fabled
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³×À̹ö»çÀü ´ÙÀ½»çÀü Cambridge M-W M-W Thesaurus OneLook Wordnet Google
apologue £Û¢¥©¡£ð¡Ó£ì£à£ï:£ç£Ý ±³ÈÆ´ã¿ìÈ(º¸±â: Aesop's Fables)
fabled £Û£æ¢¥£å£é£â£ì£ä£Ý À̾߱â(Àü¼³)·Î À¯¸íÇÑ, Àü¼³ÀûÀÎ, ²Ù¸ç³½ À̾߱âÀÇ, Ç㱸ÀÇ
fable £Û£æ¢¥£å£é£â£ì£Ý ¿ìÈ, Àü¼³, ½ÅÈ, ²Ù¸ç³½ À̾߱â, Áö¾î³½ À̾߱â, ÁٰŸ®, ¿ìȸ¦ À̾߱âÇÏ´Ù, °ÅÁþ¸»ÇÏ´Ù, ²Ù¸ç³½ À̾߱⸦ ÇÏ´Ù, ²Ù¸ç³»´Ù
fable ¿ìÈ
allegory dzÀ¯; ¿ìÈ (story in which characters are used as symbols; fable)
"Pilgrim's Progress" is an allegory of the temptations and victories of man's
soul.
Lesson 10 Fables and Short Stories
10°ú ¿ìÈ¿Í ÂªÀº À̾߱âµé
Aesop's Fables
À̼٠¿ìÈ
He told fables that were about different animals.
±×´Â ¿©·¯ µ¿¹°µé¿¡ °üÇÑ ¿ìȸ¦ µé·Á ÁÖ¾ú´Ù.
Fables are short stories that have a moral or lesson.
¿ìÈ´Â ±³ÈÆÀ̳ª °¡¸£Ä§ÀÌ Àִ ªÀº À̾߱âÀÌ´Ù.
These tales have become known as Aesop's fables.
ÀÌ À̾߱âµéÀÌ À̼٠¿ìÈ·Î ¾Ë·ÁÁö°Ô µÇ¾ú´Ù.
They are the most famous fables in the world.
À̰ÍÀº ¼¼»ó¿¡¼ °¡Àå À¯¸íÇÑ ¿ìÈÀÌ´Ù.
Although Aesop's fables are usually stories about animals, they help teach humans how to live their lives well.
ºñ·Ï À̼٠¿ìȰ¡ ÁÖ·Î µ¿¹°¿¡ °üÇÑ À̾߱âÀ̱ä ÇÏÁö¸¸, ±×°ÍÀº Àΰ£µé¿¡°Ô Àß »ç´Â ¹ýÀ» ±ú´Ý°Ô ÇØ ÁØ´Ù.
Here are some morals from Aesop's fables:
¿©±â À̼٠¿ìÈ¿¡¼ ¹ßÃéÇÑ ¸î °³ÀÇ ±³ÈƵéÀÌ ÀÖ´Ù:
Aesop's fables are classic example of the apologue.
À̼ÙÀ̾߱â´Â ±³ÈÆÀû ¿ìÈÀÇ °íÀüÀûÀÎ º»º¸±âÀÌ´Ù.
As no man had ever a point of pride that was not injurious to him,
so no man had ever a defect that was not somewhere made useful to him.
The stag in the fable admired his horns and blamed his feet, but when
the hunter came, his feet saved him, and afterwards, caught in a
thicket, his horn destroyed him
ÇØ°¡ µÇ´Â ÀÚ¶û°Å¸®¸¦ ´©±¸³ª °¡Áö°í ÀÖµíÀÌ, ¾àÁ¡ÀÌ µµ¿òÀ» ÁÖ´Â °æ¿ìµµ
ÀÖ´Ù. ¿ìÈ¿¡ ³ª¿À´Â ¼ý»ç½¿Àº »ÔÀ» ÀÚ¶ûÇÏ°í ¹ßµéÀ» ¹Ì¿öÇߴµ¥,
»ç³É²Û¿¡°Ô ÂѰåÀ» ¶§, ´Ù¸®´Â ±×¸¦ ±¸Çߴµ¥ ³ªÁß¿¡ ´ýºÒ ½£¿¡ °É·ÈÀ»
¶§, »ÔÀÌ ±×¸¦ Á׿´´Ù.
´ÙÀ½ ±¸ÀýÀº ¾î¶² À¯¸íÇÑ ¿ìÈ¿¡¼ ÀοëµÇ¾ú´Ù.
The following passage was quoted from a well-known fable.
[À§Å°] ¿ìÈ Fable
[ÛÝ] ¿ìÈ (éÕü¥) fable
[ÛÝ] ¿ìÈÁý (éÕü¥ó¢) Les Fables
[ÛÝBr] ¿ìÈ [ éÕü¥, fable ]
[ÛÝBr] ºñµåÆÄÀÌ ¿ìÈ [ ¦¡ éÕü¥, The Fables of Bidpai ]
[ÛÝBr] ¿ìÈÁý [ éÕü¥ó¢, Fables ]
fable ¿ìÈ
fabled Áö¾î³½À̾߱â,¿ìÈ·ÎÀüÇØÁü
The seeds of hardwoods are quick to germinate
Ȱ¿±¼öÀÇ ¾¾¾ÑÀº »¡¸® ¹ß¾ÆÇÏÁö¸¸
but, like the fabled tortoise, their strategy is to be slow and steady.
"Åä³¢¿Í °ÅºÏÀÌ"ÀÇ °ÅºÏÀÌó·³ "õõÈ÷ ²ÙÁØÇϰÔ"°¡ Àü·«ÀÔ´Ï´Ù
Vines and other climbers put all their energy into rapid vertical growth, rather than girth
Æ÷µµ µî µ¢±¼½Ä¹°Àº µ¢Ä¡º¸´Ù´Â ¼öÁ÷ ¼ºÀå¿¡ ¿¡³ÊÁö¸¦ ÅõÀÔÇÕ´Ï´Ù
though they'll need to be well supported.
¹°·Ð ÁöÁö´ë´Â ÇÊ¿äÇϰÚÁÒ
The climbers' strategy looks chaotic but there's method in their madness.
À̵éÀÇ Àü·«Àº ¹«Áú¼ÇØ º¸ÀÌÁö¸¸ ³ª¸§´ë·ÎÀÇ Àü¼úÀÌ ÀÖ½À´Ï´Ù
Their growing tips circle like lassoes, searching out anchors for their spindly stems.
¼ºÀåÁ¡ÀÌ ¿Ã°¡¹Ìó·³ ȸÀüÇÏ¸é¼ ÁöÅÊÇØ ÁÙ Áٱ⸦ ã½À´Ï´Ù
They put coils in their tendrils
µ¢±¼¼Õ¿¡ ÄÚÀÏÀ» °¨¾ÆµÎ¾î
so that if their support moves, they will stretch and not snap.
ÁöÁö´ë°¡ À̵¿ÇÏ´õ¶óµµ ºÎ·¯ÁöÁö ¾ÊÀ» ¼ö ÀÖ½À´Ï´Ù
But the frontrunners at this stage, the first to fill the clearing,
ÇÏÁö¸¸ ÀÌ ´Ü°è¿¡¼ ºó °ø°£À» ä¿ì´Â ¼±µÎÁÖÀÚ´Â
are pioneers like the macarangas.
¸¶Ä«¶û°¡¿Í °°Àº °³Ã´ÀÚÀÔ´Ï´Ù
Their immense leaves capture huge amounts of sunlight, so fueling their growth.
À̵éÀº ÀÙÀÌ ¾ÆÁÖ Ä¿¼ ÇÞºûÀ» ¸¹ÀÌ Èí¼öÇϰí, »¡¸® ¼ºÀåÇÕ´Ï´Ù
As a result the macarangas grow a remarkable eight meters a year
±× °á°ú ¸¶Ä«¶û°¡´Â Àϳ⿡ 8¹ÌÅͶó´Â ³î¶ó¿î ¼Óµµ·Î ¼ºÀåÇϸç
surging ahead of almost all their rivals.
°ÅÀÇ ¸ðµç ¶óÀ̹úµéÀ» ¾ÐµµÇعö¸³´Ï´Ù
It had to happen eventually.
°á±¹ ÀÌ·¸°Ô µÉ ÀÏÀ̾ú¾î¿ä
Why? / You're the scientist.
- ¿ÖÁÒ? - ´ç½ÅÀº °úÇÐÀÚÀ̽ÃÀݾƿä
I should have thought you'd figured that out.
´ç½ÅÀº ¾Ë¾ÆÃ§ °Å¶ó´Â °É »ý°¢Çß¾î¾ß Çߴµ¥
I haven't.
¸ô¶ú½À´Ï´Ù
Think of the bugs, Grissom.
¹ú·¹µéÀ» »ý°¢ÇغÁ¿ä, ±×¸®¼¶ ¾¾
Cycle of life. Angels versus insects.
»ý¸íÀÇ ¼øÈ¯ °úÁ¤¿¡¼ õ»çµé°ú °ïÃæµéÀÌ ´ëÄ¡ÇÏÁÒ
When we die the fable we tell ourselves
¿ì¸®°¡ Á×À¸¸é ±¤¸íÀÇ ºû°ú õ»ç°¡ ÀÖ´Â °÷À¸·Î
is we go toward a white light and angels.
¶°³ª°Ô µÉ °Å¶ó°í ½º½º·Î¿¡°Ô °ÅÁþ¸»À» ÇÏÁö¸¸
But you and I both know the hard reality is that insects arrive
´ç½ÅÀ̳ª ³»°¡ Àß ¾Ë´Ù½ÃÇÇ ¿ì¸®°¡ Á×ÀÚ¸¶ÀÚ ¹ú·¹µéÀÌ ´Þ·Áµé¾î
immediately and begin turning us back to earth.
¿ì¸± ÈëÀ¸·Î µ¹·Áº¸³½´Ù´Â °ÍÀÌ ³ÃȤÇÑ Çö½ÇÀÌÁÒ
Yes. But the insects haven't killed anyone.
±×°Ç ±×·¸Áö¸¸ °ïÃæµéÀº ¿ì¸®¸¦ Á×ÀÌÁø ¾Ê½À´Ï´Ù
No.
±×·¸ÁÒ
But they'd die if they didn't have bodies to feed off of.
±×·¸Áö¸¸ ¸Ô¾îÄ¡¿ï ½Ãü°¡ ¾ø´Ù¸é ±×µéµµ Á×°Ô µÇ¾î ÀÖ¾î¿ä
And so will I.
Àúµµ ¸¶Âù°¡Áö°í¿ä
¡ß allegory, parable, fable
¿ì¸®¸»·Î ¹ø¿ªÇßÀ» ¶§ ¸ðµÎ "¿ìÈ, ºñÀ¯´ã" µî¿¡ ÇØ´çµÇ´Â ¸»µéÀÔ´Ï´Ù.
1) allegory : dzÀ¯, ¿ìÈ, ºñÀ¯´ã -> À±¸®¸¦ Á÷Á¢ÀûÀ¸·Î ¾ð±ÞÇÏÁø ¾ÊÀ¸³ª µ¶ÀÚ·Î ÇÏ¿©±Ý
±ú´Ý°Ô ÇØÁÖ´Â À̾߱â·Î º¸Åë ¸¹Àº Àι°µé°ú »ç°ÇµéÀ» ¿«¾î¼ ±æ°í Á¤±³ÇÏ°Ô ¸¸µì´Ï´Ù.
Dante's Divine Comedy is an allegory based on the struggle between the city-states of what is now Italy.
(´ÜÅ×ÀÇ ½Å°îÀº ÇöÀç ÀÌÅ»¸®¾ÆÀÎ ´ç½ÃÀÇ µµ½Ãµé »çÀÌ¿¡¼ ¹ú¾îÁö´Â °í³À» ´ãÀº dzÀ¯ÀÌ´Ù.)
2) parable : ¿ìÈ, ºñÀ¯(´ã) -> parableµµ allegory¿Í °°ÀÌ À±¸®¸¦ Á÷Á¢ÀûÀ¸·Î ¾ð±ÞÇÏÁö´Â
¾Ê½À´Ï´Ù. ±×·¯³ª ºñ½ÁÇÑ À̾߱⸦ ²ø¾î³»¾î À±¸®¸¦ °£Á¢ÀûÀ¸·Î º¸¿©ÁÝ´Ï´Ù.
The parables of the New Testamet make abstract moral principles concrete and vivid.
(½Å¾à¼º¼¿¡ ³ª¿À´Â ¿ìȵéÀº ±¸Ã¼ÀûÀ̸鼵µ »ý»ýÇÑ À±¸®Àû À̷еé·Î µÇ¾î ÀÖ´Ù.)
3) fable : (µ¿¹°À» »ç¶÷¿¡ ºñ±ä) ¿ìÈ,[ÃÑĪ] Àü¼³, ½ÅÈ, Áö¾î³½ À̾߱â, ²Ù¸ç³½ ÀÏ(fiction),
Àâ´ã, °´´ã, °ÅÁþ¸»(lie) -> µ¿¹°ÀÌ »ç¶÷ó·³ ¸»Çϰí ÇൿÇÏ¸é¼ ±×¸®´Â À̾߱â·Î º¸Åë
¸Ç ³ªÁß¿¡ À±¸®¸¦ °¡¸£Ä¨´Ï´Ù.
The fable of the tortoise and the hare drives home the moral that steady, persistent
application is more rewarding in the end than arrogant, unstable brilliance.
("Åä³¢¿Í °ÅºÏÀÌ" ¿ìÈ´Â ²ÙÁØÇϰí Àγ»ÇÏ´Â °ÍÀÌ ¿À¸¸ÇÏ°í º¯Çϱ⠽¬¿î ÃѸíÇÔº¸´Ù
°¡Ä¡°¡ ÀÖ´Ù´Â À±¸®¸¦ ±ú´Ý°Ô ÇÑ´Ù.)
µ¿¹° Áö·«´ãÀÇ Çö½ÇÀνİú ÀÇ¹Ì ¿¬±¸
The Study of Real Recognition and Meanings in Fables of Cleverness
°Ë»ö°á°ú´Â 28 °ÇÀ̰í ÃÑ 117 ¶óÀÎÀÇ ÀÚ·á°¡ Ãâ·ÂµÇ¾ú½À´Ï´Ù. ¸ÇÀ§·Î
(È¸é ¾îµð¼³ª Alt+Z : ´Ü¾î ÀçÀÔ·Â.)
(³»¿ë Áß °Ë»öÇÏ°í ½ÍÀº ´Ü¾î°¡ ÀÖÀ¸¸é ±× ´Ü¾î¸¦ ´õºíŬ¸¯Çϼ¼¿ä.)