈ­ÇÏ´Â µ¿¾È ±×µéÀÇ ´ëÈ­¸¦ ¿³µéÀ» ¼öµµ ÀÖ´Ù.

Listening to long talks in a foreign language can be very demanding on students.
Therefore it is generally more suitable for learners in the early stages to listen to fairly short statements and simple conversations.
A number of listening tests contain short statements in the form of instructions or directions.
Other listening tests contain short and easy conversations on which that questions are based.
±ä À̾߱⸦ ¿Ü±¹¾î·Î µè´Â ÀÏÀº Çлýµé¿¡°Ô ¸Å¿ì ¹«¸®°¡ µÈ´Ù.
±×·¯¹Ç·Î Ãʱ⠴ܰèÀÇ ÇнÀÀÚµéÀº ¾ÆÁÖ ÂªÀº Áø¼ú°ú ´ëÈ­¸¦ µè´Â °ÍÀÌ ´ëü·Î ÀûÀýÇÏ´Ù.
¸¹Àº µè±â Æò°¡¿¡´Â Áö½Ã ¶Ç´Â Á¦½Ã ÇüÅ·ΠµÈ ªÀº Áø¼úµéÀÌ Æ÷ÇԵǾî ÀÖ´Ù.
¶Ç ´Ù¸¥ µè±â Æò°¡¿¡¼­´Â Áú¹®ÀÌ µû¶ó ³ª¿À´Â ª°í ½¬¿î ´ëÈ­µéÀÌ Æ÷ÇԵǾî ÀÖ´Ù.

As well as talking with our voices we can also talk with our bodies.
This may seem surprising at first.
But if you watch two people having a conversation you will see that it is true.
People often move their hands to emphasize what they are saying and to show the person listening to them that they are saying something important.
Listeners use gestures, too.
They may nod their heads to show that they have understood or shake them to indicate disagreement.
¿ì¸®´Â ¸ñ¼Ò¸®·Î À̾߱⸦ ³ª´­ »Ó¸¸ ¾Æ´Ï¶ó ¸öÀ¸·Îµµ À̾߱⸦ ÇÒ ¼ö ÀÖ´Ù.
À̰ÍÀº óÀ½¿¡´Â ³î¶ø°Ô ¿©°ÜÁúÁöµµ ¸ð¸¥´Ù.
±×·¯³ª ¸¸ÀÏ ´ç½ÅÀÌ µÎ »ç¶÷ÀÌ ´ëÈ­¸¦ ÇÏ´Â °ÍÀ» ÁöÄѺ»´Ù¸é ±×°ÍÀÌ »ç½ÇÀÓÀ» ¾Ë ¼ö ÀÖÀ» °ÍÀÌ´Ù.
»ç¶÷µéÀº ÀڱⰡ ¸»ÇÏ´Â ³»¿ëÀ» °­Á¶Çϰí ÀڱⰡ Áß¿äÇÑ °ÍÀ» ¸»Çϰí ÀÖ´Ù´Â Á¡À» °æÃ»ÀÚ µé¿¡°Ô º¸¿© ÁÖ±â À§ÇÏ¿© ¼ÕÀ» ÀÚÁÖ ¿òÁ÷ÀδÙ.
°æÃ»ÀÚµµ ¶ÇÇÑ Á¦½ºÃ³¸¦ »ç¿ëÇÑ´Ù.
±×µéÀº ÀÚ±âµéÀÌ ÀÌÇØÇϰí ÀÖ´Ù´Â °ÍÀ» º¸¿©ÁÖ·Á°í °í°³¸¦ ²ô´öÀ̰ųª µ¿ÀÇÇÏÁö ¾Ê´Â´Ù´Â °ÍÀ» ³ªÅ¸³»±â À§ÇÏ¿© °í°³¸¦ °¡·ÎÁ£´Â´Ù.

One day, a poor man named Scott, came to visit Taylor.
He said, ¡°Taylor, I need your help. I am a poor man, a man with no money.¡±
Taylor looked at him kindly and answered, ¡°I'll help you. Tell me what's wrong.¡±
Scott said, ¡°Yesterday I stopped in front of the door of a restaurant.
The restaurant belonged to a rich man.
I only smelled the food.
However, he wanted me to pay him for the food.
And he called the judge.
The judge said I must go to the court today.
Please Taylor, can you help me?¡±
In the court the rich man began shouting angrily at Scott.
And the judge asked Scott to pay him right now.
Taylor stepped forward and then said, ¡°This poor man is my elder brother. I will pay you instead.¡±
After he heard this, the rich man smiled, thinking about his payment.
Then Taylor took a bag of money from his belt, a bag of copper coins.
He bent down next to the rich man and shook the bag.
¡°Listen. Do you hear this sound?¡± said he.
¡°Of course I hear it,¡± shouted the rich man impatiently.
¡°Well, then,¡± answered Taylor, ¡°the problem is solved. The debt is paid.
My brother has smelled your food, and you have heard his money.¡±
The poor man was saved.
¾î´À ³¯, ScottÀ̶ó´Â ÇÑ ºÒ½ÖÇÑ »ç¶÷ÀÌ Taylor¸¦ ã¾Æ¿Ô´Ù.
±×´Â ¡°Taylor¾¾, ´ç½ÅÀÇ µµ¿òÀÌ ÇÊ¿äÇØ¿ä. ³­ µ· ÇÑ Ç¬ ¾ø´Â ºÒ½ÖÇÑ »ç¶÷ÀÌ¿À.¡±¶ó°í ¸»Çß´Ù.
Taylor´Â ±×¸¦ Ä£ÀýÇÏ°Ô ÃÄ´Ùº¸¸ç, ¡°³»°¡ µµ¿ÍÁÖ°Ú¼Ò. ¹«½¼ ÀÏÀÎÁö ³»°Ô ¸»ÇϽÿÀ.¡±¶ó°í ´ë´äÇÏ¿´´Ù.
Scott´Â ¡°¾îÁ¦ ³»°¡ À½½ÄÁ¡ ¹® ¾Õ¿¡ ¼­ ÀÖ¾ú°Åµç¿ä.
±× À½½ÄÁ¡Àº ¾î´À ºÎÀÚÀÇ °ÍÀ̾ú¾î¿ä.
³­ ´ÜÁö À½½Ä ³¿»õ¸¸À» ¸Ã¾ÒÁö¿ä.
±×·¯³ª ±×´Â ³¯´õ·¯ À½½Ä°ªÀ» ³»¶ó´Â °Å¿¹¿ä.
±×¸®°í´Â ÆÇ»ç¸¦ ºÒ·¶¾î¿ä.
±× ÆÇ»ç´Â ³»°¡ ¿À´Ã ¹ýÁ¤¿¡ °¡¾ß ÇÑ´Ù´Â °Ì´Ï´Ù.
Taylor¾¾, ³ª Á» µµ¿ÍÁÙ ¼ö ÀÖ°Ú¾î¿ä?¡±
¹ýÁ¤¿¡¼­ ±× ºÎÀÚ´Â Scott¸¦ ÇâÇØ È­¸¦ ³»¸ç ¼Ò¸®¸¦ Ä¡±â ½ÃÀÛÇÏ¿´´Ù.
±×¸®°í ÆÇ»ç´Â ±×¿¡°Ô ´çÀå À½½Ä°ªÀ» ÁöºÒÇ϶ó°í ÇÏ¿´´Ù.
Taylor´Â ¾ÕÀ¸·Î °É¾î ³ª¿Í¼­ ¡°ÀÌ ºÒ½ÖÇÑ »ç¶÷Àº ³ªÀÇ ÇüÀÌ¿À. ³»°¡ ´ë½Å °±¾ÆÁÖ°Ú¼Ò¡±¶ó°í ¸»ÇÏ¿´´Ù.
ºÎÀÚ´Â ÀÌ ¸»À» µè°í ³ª¼­ À½½Ä°ª ¹ÞÀ» °ÍÀ» »ý°¢ÇÏ¸ç ¹Ì¼Ò¸¦ Áö¾ú´Ù.
±×¶§, Taylor´Â Ç㸮Ãã¿¡¼­ ±¸¸® µ¿ÀüÀÌ µç µ·ÁָӴϸ¦ ²¨³Â´Ù.
±×´Â ºÎÀÚ ¿·¿¡¼­ ¸öÀ» ±¸ºÎ¸®°í ±× µ·ÁָӴϸ¦ Èçµé¾ú´Ù.
±×´Â ¡°µéÀ¸½Ã¿À. ÀÌ ¼Ò¸® µè°í ÀÖ¼Ò?¡±¶ó°í ¸»Çß´Ù.
±× ºÎÀÚ´Â ¡°¹°·Ð, µè°í ÀÖ¼Ò.¡±¶ó°í ¼º±ÞÇÏ°Ô ¿ÜÃÆ´Ù.
Taylor´Â ¡°ÀÚ, ±×·³, ¹®Á¦´Â ÇØ°áµÇ¾ú±º¿ä. ºúÁø °Í ´Ù °±¾Ò¼Ò.
³» ÇüÀº ´ç½ÅÀÇ À½½Ä ³¿»õ¸¦ ¸Ã¾Ò°í, ´ç½ÅÀº ÇüÀÇ µ· ¼Ò¸®¸¦ µé¾ú¼Ò.¡±
(±×·¸°Ô ÇØ¼­) ±× ºÒ½ÖÇÑ ³²ÀÚ´Â °ï°æ¿¡¼­ ¹þ¾î³µ´Ù.

The captain of a luxury liner was instructing a new crew member on part of his job.
¡°Your responsibility, sailor, in case of danger, is to yell ¡®Man the lifeboats! Man the lifeboats!'¡±
The sailor practiced it and soon had it down perfectly.
A few hours later, the boat was hit by an iceberg and began sinking.
The sailor yelled, ¡°Woman the lifeboats! Woman the lifeboats!¡± The captain was surprised.
¡°What's going on?¡± he demanded.
¡°Listen, captain,¡± the sailor replied, ¡°you fill your boats the way you want, and I'll fill my boats the way I want!¡±
ÇÑ È£È­ ¿©°´¼± ¼±ÀåÀÌ »õ·Î ¿Â ¼±¿ø¿¡°Ô ±×ÀÇ ÇÒ ÀÏÀ» °¡¸£Ä¡°í ÀÖ¾ú´Ù.
¡°¼±¿øÀ¸·Î¼­ÀÇ ´ç½ÅÀÇ ÀÓ¹«´Â À§Çè¿¡ óÇßÀ» ¶§, ¡®±¸¸íº¸Æ®¿¡ »ç¶÷µéÀ» Å¿ö¶ó! ±¸¸íº¸Æ®¿¡ »ç¶÷µéÀ» Å¿ö¶ó!'ÇÏ°í ¼Ò¸®¸¦ Áö¸£´Â °ÍÀÌ¿À.¡±
±× ¼±¿øÀº ±×°ÍÀ» ¿¬½ÀÇÏ¿© °ð ¿Ïº®È÷ ¿Ï¼öÇÒ ¼ö ÀÖ¾ú´Ù.
¸î ½Ã°£ µÚ¿¡, ±× ¿©°´¼±Àº ºùÇÏ¿¡ ºÎµúÇû°í °¡¶ó¾É±â ½ÃÀÛÇß´Ù.
±× ¼±¿øÀº ¡°¿©¼ºµéÀº ±¸¸íº¸Æ®¿¡ Ÿ½Ã¿À! ¿©¼ºµéÀº ±¸¸íº¸Æ®·Î!¡± ÇÏ°í ¼Ò¸®ÃÆ´Ù.
¼±ÀåÀº ³î¶ó¼­´Â ¡°µµ´ëü ¹«½¼ ÀÏÀΰ¡?¡±ÇÏ°í ±×°¡ ¹°¾ú´Ù.
¡°º¸¼¼¿ä, ¼±Àå´Ô, ´ç½ÅÀº ´ç½ÅÀÌ ¿øÇÏ´Â ¹æ½Ä´ë·Î ¹è¸¦ ´Ù ä¿ì°í Àú´Â Á¦°¡ ¿øÇÏ´Â ¹æ½Ä´ë·Î Á¦ ¹èµéÀ» ä¿ì°Ú½À´Ï´Ù.¡±¶ó°í ´ë´äÇß´Ù.

When we hear about wetlands such as swamps and bogs, we are often reminded of unpleasant experiences:
we get swamped with homework and bogged down in math problems.
This makes it hard to realize the importance of wetlands.
Wetlands are important to many kinds of animals and plants that live there.
Some birds nest in wetlands and others use them for rest stops during flights.
Wetlands are important to people, too.
People visit wetlands to fish, take pictures and just listen to the sounds and enjoy being outdoors.
Wetlands also help us in other ways.
They control flooding by soaking up water like a sponge and then letting it out later on.
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½ÀÁö´Â »ç¶÷µé¿¡°Ôµµ Áß¿äÇÏ´Ù.
»ç¶÷µéÀº ¹°°í±â¸¦ Àâ°Å³ª, »çÁøÀ» Âï°Å³ª, ´ÜÁö ¼Ò¸®¸¦ µéÀ¸¸é¼­ ¾ß¿Ü¿¡ ÀÖ´Â °ÍÀ» Áñ±â±â À§Çؼ­ ½ÀÁö¸¦ ã´Â´Ù.
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When you're having a conversation with someone and he is angry, listen patiently.
Once you get impatient and start arguing, your position hardens, the other person's position hardens, and it becomes impossible to find a mutually agreeable solution to the issues being discussed.
So if you don't want to get into an argument, stay calm and say nothing, though you'll certainly be tempted to interrupt and respond to the person's statements.
Within a few minutes the person will use up all of his anger and energy and talk himself out.
Now that he has calmed down, you can have an intelligent conversation.
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ÀÏ´Ü Àγ»½ÉÀ» ÀÒ°í ³íÀïÀ» ½ÃÀÛÇϸé, ¿©·¯ºÐÀÇ ÀÔÀåÀÌ ¿Ï°íÇØÁö°í, »ó´ë¹æÀÇ ÀÔÀåµµ ¿Ï°íÇØÁö¸ç, ³íÀǵǰí ÀÖ´Â ¹®Á¦¿¡ ´ëÇÏ¿© ¼­·Î µ¿ÀÇÇÒ ¼ö ÀÖ´Â ÇØ°áÃ¥À» ã±â°¡ ºÒ°¡´ÉÇØÁø´Ù.
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The room was so silent that one could have heard a pin drop.
Kerry watched as the verdict was passed over to the judge.
He opened the envelope.
At the sound of paper tearing, her heart was thumping.
The judge cleared his throat, and drew in a breath of air.
¡°After hearing from both sides in this court, and listening to all the events throughout the past five years,
the court has decided to rule in favor of Mr. Paul Martin,¡± the judge announced.
Kerry felt the ground fall from beneath her.
She was speechless.
Now all was lost.
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Kerry´Â Æò°áÀÌ ÆÇ»ç¿¡°Ô Àü´ÞµÇ´Â ¸ð½ÀÀ» ÁöÄѺ¸¾Ò´Ù.
±×´Â ºÀÅõ¸¦ ¿­¾ú´Ù.
Á¾ÀÌ Âõ´Â ¼Ò¸®¸¦ µéÀ¸¸ç ±×³àÀÇ °¡½¿Àº ¶Ù°í ÀÖ¾ú´Ù.
ÆÇ»ç´Â ¸ñûÀ» °¡´Ùµë°í ½ÉÈ£ÈíÀ» Çß´Ù.
¡°º» ¹ýÁ¤Àº ¾çÂÊÀÇ ¸»À» µè°í Áö³­ 5³â°£¿¡ °ÉÃÄ ÀϾ ¸ðµç »ç°ÇµéÀ» µé¾îº» °á°ú
Paul Martin¾¾ÀÇ ¼ÕÀ» µé¾î ÁÖ±â·Î °áÁ¤Çß½À´Ï´Ù.¡±¶ó°í ÆÇ»ç°¡ ¸»Çß´Ù.
Kerry´Â ¹ß¾Æ·¡ÀÇ ¶¥ÀÌ ²¨Áö´Â °ÍÀ» ´À²¼´Ù.
±×³à´Â ¸»À» ÀÒ¾ú´Ù.
ÀÌÁ¦ ¸ðµç °ÍÀÌ »ç¶óÁ³´Ù.

You probably can recognize this situation
because it is just one of many examples where men and women quarrel.
This problem is not just Tom and Mary¡¯s but is present in almost every relationship.
Solving this problem for Tom and Mary depends not on how much they loved each other
but on how much they understood the opposite sex.
Without knowing that women really do need to talk about problems to feel better,
Tom would continue to think Mary talked too much and resist listening to her.
Without knowing that Tom was reading the news to feel better, Mary would feel ignored and neglected.
She would persist in trying to get him to talk when he didn¡¯t want to.
These two differences can be resolved by first understanding in greater detail how men and women cope with stress.
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¿Ö³ÄÇϸé, À̰ÍÀº ³²³à°¡ ´ÙÅõ´Â ¸¹Àº ¿¹µé ÁßÀÇ ÇϳªÀ̱⠶§¹®ÀÌ´Ù.
ÀÌ ¹®Á¦´Â Tom°ú MaryÀÇ ¹®Á¦¸¸ÀÌ ¾Æ´Ï°í °ÅÀÇ ¸ðµç °ü°è¿¡ Á¸ÀçÇÏ´Â ¹®Á¦ÀÌ´Ù.
Tom°ú Mary°¡ ÀÌ ¹®Á¦¸¦ ÇØ°áÇÏ´Â °ÍÀº, ±×µéÀÌ ¼­·Î¸¦ ¾ó¸¶Å­ »ç¶ûÇÏ´À³Ä¿¡ ´Þ·ÁÀÖ´Â °ÍÀÌ ¾Æ´Ï¶ó
À̼º(ì¶àõ)À» ¾ó¸¶Å­ ÀÌÇØÇÏ´À³Ä¿¡ ´Þ·ÁÀÖ´Ù.
¿©¼ºµéÀÇ °æ¿ì ±âºÐÀÌ ³ª¾ÆÁö±â À§Çؼ­´Â ¹®Á¦¿¡ ´ëÇØ¼­ ¸»ÇÏ´Â °ÍÀÌ Á¤¸»·Î ÇÊ¿äÇÏ´Ù´Â »ç½ÇÀ» TomÀÌ ¸ð¸¥´Ù¸é,
±×´Â °è¼Ó¿¡¼­ Mary°¡ ¸»ÀÌ ³Ê¹« ¸¹´Ù°í »ý°¢ÇÏ¸ç ±×³àÀÇ ¸»¿¡ ±Í ±â¿ïÀÌ·Á ÇÏÁö ¾ÊÀ» °ÍÀÌ´Ù.
TomÀÌ ±âºÐÀüȯÀ» À§ÇØ ½Å¹®À» Àаí ÀÖ´Ù´Â °ÍÀ» Mary°¡ ¾ËÁö ¸øÇÑ´Ù¸é, ±×³à´Â ÀÚ½ÅÀÌ ¹«½Ã´çÇÏ°í ¼ÒȦÇÏ°Ô ´ëÁ¢¹Þ´Â´Ù°í ´À³¥ °ÍÀÌ´Ù.
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ÀÌ µÎ °¡Áö Â÷ÀÌÁ¡Àº, ³²¼º°ú ¿©¼ºÀÌ ½ºÆ®·¹½º¿¡ ´ëóÇÏ´Â ¹æ½ÄÀ» ÀÚ¼¼ÇÏ°Ô ÀÌÇØÇÔÀ¸·Î½á ÇØ¼ÒµÉ ¼ö ÀÖ´Ù.

Can background music affect our impressions toward a product?
To answer that question, a group of researchers conducted a study.
Subjects in the study were shown slides of light blue or beige pens.
At the same time they looked at the pens, they heard either pleasant or unpleasant music.
Later they were told to choose one of the pens as a gift.
The majority of them chose the pen they had looked at while they were listening to pleasant background music.
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±× Áú¹®¿¡ ´äÇϱâ À§ÇØ ÀÏ´ÜÀÇ ¿¬±¸¿øµéÀÌ ¿¬±¸¸¦ ½Ç½ÃÇÏ¿´´Ù.
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±×µéÀº ÆæÀ» º¸´Â µ¿½Ã¿¡ À¯ÄèÇϰųª ºÒÄèÇÑ À½¾ÇÀ» µé¾ú´Ù.


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